diff --git a/build/Ox.UI/themes/classic/css/classic.css b/build/Ox.UI/themes/classic/css/classic.css new file mode 120000 index 00000000..ea4eca1b --- /dev/null +++ b/build/Ox.UI/themes/classic/css/classic.css @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/css/classic.css \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/png/scrollbarHorizontalDecrement.png b/build/Ox.UI/themes/classic/png/scrollbarHorizontalDecrement.png new file mode 120000 index 00000000..b385d7c0 --- /dev/null +++ b/build/Ox.UI/themes/classic/png/scrollbarHorizontalDecrement.png @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/png/scrollbarHorizontalDecrement.png \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/png/scrollbarHorizontalIncrement.png b/build/Ox.UI/themes/classic/png/scrollbarHorizontalIncrement.png new file mode 120000 index 00000000..af452ec6 --- /dev/null +++ b/build/Ox.UI/themes/classic/png/scrollbarHorizontalIncrement.png @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/png/scrollbarHorizontalIncrement.png \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/png/scrollbarVerticalDecrement.png b/build/Ox.UI/themes/classic/png/scrollbarVerticalDecrement.png new file mode 120000 index 00000000..ae73dc05 --- /dev/null +++ b/build/Ox.UI/themes/classic/png/scrollbarVerticalDecrement.png @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/png/scrollbarVerticalDecrement.png \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/png/scrollbarVerticalIncrement.png b/build/Ox.UI/themes/classic/png/scrollbarVerticalIncrement.png new file mode 120000 index 00000000..30bdb0ed --- /dev/null +++ b/build/Ox.UI/themes/classic/png/scrollbarVerticalIncrement.png @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/png/scrollbarVerticalIncrement.png \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolAdd.svg b/build/Ox.UI/themes/classic/svg/symbolAdd.svg new file mode 120000 index 00000000..a0257592 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolAdd.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolAdd.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolArrowDown.svg b/build/Ox.UI/themes/classic/svg/symbolArrowDown.svg new file mode 120000 index 00000000..e30bd1e7 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolArrowDown.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolArrowDown.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolArrowLeft.svg b/build/Ox.UI/themes/classic/svg/symbolArrowLeft.svg new file mode 120000 index 00000000..e899a372 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolArrowLeft.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolArrowLeft.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolArrowRight.svg b/build/Ox.UI/themes/classic/svg/symbolArrowRight.svg new file mode 120000 index 00000000..e3218313 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolArrowRight.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolArrowRight.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolArrowUp.svg b/build/Ox.UI/themes/classic/svg/symbolArrowUp.svg new file mode 120000 index 00000000..28484bd9 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolArrowUp.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolArrowUp.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolBracket.svg b/build/Ox.UI/themes/classic/svg/symbolBracket.svg new file mode 120000 index 00000000..458d391f --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolBracket.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolBracket.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolCenter.svg b/build/Ox.UI/themes/classic/svg/symbolCenter.svg new file mode 120000 index 00000000..38239a77 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolCenter.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolCenter.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolCheck.svg b/build/Ox.UI/themes/classic/svg/symbolCheck.svg new file mode 120000 index 00000000..db6f0ec0 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolCheck.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolCheck.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolClose.svg b/build/Ox.UI/themes/classic/svg/symbolClose.svg new file mode 120000 index 00000000..a9c66c93 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolClose.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolClose.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolDelete.svg b/build/Ox.UI/themes/classic/svg/symbolDelete.svg new file mode 120000 index 00000000..f1ccb181 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolDelete.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolDelete.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolDown.svg b/build/Ox.UI/themes/classic/svg/symbolDown.svg new file mode 120000 index 00000000..c28d9eb4 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolDown.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolDown.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolDownload.svg b/build/Ox.UI/themes/classic/svg/symbolDownload.svg new file mode 120000 index 00000000..55acfb28 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolDownload.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolDownload.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolEdit.svg b/build/Ox.UI/themes/classic/svg/symbolEdit.svg new file mode 120000 index 00000000..7bff78aa --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolEdit.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolEdit.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolEmbed.svg b/build/Ox.UI/themes/classic/svg/symbolEmbed.svg new file mode 120000 index 00000000..0ec98fbd --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolEmbed.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolEmbed.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolFill.svg b/build/Ox.UI/themes/classic/svg/symbolFill.svg new file mode 120000 index 00000000..4455e648 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolFill.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolFill.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolFind.svg b/build/Ox.UI/themes/classic/svg/symbolFind.svg new file mode 120000 index 00000000..af08b1ff --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolFind.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolFind.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolFit.svg b/build/Ox.UI/themes/classic/svg/symbolFit.svg new file mode 120000 index 00000000..01705bfc --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolFit.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolFit.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolFlag.svg b/build/Ox.UI/themes/classic/svg/symbolFlag.svg new file mode 120000 index 00000000..3d09149d --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolFlag.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolFlag.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolGoToIn.svg b/build/Ox.UI/themes/classic/svg/symbolGoToIn.svg new file mode 120000 index 00000000..e15f9d53 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolGoToIn.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolGoToIn.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolGoToOut.svg b/build/Ox.UI/themes/classic/svg/symbolGoToOut.svg new file mode 120000 index 00000000..0615765e --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolGoToOut.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolGoToOut.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolGoToPoster.svg b/build/Ox.UI/themes/classic/svg/symbolGoToPoster.svg new file mode 120000 index 00000000..5b78f11c --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolGoToPoster.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolGoToPoster.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolGrow.svg b/build/Ox.UI/themes/classic/svg/symbolGrow.svg new file mode 120000 index 00000000..8efe5378 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolGrow.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolGrow.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolHelp.svg b/build/Ox.UI/themes/classic/svg/symbolHelp.svg new file mode 120000 index 00000000..1135d1d8 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolHelp.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolHelp.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolInfo.svg b/build/Ox.UI/themes/classic/svg/symbolInfo.svg new file mode 120000 index 00000000..e394bb5d --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolInfo.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolInfo.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolLeft.svg b/build/Ox.UI/themes/classic/svg/symbolLeft.svg new file mode 120000 index 00000000..6e607b09 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolLeft.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolLeft.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolLike.svg b/build/Ox.UI/themes/classic/svg/symbolLike.svg new file mode 120000 index 00000000..a79baa28 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolLike.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolLike.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolLoading.svg b/build/Ox.UI/themes/classic/svg/symbolLoading.svg new file mode 120000 index 00000000..e17b5557 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolLoading.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolLoading.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolLoadingAnimated.svg b/build/Ox.UI/themes/classic/svg/symbolLoadingAnimated.svg new file mode 120000 index 00000000..d02d94ee --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolLoadingAnimated.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolLoadingAnimated.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolLock.svg b/build/Ox.UI/themes/classic/svg/symbolLock.svg new file mode 120000 index 00000000..8a17dc72 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolLock.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolLock.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolMount.svg b/build/Ox.UI/themes/classic/svg/symbolMount.svg new file mode 120000 index 00000000..16066654 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolMount.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolMount.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolMute.svg b/build/Ox.UI/themes/classic/svg/symbolMute.svg new file mode 120000 index 00000000..95f9c616 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolMute.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolMute.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolNone.svg b/build/Ox.UI/themes/classic/svg/symbolNone.svg new file mode 120000 index 00000000..e78644b1 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolNone.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolNone.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolPause.svg b/build/Ox.UI/themes/classic/svg/symbolPause.svg new file mode 120000 index 00000000..c64b8ff4 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolPause.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolPause.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolPlayInToOut.svg b/build/Ox.UI/themes/classic/svg/symbolPlayInToOut.svg new file mode 120000 index 00000000..841584a2 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolPlayInToOut.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolPlayInToOut.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolPublish.svg b/build/Ox.UI/themes/classic/svg/symbolPublish.svg new file mode 120000 index 00000000..9045ea22 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolPublish.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolPublish.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolRedo.svg b/build/Ox.UI/themes/classic/svg/symbolRedo.svg new file mode 120000 index 00000000..f0afa0f7 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolRedo.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolRedo.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolRemove.svg b/build/Ox.UI/themes/classic/svg/symbolRemove.svg new file mode 120000 index 00000000..7aff687e --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolRemove.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolRemove.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolRight.svg b/build/Ox.UI/themes/classic/svg/symbolRight.svg new file mode 120000 index 00000000..951c75eb --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolRight.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolRight.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolSelect.svg b/build/Ox.UI/themes/classic/svg/symbolSelect.svg new file mode 120000 index 00000000..e1a6b2dd --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolSelect.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolSelect.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolSet.svg b/build/Ox.UI/themes/classic/svg/symbolSet.svg new file mode 120000 index 00000000..bd9ae41a --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolSet.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolSet.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolSetIn.svg b/build/Ox.UI/themes/classic/svg/symbolSetIn.svg new file mode 120000 index 00000000..080320d5 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolSetIn.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolSetIn.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolSetOut.svg b/build/Ox.UI/themes/classic/svg/symbolSetOut.svg new file mode 120000 index 00000000..91f03765 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolSetOut.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolSetOut.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolSetPoster.svg b/build/Ox.UI/themes/classic/svg/symbolSetPoster.svg new file mode 120000 index 00000000..66dd4585 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolSetPoster.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolSetPoster.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolShrink.svg b/build/Ox.UI/themes/classic/svg/symbolShrink.svg new file mode 120000 index 00000000..4b8952f5 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolShrink.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolShrink.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolStar.svg b/build/Ox.UI/themes/classic/svg/symbolStar.svg new file mode 120000 index 00000000..3ba2da7c --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolStar.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolStar.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolSync.svg b/build/Ox.UI/themes/classic/svg/symbolSync.svg new file mode 120000 index 00000000..522d8f84 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolSync.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolSync.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolUndo.svg b/build/Ox.UI/themes/classic/svg/symbolUndo.svg new file mode 120000 index 00000000..6bc40a9e --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolUndo.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolUndo.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolUnlock.svg b/build/Ox.UI/themes/classic/svg/symbolUnlock.svg new file mode 120000 index 00000000..86783f26 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolUnlock.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolUnlock.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolUnmount.svg b/build/Ox.UI/themes/classic/svg/symbolUnmount.svg new file mode 120000 index 00000000..5a3b5275 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolUnmount.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolUnmount.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolUnmute.svg b/build/Ox.UI/themes/classic/svg/symbolUnmute.svg new file mode 120000 index 00000000..2c8707bb --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolUnmute.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolUnmute.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolUp.svg b/build/Ox.UI/themes/classic/svg/symbolUp.svg new file mode 120000 index 00000000..841175ce --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolUp.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolUp.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolUser.svg b/build/Ox.UI/themes/classic/svg/symbolUser.svg new file mode 120000 index 00000000..6ac9ee5a --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolUser.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolUser.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolView.svg b/build/Ox.UI/themes/classic/svg/symbolView.svg new file mode 120000 index 00000000..f290ddc4 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolView.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolView.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolVolumeDown.svg b/build/Ox.UI/themes/classic/svg/symbolVolumeDown.svg new file mode 120000 index 00000000..e3a14c9b --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolVolumeDown.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolVolumeDown.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolVolumeUp.svg b/build/Ox.UI/themes/classic/svg/symbolVolumeUp.svg new file mode 120000 index 00000000..096e86e8 --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolVolumeUp.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolVolumeUp.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolWarning.svg b/build/Ox.UI/themes/classic/svg/symbolWarning.svg new file mode 120000 index 00000000..ef59347b --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolWarning.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolWarning.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/classic/svg/symbolZoom.svg b/build/Ox.UI/themes/classic/svg/symbolZoom.svg new file mode 120000 index 00000000..3a78f3fd --- /dev/null +++ b/build/Ox.UI/themes/classic/svg/symbolZoom.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/classic/svg/symbolZoom.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/css/modern.css b/build/Ox.UI/themes/modern/css/modern.css new file mode 120000 index 00000000..2e8fbc7f --- /dev/null +++ b/build/Ox.UI/themes/modern/css/modern.css @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/css/modern.css \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/png/scrollbarHorizontalDecrement.png b/build/Ox.UI/themes/modern/png/scrollbarHorizontalDecrement.png new file mode 120000 index 00000000..de7576f8 --- /dev/null +++ b/build/Ox.UI/themes/modern/png/scrollbarHorizontalDecrement.png @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/png/scrollbarHorizontalDecrement.png \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/png/scrollbarHorizontalIncrement.png b/build/Ox.UI/themes/modern/png/scrollbarHorizontalIncrement.png new file mode 120000 index 00000000..084058c8 --- /dev/null +++ b/build/Ox.UI/themes/modern/png/scrollbarHorizontalIncrement.png @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/png/scrollbarHorizontalIncrement.png \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/png/scrollbarVerticalDecrement.png b/build/Ox.UI/themes/modern/png/scrollbarVerticalDecrement.png new file mode 120000 index 00000000..4e1ccf4a --- /dev/null +++ b/build/Ox.UI/themes/modern/png/scrollbarVerticalDecrement.png @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/png/scrollbarVerticalDecrement.png \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/png/scrollbarVerticalIncrement.png b/build/Ox.UI/themes/modern/png/scrollbarVerticalIncrement.png new file mode 120000 index 00000000..3c8ef50f --- /dev/null +++ b/build/Ox.UI/themes/modern/png/scrollbarVerticalIncrement.png @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/png/scrollbarVerticalIncrement.png \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolAdd.svg b/build/Ox.UI/themes/modern/svg/symbolAdd.svg new file mode 120000 index 00000000..2f60a885 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolAdd.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolAdd.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolArrowDown.svg b/build/Ox.UI/themes/modern/svg/symbolArrowDown.svg new file mode 120000 index 00000000..c0778621 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolArrowDown.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolArrowDown.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolArrowLeft.svg b/build/Ox.UI/themes/modern/svg/symbolArrowLeft.svg new file mode 120000 index 00000000..95348c28 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolArrowLeft.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolArrowLeft.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolArrowRight.svg b/build/Ox.UI/themes/modern/svg/symbolArrowRight.svg new file mode 120000 index 00000000..4b7b7bdb --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolArrowRight.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolArrowRight.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolArrowUp.svg b/build/Ox.UI/themes/modern/svg/symbolArrowUp.svg new file mode 120000 index 00000000..8becc683 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolArrowUp.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolArrowUp.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolBracket.svg b/build/Ox.UI/themes/modern/svg/symbolBracket.svg new file mode 120000 index 00000000..36003a27 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolBracket.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolBracket.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolCenter.svg b/build/Ox.UI/themes/modern/svg/symbolCenter.svg new file mode 120000 index 00000000..29942c92 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolCenter.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolCenter.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolCheck.svg b/build/Ox.UI/themes/modern/svg/symbolCheck.svg new file mode 120000 index 00000000..aeb35821 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolCheck.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolCheck.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolClose.svg b/build/Ox.UI/themes/modern/svg/symbolClose.svg new file mode 120000 index 00000000..f60746af --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolClose.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolClose.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolDelete.svg b/build/Ox.UI/themes/modern/svg/symbolDelete.svg new file mode 120000 index 00000000..ef496033 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolDelete.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolDelete.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolDown.svg b/build/Ox.UI/themes/modern/svg/symbolDown.svg new file mode 120000 index 00000000..d8e9c26d --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolDown.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolDown.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolDownload.svg b/build/Ox.UI/themes/modern/svg/symbolDownload.svg new file mode 120000 index 00000000..490bf04b --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolDownload.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolDownload.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolEdit.svg b/build/Ox.UI/themes/modern/svg/symbolEdit.svg new file mode 120000 index 00000000..7e84f690 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolEdit.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolEdit.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolEmbed.svg b/build/Ox.UI/themes/modern/svg/symbolEmbed.svg new file mode 120000 index 00000000..8447f6ed --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolEmbed.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolEmbed.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolFill.svg b/build/Ox.UI/themes/modern/svg/symbolFill.svg new file mode 120000 index 00000000..43c8b032 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolFill.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolFill.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolFind.svg b/build/Ox.UI/themes/modern/svg/symbolFind.svg new file mode 120000 index 00000000..34b8f126 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolFind.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolFind.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolFit.svg b/build/Ox.UI/themes/modern/svg/symbolFit.svg new file mode 120000 index 00000000..0e4c705a --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolFit.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolFit.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolFlag.svg b/build/Ox.UI/themes/modern/svg/symbolFlag.svg new file mode 120000 index 00000000..fc0992a2 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolFlag.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolFlag.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolGoToIn.svg b/build/Ox.UI/themes/modern/svg/symbolGoToIn.svg new file mode 120000 index 00000000..a0de3bdf --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolGoToIn.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolGoToIn.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolGoToOut.svg b/build/Ox.UI/themes/modern/svg/symbolGoToOut.svg new file mode 120000 index 00000000..e816002f --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolGoToOut.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolGoToOut.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolGoToPoster.svg b/build/Ox.UI/themes/modern/svg/symbolGoToPoster.svg new file mode 120000 index 00000000..026092f5 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolGoToPoster.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolGoToPoster.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolGrow.svg b/build/Ox.UI/themes/modern/svg/symbolGrow.svg new file mode 120000 index 00000000..862f3ce0 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolGrow.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolGrow.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolHelp.svg b/build/Ox.UI/themes/modern/svg/symbolHelp.svg new file mode 120000 index 00000000..280319a5 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolHelp.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolHelp.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolInfo.svg b/build/Ox.UI/themes/modern/svg/symbolInfo.svg new file mode 120000 index 00000000..775f07ce --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolInfo.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolInfo.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolLeft.svg b/build/Ox.UI/themes/modern/svg/symbolLeft.svg new file mode 120000 index 00000000..31939939 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolLeft.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolLeft.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolLike.svg b/build/Ox.UI/themes/modern/svg/symbolLike.svg new file mode 120000 index 00000000..931d27bc --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolLike.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolLike.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolLoading.svg b/build/Ox.UI/themes/modern/svg/symbolLoading.svg new file mode 120000 index 00000000..ebf8c88a --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolLoading.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolLoading.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolLoadingAnimated.svg b/build/Ox.UI/themes/modern/svg/symbolLoadingAnimated.svg new file mode 120000 index 00000000..721ad48d --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolLoadingAnimated.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolLoadingAnimated.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolLock.svg b/build/Ox.UI/themes/modern/svg/symbolLock.svg new file mode 120000 index 00000000..a5b9d9b6 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolLock.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolLock.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolMount.svg b/build/Ox.UI/themes/modern/svg/symbolMount.svg new file mode 120000 index 00000000..3b73b3f4 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolMount.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolMount.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolMute.svg b/build/Ox.UI/themes/modern/svg/symbolMute.svg new file mode 120000 index 00000000..926f20a5 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolMute.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolMute.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolNone.svg b/build/Ox.UI/themes/modern/svg/symbolNone.svg new file mode 120000 index 00000000..cd6d7139 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolNone.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolNone.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolPause.svg b/build/Ox.UI/themes/modern/svg/symbolPause.svg new file mode 120000 index 00000000..d9e5f4f0 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolPause.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolPause.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolPlayInToOut.svg b/build/Ox.UI/themes/modern/svg/symbolPlayInToOut.svg new file mode 120000 index 00000000..5b3abad5 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolPlayInToOut.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolPlayInToOut.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolPublish.svg b/build/Ox.UI/themes/modern/svg/symbolPublish.svg new file mode 120000 index 00000000..f1cea8c3 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolPublish.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolPublish.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolRedo.svg b/build/Ox.UI/themes/modern/svg/symbolRedo.svg new file mode 120000 index 00000000..a761442b --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolRedo.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolRedo.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolRemove.svg b/build/Ox.UI/themes/modern/svg/symbolRemove.svg new file mode 120000 index 00000000..2d18a69e --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolRemove.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolRemove.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolRight.svg b/build/Ox.UI/themes/modern/svg/symbolRight.svg new file mode 120000 index 00000000..813f5906 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolRight.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolRight.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolSelect.svg b/build/Ox.UI/themes/modern/svg/symbolSelect.svg new file mode 120000 index 00000000..0570a38a --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolSelect.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolSelect.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolSet.svg b/build/Ox.UI/themes/modern/svg/symbolSet.svg new file mode 120000 index 00000000..3544a850 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolSet.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolSet.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolSetIn.svg b/build/Ox.UI/themes/modern/svg/symbolSetIn.svg new file mode 120000 index 00000000..8ad56986 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolSetIn.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolSetIn.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolSetOut.svg b/build/Ox.UI/themes/modern/svg/symbolSetOut.svg new file mode 120000 index 00000000..9cefdf03 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolSetOut.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolSetOut.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolSetPoster.svg b/build/Ox.UI/themes/modern/svg/symbolSetPoster.svg new file mode 120000 index 00000000..3c638999 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolSetPoster.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolSetPoster.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolShrink.svg b/build/Ox.UI/themes/modern/svg/symbolShrink.svg new file mode 120000 index 00000000..cbc00f38 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolShrink.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolShrink.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolStar.svg b/build/Ox.UI/themes/modern/svg/symbolStar.svg new file mode 120000 index 00000000..67a29948 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolStar.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolStar.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolSync.svg b/build/Ox.UI/themes/modern/svg/symbolSync.svg new file mode 120000 index 00000000..0dd74040 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolSync.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolSync.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolUndo.svg b/build/Ox.UI/themes/modern/svg/symbolUndo.svg new file mode 120000 index 00000000..4a1f542b --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolUndo.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolUndo.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolUnlock.svg b/build/Ox.UI/themes/modern/svg/symbolUnlock.svg new file mode 120000 index 00000000..f0972e5c --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolUnlock.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolUnlock.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolUnmount.svg b/build/Ox.UI/themes/modern/svg/symbolUnmount.svg new file mode 120000 index 00000000..dcc8d272 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolUnmount.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolUnmount.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolUnmute.svg b/build/Ox.UI/themes/modern/svg/symbolUnmute.svg new file mode 120000 index 00000000..ee50cbee --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolUnmute.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolUnmute.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolUp.svg b/build/Ox.UI/themes/modern/svg/symbolUp.svg new file mode 120000 index 00000000..60fedc3d --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolUp.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolUp.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolUser.svg b/build/Ox.UI/themes/modern/svg/symbolUser.svg new file mode 120000 index 00000000..208b458e --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolUser.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolUser.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolView.svg b/build/Ox.UI/themes/modern/svg/symbolView.svg new file mode 120000 index 00000000..ea9b04d8 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolView.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolView.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolVolumeDown.svg b/build/Ox.UI/themes/modern/svg/symbolVolumeDown.svg new file mode 120000 index 00000000..e490ba89 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolVolumeDown.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolVolumeDown.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolVolumeUp.svg b/build/Ox.UI/themes/modern/svg/symbolVolumeUp.svg new file mode 120000 index 00000000..b0f8ab10 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolVolumeUp.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolVolumeUp.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolWarning.svg b/build/Ox.UI/themes/modern/svg/symbolWarning.svg new file mode 120000 index 00000000..f457e5c4 --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolWarning.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolWarning.svg \ No newline at end of file diff --git a/build/Ox.UI/themes/modern/svg/symbolZoom.svg b/build/Ox.UI/themes/modern/svg/symbolZoom.svg new file mode 120000 index 00000000..53774efd --- /dev/null +++ b/build/Ox.UI/themes/modern/svg/symbolZoom.svg @@ -0,0 +1 @@ +../../../../../source/Ox.UI/themes/modern/svg/symbolZoom.svg \ No newline at end of file diff --git a/demos/videoeditor/js/videoeditor.js b/demos/videoeditor/js/videoeditor.js index 6dd6fd14..4c8652c3 100644 --- a/demos/videoeditor/js/videoeditor.js +++ b/demos/videoeditor/js/videoeditor.js @@ -8,7 +8,7 @@ Ox.load('UI', { Ox.get('srt/' + id + '.srt', function(srt) { - var subtitles = Ox.parseSRT(srt, 25), + var subtitles = Ox.parseSRT(srt/*, 25*/), layers = [ { editable: true, @@ -115,6 +115,16 @@ Ox.load('UI', { $videoEditor.bindEvent({ resize: function(foo, size) { + Ox.print('RESIZING', size) + $videoEditor.options({ + height: size + }); + } + }); + + $videoEditor.$element.bindEvent({ + resize: function(foo, size) { + Ox.print('RESIZING', size) $videoEditor.options({ height: size }); diff --git a/demos/videoeditor/srt/0084628.srt b/demos/videoeditor/srt/0084628.srt new file mode 100644 index 00000000..aebbd149 --- /dev/null +++ b/demos/videoeditor/srt/0084628.srt @@ -0,0 +1,4843 @@ +1 +00:00:41,374 --> 00:00:43,569 +The first image he told me about + +2 +00:00:43,777 --> 00:00:47,508 +was of three children +on a road in Iceland in 1965. + +3 +00:00:54,988 --> 00:00:57,218 +He said for him +it was the image of happiness, + +4 +00:00:57,424 --> 00:01:00,416 +and that he'd often tried +to link it to other images, + +5 +00:01:00,627 --> 00:01:03,152 +but it had never worked. + +6 +00:01:03,363 --> 00:01:07,265 +He wrote me, "I'll have to put it +all alone at the beginning of a film, + +7 +00:01:07,467 --> 00:01:09,662 +with a long piece of black leader. + +8 +00:01:09,869 --> 00:01:13,669 +If they don't see happiness in the +picture, at least they'll see the black. " + +9 +00:01:47,774 --> 00:01:51,175 +He wrote, "I'm just back +from Hokkaido, the northern island. + +10 +00:01:51,744 --> 00:01:56,408 +Rich and hurried Japanese take the plane. +Others take the ferry. + +11 +00:01:56,616 --> 00:01:59,278 +Waiting, immobility, +snatches of sleep - + +12 +00:01:59,486 --> 00:02:01,977 +curiously it all makes me think +of some past or future war. + +13 +00:02:02,188 --> 00:02:04,713 +Night trains, air raids, +fall-out shelters. + +14 +00:02:04,924 --> 00:02:08,724 +Small fragments of war +enshrined in everyday life. " + +15 +00:02:29,015 --> 00:02:32,075 +He liked the fragility +of those moments suspended in time, + +16 +00:02:32,285 --> 00:02:36,381 +memories whose only function +was to leave behind memories. + +17 +00:02:36,589 --> 00:02:40,685 +He wrote, "After circling the globe, +only banality still interests me. + +18 +00:02:40,894 --> 00:02:45,058 +On this trip I've tracked it relentlessly, +like a bounty hunter. + +19 +00:02:46,900 --> 00:02:48,868 +At dawn, we'll be in Tokyo. " + +20 +00:03:14,360 --> 00:03:16,385 +He used to write me from Africa. + +21 +00:03:16,596 --> 00:03:20,692 +He contrasted African time +with European and Asian time. + +22 +00:03:20,900 --> 00:03:24,495 +He said that in the 19th century, +mankind had come to terms with space, + +23 +00:03:24,704 --> 00:03:28,071 +and that the great question of the 20th +would be different concepts of time. + +24 +00:03:28,274 --> 00:03:29,639 +"By the way, + +25 +00:03:29,842 --> 00:03:33,278 +did you know that +there are emus in the Ile de France?" + +26 +00:03:42,555 --> 00:03:44,523 +He wrote +that in the Bijago Islands, + +27 +00:03:44,724 --> 00:03:47,818 +it's the young girls +who choose their fiancés. + +28 +00:03:48,294 --> 00:03:52,924 +He wrote that in the suburbs of Tokyo, +there's a temple consecrated to cats. + +29 +00:04:13,286 --> 00:04:16,813 +"I wish I could convey the simplicity, +the lack of affectation of this couple + +30 +00:04:17,023 --> 00:04:23,087 +who'd come to place an inscribed +wooden slat in the cat cemetery + +31 +00:04:23,296 --> 00:04:26,322 +so that their cat Tora +would be protected. + +32 +00:04:26,532 --> 00:04:29,467 +No, she wasn't dead. +She'd just run away. + +33 +00:04:29,669 --> 00:04:33,070 +But on the day of her death, +no one would know how to pray for her, + +34 +00:04:33,273 --> 00:04:37,369 +how to intercede with death so that +he would call her by her right name. + +35 +00:04:38,011 --> 00:04:40,844 +So they had to come in the rain + +36 +00:04:41,047 --> 00:04:46,644 +to perform the rite that would repair +the web of time where it had been broken. " + +37 +00:04:58,498 --> 00:05:00,489 +He wrote, + +38 +00:05:00,700 --> 00:05:03,999 +"I'll have spent my life trying to +understand the function of remembering, + +39 +00:05:04,203 --> 00:05:07,400 +which is not the opposite of forgetting, +but rather its inner lining. + +40 +00:05:07,607 --> 00:05:11,634 +We don't remember. We rewrite memory +much as history is rewritten. + +41 +00:05:12,979 --> 00:05:15,812 +How can one remember thirst?" + +42 +00:05:31,397 --> 00:05:34,389 +He didn't like +to dwell on poverty, + +43 +00:05:34,600 --> 00:05:36,431 +but in everything +that he wanted to show, + +44 +00:05:36,636 --> 00:05:39,571 +there were also +the failures of the Japanese model. + +45 +00:05:39,772 --> 00:05:44,300 +"A world full of bums, of lumpens, +of outcasts, of Koreans. + +46 +00:05:45,411 --> 00:05:49,939 +Too broke to afford drugs, +they get drunk on beer or fermented milk. + +47 +00:05:50,650 --> 00:05:54,086 +This morning in Namidabashi, +20 minutes from the glories of downtown, + +48 +00:05:54,287 --> 00:05:58,951 +a character took his revenge on society +by directing traffic at this intersection. + +49 +00:05:59,225 --> 00:06:01,785 +Luxury for them would be +a large bottle of sake + +50 +00:06:01,994 --> 00:06:05,623 +of the type poured over tombs +on the day of the dead. + +51 +00:06:34,127 --> 00:06:37,255 +I bought a round +in a bar in Namidabashi, + +52 +00:06:37,463 --> 00:06:40,091 +a place where people stare +at each other with equality. + +53 +00:06:40,299 --> 00:06:45,259 +The threshold below which every man +is as good as any other, and knows it. " + +54 +00:06:58,918 --> 00:07:02,854 +He told me about the jetty on Fogo +in the Cape Verde Islands. + +55 +00:07:03,856 --> 00:07:07,553 +"How long have they been there +waiting for the boat? + +56 +00:07:07,760 --> 00:07:10,126 +Patient as pebbles, +but ready to pounce. + +57 +00:07:10,797 --> 00:07:14,062 +They're a people of wanderers, +of navigators, of world travelers. + +58 +00:07:15,468 --> 00:07:18,869 +They arose from crossbreeding +on these rocks that the Portuguese used + +59 +00:07:19,071 --> 00:07:21,198 +as a marshaling yard +for their colonies. + +60 +00:07:21,407 --> 00:07:24,672 +A people of nothing, a people +of emptiness, a vertical people. + +61 +00:07:25,645 --> 00:07:27,306 +Frankly, + +62 +00:07:27,513 --> 00:07:29,208 +isn't it stupid to tell people, + +63 +00:07:29,415 --> 00:07:33,146 +like they teach in film school, +not to look at the camera?" + +64 +00:07:46,165 --> 00:07:47,632 +He wrote... + +65 +00:07:49,168 --> 00:07:52,296 +"The Sahel is not only +what is shown of it when it is too late. + +66 +00:07:52,505 --> 00:07:56,771 +Drought seeps into this land +like water into a leaking boat. + +67 +00:07:56,976 --> 00:07:59,501 +The animals resurrected +for carnival in Bissau + +68 +00:07:59,712 --> 00:08:01,543 +will be petrified again + +69 +00:08:01,747 --> 00:08:04,944 +as soon as a new attack +has changed the savannah into a desert. + +70 +00:08:05,151 --> 00:08:09,281 +It's a state of survival that rich countries +have forgotten, with one exception. + +71 +00:08:09,489 --> 00:08:11,719 +You guessed it. Japan. + +72 +00:08:13,793 --> 00:08:16,694 +My constant comings and goings +are not a search for contrasts. + +73 +00:08:16,896 --> 00:08:19,296 +They're a journey +to the extreme poles of survival. " + +74 +00:09:48,654 --> 00:09:50,713 +He spoke to me of Sei Shonagon, + +75 +00:09:50,923 --> 00:09:54,188 +a lady-in-waiting to Princess Sadako +in the 11th century, + +76 +00:09:54,393 --> 00:09:56,691 +during the Heian period. + +77 +00:09:58,931 --> 00:10:01,126 +"Do we ever know +where history is really made? + +78 +00:10:01,334 --> 00:10:04,997 +Rulers used complicated +strategies to fight one another, + +79 +00:10:05,204 --> 00:10:08,435 +while real power lay +with a family of hereditary regents. + +80 +00:10:08,641 --> 00:10:12,634 +The emperor's court was but a place +of intrigues and intellectual games. + +81 +00:10:12,845 --> 00:10:17,145 +But by learning to draw +a sort of melancholy comfort + +82 +00:10:17,350 --> 00:10:20,945 +from the contemplation +of the tiniest things, + +83 +00:10:21,153 --> 00:10:24,680 +this small group of idlers +left a mark on Japanese sensibility + +84 +00:10:24,890 --> 00:10:28,519 +much deeper than the mediocre +thundering of the politicians. + +85 +00:10:28,728 --> 00:10:31,219 +Shonagon had a passion for lists. + +86 +00:10:31,430 --> 00:10:33,625 +A list of 'elegant things, ' + +87 +00:10:33,833 --> 00:10:35,892 +of 'distressing things, ' + +88 +00:10:36,102 --> 00:10:39,299 +or even of +'things not worth doing. ' + +89 +00:10:39,505 --> 00:10:42,963 +One day she drew up a list +of 'things that quicken the heart. ' + +90 +00:10:43,175 --> 00:10:45,666 +Not a bad criterion, +I realize when I'm filming. + +91 +00:10:45,878 --> 00:10:47,345 +I bow to the economic miracle, + +92 +00:10:47,546 --> 00:10:50,174 +but I really want to show +the neighborhood celebrations. " + +93 +00:14:26,765 --> 00:14:28,357 +He wrote... + +94 +00:14:29,268 --> 00:14:31,031 +"Coming back +along the Chiba coast, + +95 +00:14:31,237 --> 00:14:35,970 +I thought of Shonagon's list of signs +one need only name to quicken the heart. + +96 +00:14:36,175 --> 00:14:37,802 +Only name. + +97 +00:14:38,010 --> 00:14:41,002 +To us, a sun is not quite a sun +unless it is 'radiant, ' + +98 +00:14:41,213 --> 00:14:43,078 +a spring not quite a spring +unless it's 'crystal-clear. ' + +99 +00:14:43,282 --> 00:14:45,216 +Here, interjecting adjectives + +100 +00:14:45,417 --> 00:14:48,477 +would be as rude +as leaving price tags on purchases. + +101 +00:14:49,722 --> 00:14:52,247 +Japanese poetry never modifies. + +102 +00:14:52,458 --> 00:14:54,619 +There is a way +of saying boat, rock, mist, + +103 +00:14:54,827 --> 00:14:56,886 +frog, crow, hail, + +104 +00:14:57,096 --> 00:15:00,554 +heron, chrysanthemum +that includes them all. + +105 +00:15:00,866 --> 00:15:03,858 +Newspapers recently chronicled +the story of a man from Nagoya. + +106 +00:15:04,470 --> 00:15:06,461 +The woman he loved +died last year, + +107 +00:15:06,672 --> 00:15:09,800 +and he'd drowned himself in work, +Japanese-style, like a madman. + +108 +00:15:10,009 --> 00:15:14,002 +It seems he even made +an important discovery in electronics. + +109 +00:15:14,213 --> 00:15:17,774 +And then, in the month of May, +he killed himself. + +110 +00:15:17,983 --> 00:15:22,044 +They say he couldn't bear +to hear the word 'spring. "' + +111 +00:15:58,757 --> 00:16:01,658 +He described +his reunion with Tokyo. + +112 +00:16:02,761 --> 00:16:04,991 +"Like a cat home from vacation + +113 +00:16:05,197 --> 00:16:07,597 +who immediately starts +to inspect familiar places. " + +114 +00:16:08,167 --> 00:16:10,431 +He ran to see +if all was where it should be. + +115 +00:16:10,636 --> 00:16:13,730 +The Ginza owl, +the Shimbashi locomotive, + +116 +00:16:13,939 --> 00:16:16,601 +the Temple of the Fox +above the Mitsukoshi department store, + +117 +00:16:16,809 --> 00:16:19,607 +which he found invaded +by little girls and rock singers. + +118 +00:16:19,812 --> 00:16:23,009 +He learned it was now +little girls who made and unmade stars, + +119 +00:16:23,215 --> 00:16:26,013 +and that producers +trembled before them. + +120 +00:16:26,218 --> 00:16:29,585 +He was told that a disfigured woman +took off her mask in front of passers-by + +121 +00:16:29,788 --> 00:16:32,848 +and scratched them +if they didn't find her beautiful. + +122 +00:16:33,058 --> 00:16:34,548 +Everything interested him. + +123 +00:16:34,760 --> 00:16:38,787 +He who didn't give a damn +about soccer stars or racetrack winners + +124 +00:16:38,998 --> 00:16:43,594 +asked feverishly about Chiyonofuji's +ranking in the last sumo tournament. + +125 +00:16:43,802 --> 00:16:47,169 +He asked for news +of the imperial family, the crown prince, + +126 +00:16:47,373 --> 00:16:51,002 +or Tokyo's oldest mobster, +who appears regularly on television + +127 +00:16:51,210 --> 00:16:52,905 +to teach goodness to children. + +128 +00:16:53,112 --> 00:16:55,580 +The simple joys he'd never known - + +129 +00:16:55,781 --> 00:16:58,841 +returning to one's native land +and family home - + +130 +00:16:59,051 --> 00:17:02,418 +he found among the city's +12 million anonymous residents. + +131 +00:18:11,757 --> 00:18:13,452 +He wrote... + +132 +00:18:13,659 --> 00:18:16,753 +"Tokyo is crisscrossed by trains, +knit together by electric wires. + +133 +00:18:16,962 --> 00:18:19,055 +She shows her veins. + +134 +00:18:19,631 --> 00:18:21,861 +They say that TV +is making her people illiterate, + +135 +00:18:22,067 --> 00:18:24,763 +but I've never seen +so many people reading in the streets. + +136 +00:18:24,970 --> 00:18:26,631 +Perhaps they only read +in the street, + +137 +00:18:26,839 --> 00:18:30,172 +or perhaps they're just pretending +to read, these yellow men. + +138 +00:18:30,409 --> 00:18:34,038 +I make my appointments at Kinokuniya, +the big bookshop in Shinjuku. + +139 +00:18:34,480 --> 00:18:36,448 +The graphic genius +that allowed the Japanese + +140 +00:18:36,648 --> 00:18:38,707 +to invent Cinemascope +ten centuries before the movies + +141 +00:18:38,917 --> 00:18:41,715 +compensates a bit for the sad fate +of the comic-strip heroines, + +142 +00:18:41,920 --> 00:18:45,378 +victims of heartless writers +and a castrating censorship. + +143 +00:18:45,591 --> 00:18:48,560 +Sometimes they escape, +and you find them again on the walls. + +144 +00:18:49,027 --> 00:18:51,791 +The entire city +is a comic strip. + +145 +00:19:00,739 --> 00:19:02,764 +It's planet Mongo. + +146 +00:19:04,276 --> 00:19:05,675 +One can't miss the statuary, + +147 +00:19:05,878 --> 00:19:08,108 +from plasticized baroque +to Stalin-sensual, + +148 +00:19:08,814 --> 00:19:11,806 +and the giant faces +with their imposing stares. + +149 +00:19:12,284 --> 00:19:17,153 +Pictures bigger than people, +voyeurizing the voyeurs. + +150 +00:19:25,564 --> 00:19:30,001 +At nightfall, the megalopolis +breaks down into villages. + +151 +00:19:30,202 --> 00:19:34,070 +With its country cemeteries in the shadow +of banks, its stations and temples, + +152 +00:19:34,273 --> 00:19:37,800 +each district of Tokyo once again +becomes a tidy, ingenuous little town, + +153 +00:19:38,010 --> 00:19:40,444 +nestled among the skyscrapers. " + +154 +00:19:53,525 --> 00:19:56,119 +The small bar in Shinjuku +reminded him of that Indian flute + +155 +00:19:56,328 --> 00:19:59,092 +whose sound can only be heard +by the person playing it. + +156 +00:19:59,298 --> 00:20:02,233 +He might have cried out - as in +a Godard film or a Shakespeare play - + +157 +00:20:02,501 --> 00:20:05,026 +"Where is that music +coming from?" + +158 +00:20:06,572 --> 00:20:10,303 +Later he told me he'd eaten +at the restaurant in Nishi Nippori + +159 +00:20:10,509 --> 00:20:13,808 +where Mr. Yamada practices +the difficult art of "action cooking." + +160 +00:20:19,785 --> 00:20:22,618 +He said that by carefully watching +Mr. Yamada's gestures + +161 +00:20:22,821 --> 00:20:24,789 +and his way +of mixing the ingredients, + +162 +00:20:24,990 --> 00:20:27,618 +one could meditate profitably +on fundamental concepts + +163 +00:20:27,826 --> 00:20:31,057 +common to painting, +philosophy and martial arts. + +164 +00:20:31,263 --> 00:20:36,792 +He claimed that Mr. Yamada possessed, +in his impressively humble way, + +165 +00:20:37,002 --> 00:20:38,367 +the essence of style, + +166 +00:20:38,570 --> 00:20:42,301 +and that it therefore fell to him +to use his invisible brush + +167 +00:20:42,574 --> 00:20:47,807 +to write upon this first day in Tokyo +the words "The End." + +168 +00:20:52,217 --> 00:20:55,152 +"I spent the day in front of my TV, +that box of memories. + +169 +00:20:55,354 --> 00:20:57,788 +I was in Nara +with the sacred deer. + +170 +00:20:57,990 --> 00:20:59,753 +I was taking a picture, + +171 +00:20:59,958 --> 00:21:01,755 +unaware that in the 15th century +Basho had written... + +172 +00:21:02,961 --> 00:21:07,227 +'The willow sees +the heron's image upside down. ' + +173 +00:21:17,576 --> 00:21:20,101 +Commercials +become a kind of haiku + +174 +00:21:20,312 --> 00:21:22,610 +to the eye used +to Western atrocities in the genre. + +175 +00:21:22,814 --> 00:21:25,942 +Not understanding obviously +adds to the pleasure. + +176 +00:21:26,151 --> 00:21:28,085 +For one slightly +hallucinatory moment, + +177 +00:21:28,287 --> 00:21:31,256 +I had the impression +that I understood Japanese, + +178 +00:21:31,890 --> 00:21:35,451 +but it was a cultural program +about Gérard de Nerval. " + +179 +00:21:35,661 --> 00:21:38,960 +Memories of a visit to the tomb +of Jean-Jacques Rousseau, + +180 +00:21:39,164 --> 00:21:41,530 +a simple and moving +monument in stone + +181 +00:21:41,733 --> 00:21:44,497 +guarded by tall trees. + +182 +00:22:04,589 --> 00:22:06,853 +"8.40. Cambodia. + +183 +00:22:07,059 --> 00:22:08,458 +From Rousseau +to the Khmer Rouge - + +184 +00:22:08,660 --> 00:22:10,958 +coincidence, +or a sense of history? + +185 +00:22:11,363 --> 00:22:13,092 +In Apocalypse Now, + +186 +00:22:13,298 --> 00:22:15,630 +Brando uttered a few definitive - +and incommunicable - + +187 +00:22:15,834 --> 00:22:18,200 +sentences on the subject. + +188 +00:22:18,403 --> 00:22:20,633 +'Horror has a face and a name. + +189 +00:22:20,839 --> 00:22:22,898 +You must make a friend of horror. ' + +190 +00:22:29,981 --> 00:22:32,176 +To cast out the horror +that has a name and a face, + +191 +00:22:32,384 --> 00:22:34,978 +you must give it another name +and another face. + +192 +00:22:35,187 --> 00:22:39,123 +Japanese horror movies have +the sly beauty of certain corpses. + +193 +00:22:39,324 --> 00:22:41,724 +One is sometimes stunned +by so much cruelty. + +194 +00:22:41,927 --> 00:22:46,193 +One seeks its source in Asian people's +long familiarity with suffering + +195 +00:22:46,398 --> 00:22:48,593 +that requires +that even pain be ornate. + +196 +00:22:48,800 --> 00:22:50,791 +And then comes the reward. + +197 +00:22:51,002 --> 00:22:54,438 +The monsters are vanquished +and Natsume Masako arises. + +198 +00:22:54,639 --> 00:22:57,665 +Absolute beauty too +has a name and a face. + +199 +00:23:09,654 --> 00:23:12,054 +But the more you watch +Japanese television, + +200 +00:23:12,257 --> 00:23:14,817 +the more you feel +it's watching you. + +201 +00:24:02,941 --> 00:24:05,671 +Even television newscasts +bear witness to the fact + +202 +00:24:05,877 --> 00:24:08,368 +that the eye's magical function +is at the center of all things. + +203 +00:24:08,580 --> 00:24:10,343 +It's election time. + +204 +00:24:10,549 --> 00:24:12,608 +Winning candidates black out + +205 +00:24:12,818 --> 00:24:16,310 +the empty eye of Daruma, +the spirit of luck, + +206 +00:24:16,555 --> 00:24:20,321 +while losing candidates, sad but dignified, +carry off their one-eyed Daruma. + +207 +00:24:23,428 --> 00:24:26,056 +The most indecipherable images +are those of Europe. + +208 +00:24:26,264 --> 00:24:30,633 +I watch the images of a film +whose soundtrack will be added later. + +209 +00:24:30,836 --> 00:24:33,464 +It took me six months +for Poland. + +210 +00:24:37,375 --> 00:24:40,344 +But I have no difficulty +with the local earthquakes, + +211 +00:24:40,545 --> 00:24:44,845 +though I must admit last night's quake +helped me greatly to grasp the problem. + +212 +00:24:45,417 --> 00:24:47,578 +Poetry is born of insecurity. + +213 +00:24:48,453 --> 00:24:51,889 +Wandering Jews, +quaking Japanese. + +214 +00:24:54,192 --> 00:24:57,559 +Living on a rug that jesting nature is +ever ready to pull out from under them, + +215 +00:24:57,762 --> 00:25:00,162 +they've learned to inhabit +a world of appearances, + +216 +00:25:00,365 --> 00:25:02,560 +fragile, fleeting, revocable, + +217 +00:25:02,767 --> 00:25:04,667 +of trains that fly +from planet to planet, + +218 +00:25:04,870 --> 00:25:07,862 +of samurai fighting +in an immutable past. + +219 +00:25:08,073 --> 00:25:11,042 +It's called +the impermanence of things. + +220 +00:25:39,971 --> 00:25:43,031 +I watched it all, +even the evening shows, + +221 +00:25:43,241 --> 00:25:44,606 +the so-called adult shows. + +222 +00:25:44,809 --> 00:25:48,438 +The same hypocrisy as in the comic strips, +but this is a coded hypocrisy. + +223 +00:25:48,647 --> 00:25:52,413 +Censorship is not the mutilation +of the show. It is the show. + +224 +00:25:52,617 --> 00:25:54,107 +The code is the message. + +225 +00:25:54,319 --> 00:25:59,086 +It points to the absolute by hiding it, +like religions have always done. " + +226 +00:26:12,804 --> 00:26:14,772 +That year, a new face appeared + +227 +00:26:14,973 --> 00:26:18,636 +among the great faces adorning +the streets of Tokyo. The face of the pope. + +228 +00:26:18,843 --> 00:26:20,811 +Treasures that had never +left the Vatican + +229 +00:26:21,012 --> 00:26:24,106 +were displayed on the seventh floor +of the Sogo department store. + +230 +00:26:24,749 --> 00:26:26,478 +He wrote... + +231 +00:26:26,851 --> 00:26:30,719 +"It's curiosity, of course, but also +a hint of industrial espionage. + +232 +00:26:31,623 --> 00:26:33,591 +I imagine them bringing out +in two years + +233 +00:26:33,792 --> 00:26:36,818 +a more efficient and less expensive +version of Catholicism. + +234 +00:26:38,029 --> 00:26:40,293 +But there's also the fascination +associated with the sacred, + +235 +00:26:40,498 --> 00:26:42,659 +even when it's someone else's. + +236 +00:27:23,975 --> 00:27:29,208 +So when will French department stores +exhibit relics sacred to the Japanese + +237 +00:27:29,414 --> 00:27:32,542 +such as can be seen at Jozankei, +on the island of Hokkaido? + +238 +00:27:32,817 --> 00:27:37,186 +At first, one smiles at this combination +museum, chapel and sex shop. + +239 +00:27:37,389 --> 00:27:41,086 +As always in Japan, one admires how +the walls between realms are so thin + +240 +00:27:41,292 --> 00:27:43,817 +that one can in the same breath +contemplate a statue, + +241 +00:27:44,029 --> 00:27:45,758 +buy an inflatable doll + +242 +00:27:45,964 --> 00:27:48,432 +and give the goddess of fertility +the small offering + +243 +00:27:48,633 --> 00:27:50,897 +that always accompanies +her displays, + +244 +00:27:51,102 --> 00:27:54,629 +displays whose frankness would render +television's stratagems incomprehensible + +245 +00:27:54,906 --> 00:28:00,401 +but for the fact that sex organs may +only be shown severed from the body. + +246 +00:28:12,791 --> 00:28:14,952 +One would like to +believe in a world before the fall, + +247 +00:28:15,160 --> 00:28:17,219 +inaccessible to the complications +of a puritanism + +248 +00:28:17,429 --> 00:28:20,421 +whose phony shadow was imposed +on it by American occupation, + +249 +00:28:20,732 --> 00:28:23,701 +where people who gather laughing +around the votive fountain, + +250 +00:28:23,902 --> 00:28:26,132 +the woman who touches it +with a friendly gesture, + +251 +00:28:26,337 --> 00:28:29,272 +share in the same +cosmic innocence. + +252 +00:28:29,841 --> 00:28:32,571 +The second part of the museum, +with its pairs of coupling animals, + +253 +00:28:32,777 --> 00:28:35,541 +would then be the earthly paradise +as we've always dreamed of it. + +254 +00:28:35,747 --> 00:28:37,044 +Not so sure. + +255 +00:28:37,248 --> 00:28:40,615 +Animal innocence may be a trick +for getting around censorship, + +256 +00:28:41,119 --> 00:28:44,145 +but perhaps also the mirror +of an impossible reconciliation, + +257 +00:28:44,355 --> 00:28:49,292 +and even without original sin, this +earthly paradise may be a paradise lost. + +258 +00:28:51,629 --> 00:28:54,257 +In the glossy splendor +of the gentle animals of Jozankei, + +259 +00:28:54,466 --> 00:28:57,435 +I read the fundamental rift +of Japanese society, + +260 +00:28:57,635 --> 00:29:00,297 +the rift that separates +men from women. + +261 +00:29:00,505 --> 00:29:03,235 +In life it seems to manifest +in just two ways. + +262 +00:29:03,441 --> 00:29:08,037 +Violent slaughter, or a discreet +melancholy resembling the Shonagon's, + +263 +00:29:08,246 --> 00:29:12,512 +which the Japanese express +in a single - and untranslatable - word. + +264 +00:29:12,717 --> 00:29:14,582 +Bringing man down +to the level of the beasts + +265 +00:29:14,786 --> 00:29:16,811 +against which +the church fathers inveighed + +266 +00:29:17,021 --> 00:29:20,388 +becomes here the challenge of the beasts +to the 'poignancy of things, ' + +267 +00:29:20,592 --> 00:29:22,890 +to a melancholy whose tone +I can convey + +268 +00:29:23,094 --> 00:29:26,063 +by copying a few lines +from Samura Koichi. + +269 +00:29:27,832 --> 00:29:30,767 +'Who said that time +heals all wounds? + +270 +00:29:31,970 --> 00:29:35,963 +Better to say that time heals +everything except wounds. + +271 +00:29:36,241 --> 00:29:39,904 +With time, the hurt of separation +loses its real limits. + +272 +00:29:40,111 --> 00:29:43,444 +With time, the desired body +will soon disappear, + +273 +00:29:43,648 --> 00:29:46,617 +and if the desiring body has already +ceased to exist for the other, + +274 +00:29:46,818 --> 00:29:50,652 +then what remains +is a disembodied wound. "' + +275 +00:29:58,396 --> 00:30:00,455 +He wrote +that the Japanese secret - + +276 +00:30:00,665 --> 00:30:03,759 +what Levi-Strauss called +the poignancy of things - + +277 +00:30:03,968 --> 00:30:06,493 +implied the faculty +of communing with things, + +278 +00:30:06,704 --> 00:30:09,969 +of entering into them, +of being them for a moment. + +279 +00:30:10,375 --> 00:30:12,969 +It's only natural that, in their turn, +they should be like us - + +280 +00:30:13,178 --> 00:30:14,907 +perishable and immortal. + +281 +00:30:22,220 --> 00:30:25,451 +He wrote, "Animism is +a familiar notion in Africa. + +282 +00:30:25,657 --> 00:30:27,682 +It's less often applied to Japan. + +283 +00:30:27,892 --> 00:30:29,792 +What then shall we call +this diffuse belief + +284 +00:30:29,994 --> 00:30:33,953 +according to which every fragment +of creation has its invisible counterpart? + +285 +00:30:34,499 --> 00:30:36,990 +Building a factory or skyscraper + +286 +00:30:37,202 --> 00:30:40,365 +begins with a ceremony +to appease the god who owns the land. + +287 +00:30:40,572 --> 00:30:44,508 +There's a ceremony for brushes, +abacuses, even rusty needles. + +288 +00:30:44,709 --> 00:30:49,408 +There's one on September 25th for +the repose of the soul of broken dolls. + +289 +00:30:49,614 --> 00:30:52,515 +The dolls are piled up +in the Temple of Kiyomizu - + +290 +00:30:52,717 --> 00:30:57,245 +which is consecrated to Kannon, +the goddess of compassion - + +291 +00:30:57,455 --> 00:30:59,719 +and then burned in public. + +292 +00:31:35,460 --> 00:31:37,325 +I watched the participants. + +293 +00:31:37,762 --> 00:31:39,889 +I think the people who saw off +the kamikaze pilots + +294 +00:31:40,098 --> 00:31:42,760 +had the same look on their faces. " + +295 +00:32:15,500 --> 00:32:17,627 +He wrote that the pictures +of Guinea-Bissau + +296 +00:32:17,835 --> 00:32:20,235 +ought to be accompanied +by music from the Cape Verde Islands. + +297 +00:32:20,438 --> 00:32:23,407 +That would be our contribution +to the unity dreamed of by Amilcar Cabral. + +298 +00:32:28,246 --> 00:32:32,376 +"Why should a country so small +and so poor interest the world? + +299 +00:32:32,583 --> 00:32:34,676 +They did what they could. + +300 +00:32:34,886 --> 00:32:38,287 +They chased Portugal out, +so traumatizing its army + +301 +00:32:38,489 --> 00:32:40,923 +that it moved to overthrow +its own dictatorship + +302 +00:32:41,125 --> 00:32:43,685 +and led one briefly to believe +in a new revolution in Europe. + +303 +00:32:43,895 --> 00:32:45,556 +Who remembers all that? + +304 +00:32:45,763 --> 00:32:48,630 +History throws its empty bottles +out the window. + +305 +00:32:52,637 --> 00:32:55,037 +This morning I was +on the dock at Pidjiguiti, + +306 +00:32:55,239 --> 00:32:59,699 +where everything began in 1959, when the +first victims of the struggle were killed. + +307 +00:32:59,944 --> 00:33:03,072 +It may be as difficult +to recognize Africa in this leaden fog + +308 +00:33:03,281 --> 00:33:05,272 +as it is to recognize the struggle + +309 +00:33:05,483 --> 00:33:07,747 +in the rather dull activity +of tropical longshoremen. + +310 +00:33:08,019 --> 00:33:09,953 +Rumor has it +that every third-world leader + +311 +00:33:10,154 --> 00:33:12,486 +coined the same phrase +the morning after independence. + +312 +00:33:12,690 --> 00:33:15,181 +'Now the real problems begin. ' + +313 +00:33:15,526 --> 00:33:18,723 +Cabral never got a chance to say it. +He was assassinated first. + +314 +00:33:18,930 --> 00:33:22,297 +But the problems began, +and went on, and are still going on. + +315 +00:33:22,500 --> 00:33:25,230 +Rather unexciting problems +for revolutionary romanticism. + +316 +00:33:25,436 --> 00:33:27,904 +To work, to produce, +to distribute, + +317 +00:33:28,106 --> 00:33:30,370 +to overcome postwar exhaustion + +318 +00:33:30,575 --> 00:33:33,169 +and the temptations +of power and privilege. + +319 +00:33:33,378 --> 00:33:37,508 +But after all, history's only bitter +to those who expect a sugar coating. + +320 +00:33:54,999 --> 00:33:58,457 +My personal problem +was more specific. + +321 +00:33:58,669 --> 00:34:00,603 +How to film +the ladies of Bissau? + +322 +00:34:00,805 --> 00:34:03,831 +Apparently, the eye's magical function +was working against me there. + +323 +00:34:04,442 --> 00:34:06,603 +In the marketplaces +of Bissau and Cape Verde, + +324 +00:34:06,811 --> 00:34:08,938 +I again encountered +those egalitarian stares + +325 +00:34:09,147 --> 00:34:12,810 +and this sequence of glances +that bordered on seduction. + +326 +00:34:13,684 --> 00:34:15,447 +I see her. + +327 +00:34:16,320 --> 00:34:18,117 +She sees me. + +328 +00:34:18,356 --> 00:34:20,586 +She knows that I see her. + +329 +00:34:23,294 --> 00:34:24,727 +She glances my way, + +330 +00:34:24,929 --> 00:34:28,456 +but furtively, as if I'm not +really the object of her gaze. + +331 +00:34:28,666 --> 00:34:31,100 +Finally, the direct gaze + +332 +00:34:32,403 --> 00:34:35,930 +lasting 1/24th of a second, +the length of a film frame. + +333 +00:34:41,746 --> 00:34:45,512 +All women have a built-in kernel +of indestructibility, + +334 +00:34:45,750 --> 00:34:48,810 +and men's task has always been +to keep them from realizing it + +335 +00:34:49,020 --> 00:34:50,578 +for as long as possible. + +336 +00:34:50,788 --> 00:34:55,157 +African men are just as good +at this task as others, + +337 +00:34:55,359 --> 00:34:59,853 +but after a close look at African women, +I wouldn't necessarily bet on the men. " + +338 +00:36:51,475 --> 00:36:54,069 +He told me the story +of Hachiko the dog. + +339 +00:36:54,278 --> 00:36:56,872 +"A dog waited for his master +every day at the station. + +340 +00:36:57,081 --> 00:36:59,879 +The master died, +but the dog didn't know it, + +341 +00:37:00,084 --> 00:37:02,746 +and he continued to wait, +all his life. + +342 +00:37:02,954 --> 00:37:05,616 +People were moved +and brought him food. + +343 +00:37:05,823 --> 00:37:10,260 +They still place sushi and rice cakes +before the statue erected in his honor + +344 +00:37:10,461 --> 00:37:13,259 +so that the faithful soul of Hachiko +will never go hungry. + +345 +00:37:19,270 --> 00:37:23,206 +Tokyo is full of these small legends +and animal intercessors. + +346 +00:37:23,674 --> 00:37:27,576 +The Mitsukoshi lion stands guard over +what was once the empire of Mr. Okada, + +347 +00:37:27,778 --> 00:37:29,803 +a great collector +of French paintings, + +348 +00:37:30,014 --> 00:37:31,879 +the man who rented +the Château of Versailles + +349 +00:37:32,083 --> 00:37:34,517 +to celebrate the 100th anniversary +of his department stores. + +350 +00:37:34,719 --> 00:37:36,949 +In the computer section +of one such store, + +351 +00:37:37,154 --> 00:37:39,179 +I've seen young Japanese +exercising their brain muscles + +352 +00:37:39,390 --> 00:37:41,881 +like young Athenians +at the palestra. + +353 +00:37:43,127 --> 00:37:45,095 +They have a war to win. + +354 +00:37:45,296 --> 00:37:48,493 +History books of the future will perhaps +rank the battle of the integrated circuit + +355 +00:37:48,699 --> 00:37:50,826 +with the battles of Salamis +or Agincourt. + +356 +00:37:54,839 --> 00:37:58,741 +But they honor the unfortunate +adversary by leaving other fields to him. + +357 +00:37:58,943 --> 00:38:02,379 +Men's fashions this season are placed +under the sign of John Kennedy. " + +358 +00:38:41,619 --> 00:38:44,213 +Like an old votive turtle +stationed in the corner of a field, + +359 +00:38:44,422 --> 00:38:48,620 +Mr. Akao, president +of the Japanese Patriotic Party, + +360 +00:38:48,826 --> 00:38:53,456 +rails from his rolling balcony +against the international communist plot. + +361 +00:38:54,265 --> 00:38:55,789 +He wrote... + +362 +00:38:57,435 --> 00:39:00,063 +"The extreme right's vans, +with their flags and megaphones, + +363 +00:39:00,271 --> 00:39:02,000 +are part of the Tokyo landscape. + +364 +00:39:02,206 --> 00:39:04,868 +Mr. Akao is their focal point. + +365 +00:39:05,076 --> 00:39:07,670 +I think he'll have his own statue, +like Hachiko the dog, + +366 +00:39:07,878 --> 00:39:12,577 +at this intersection that he leaves +only to go prophesy on the battlefields. + +367 +00:39:18,322 --> 00:39:21,883 +He was at Narita in the '60s. + +368 +00:39:22,093 --> 00:39:25,085 +Peasants fought an airport +to be built on their land, + +369 +00:39:25,296 --> 00:39:29,289 +with Mr. Akao denouncing Moscow's +hand in everything that moved. + +370 +00:39:30,801 --> 00:39:33,702 +Yurakucho is +Tokyo's political arena. + +371 +00:39:33,904 --> 00:39:36,668 +I once saw a monk there +pray for peace in Vietnam. + +372 +00:39:38,242 --> 00:39:40,176 +Today, young right-wing activists + +373 +00:39:40,378 --> 00:39:43,870 +protest the annexation +of the northern islands by the Russians. + +374 +00:39:44,515 --> 00:39:47,006 +Sometimes they're told that +Japan's commercial relations + +375 +00:39:47,218 --> 00:39:49,152 +with the abominable occupier +to the north + +376 +00:39:49,353 --> 00:39:51,480 +are a thousand times better +than with the American ally, + +377 +00:39:51,689 --> 00:39:54,419 +who's always whining +about economic aggression. + +378 +00:39:54,625 --> 00:39:56,616 +Nothing is simple. + +379 +00:40:01,999 --> 00:40:04,934 +On the other sidewalk, +the left has the floor. + +380 +00:40:05,469 --> 00:40:08,199 +Korean Catholic opposition +leader Kim Dae Jung, + +381 +00:40:08,406 --> 00:40:11,307 +kidnapped in Tokyo in '73 +by the South Korean Gestapo, + +382 +00:40:11,842 --> 00:40:14,367 +is threatened +with a death sentence. + +383 +00:40:14,578 --> 00:40:16,546 +A group has begun +a hunger strike. + +384 +00:40:16,747 --> 00:40:19,944 +Some very young activists +gather signatures in his support. + +385 +00:41:03,227 --> 00:41:07,687 +I returned to Narita for the birthday +of one of the victims of the struggle. + +386 +00:41:08,365 --> 00:41:10,196 +The demonstration was unreal. + +387 +00:41:10,401 --> 00:41:12,562 +I felt like I was in Brigadoon, + +388 +00:41:12,770 --> 00:41:15,671 +like I'd woken up ten years later +amid the same actors, + +389 +00:41:15,873 --> 00:41:19,673 +the same blue-suited police +and helmeted adolescents, + +390 +00:41:19,877 --> 00:41:22,175 +the same slogan, +the same banners, + +391 +00:41:23,280 --> 00:41:26,306 +and the same goal. +To fight the airport. + +392 +00:41:26,517 --> 00:41:30,317 +Just one thing has been added. +The airport itself. + +393 +00:41:30,521 --> 00:41:32,785 +But its single runway +hemmed in by barbed wire + +394 +00:41:32,990 --> 00:41:35,481 +looks more besieged +than victorious. + +395 +00:41:52,309 --> 00:41:56,837 +My pal Hayao Yamaneko +has found a solution. + +396 +00:41:57,047 --> 00:42:00,608 +If the images of the present don't change, +change the images of the past. + +397 +00:42:01,218 --> 00:42:04,813 +He showed me clashes of the '60s +run through his synthesizer. + +398 +00:42:05,556 --> 00:42:08,582 +'Less deceptive pictures, 'he says, +with the conviction of a fanatic, + +399 +00:42:08,792 --> 00:42:10,885 +than those you see on television. ' + +400 +00:42:11,095 --> 00:42:14,087 +At least they proclaim themselves +to be what they are. Images - + +401 +00:42:14,298 --> 00:42:18,826 +not the portable and compact form +of an already inaccessible reality. + +402 +00:42:21,171 --> 00:42:26,404 +Hayao calls his machine's world +'the Zone, 'in an homage to Tarkovsky. + +403 +00:43:15,859 --> 00:43:19,818 +What Narita brought back to me +like a shattered hologram + +404 +00:43:20,030 --> 00:43:22,191 +was a fragment +of the '60s generation. + +405 +00:43:24,568 --> 00:43:28,004 +If to love without illusions is still +to love, I can say that I loved it. + +406 +00:43:28,505 --> 00:43:30,302 +It was a generation +that often exasperated me, + +407 +00:43:30,507 --> 00:43:33,271 +for I didn't share its utopian goal +of uniting in a common struggle + +408 +00:43:33,477 --> 00:43:37,345 +those who revolt against poverty +and those who revolt against wealth, + +409 +00:43:37,548 --> 00:43:42,485 +but it let out a primordial scream that +better-adjusted voices no longer could. + +410 +00:43:50,160 --> 00:43:53,186 +I met peasants there who'd come +to know themselves through the struggle. + +411 +00:43:53,397 --> 00:43:55,365 +In concrete terms, it had failed. + +412 +00:43:55,566 --> 00:43:58,034 +Yet all they had won +in their understanding of the world + +413 +00:43:58,235 --> 00:44:00,100 +and of themselves + +414 +00:44:00,304 --> 00:44:03,432 +could only have been won +through the struggle. + +415 +00:44:04,108 --> 00:44:07,839 +As for the students, some massacred +each other in the mountains + +416 +00:44:08,045 --> 00:44:09,945 +in the name +of revolutionary purity, + +417 +00:44:10,147 --> 00:44:12,809 +while others had studied capitalism +so thoroughly to fight it + +418 +00:44:13,117 --> 00:44:15,915 +that they now provide it +with its best executives. + +419 +00:44:16,120 --> 00:44:19,214 +Like everywhere else, the movement +had its posturers and its careerists - + +420 +00:44:19,423 --> 00:44:22,688 +including those who made +a career of martyrdom - + +421 +00:44:22,893 --> 00:44:25,521 +but it carried with it all those +who said, like Che Guevara, + +422 +00:44:25,729 --> 00:44:29,688 +that they 'trembled with indignation +at every injustice committed in the world. ' + +423 +00:44:30,567 --> 00:44:33,297 +They wanted to give +a political meaning to their generosity, + +424 +00:44:33,504 --> 00:44:36,769 +and their generosity +has outlasted their politics. + +425 +00:44:36,974 --> 00:44:42,412 +That's why I will never allow it to be +said that youth is wasted on the young. " + +426 +00:45:00,030 --> 00:45:02,555 +"The youth who gather +every weekend at Shinjuku + +427 +00:45:02,766 --> 00:45:05,860 +obviously know they're not +on a launching pad toward real life, + +428 +00:45:06,070 --> 00:45:08,732 +that they are life, to be eaten +on the spot, like fresh donuts. + +429 +00:45:10,774 --> 00:45:12,241 +It's a very simple secret. + +430 +00:45:12,443 --> 00:45:15,810 +The old try to hide it, +and not all the young know it. + +431 +00:45:16,013 --> 00:45:18,345 +The 10-year-old girl +who tied her friend's hands + +432 +00:45:18,549 --> 00:45:20,744 +and threw her +from the 13th floor + +433 +00:45:20,951 --> 00:45:24,148 +for speaking badly of their class team +hadn't discovered it yet. + +434 +00:45:24,354 --> 00:45:27,289 +Parents who demand +more special telephone lines + +435 +00:45:27,491 --> 00:45:29,220 +to prevent children's suicides + +436 +00:45:29,426 --> 00:45:33,157 +find out a little late +that they kept the secret too well. + +437 +00:45:34,398 --> 00:45:37,959 +Rock is an international language +for spreading the secret. + +438 +00:45:38,635 --> 00:45:41,365 +Another is peculiar to Tokyo. + +439 +00:45:49,480 --> 00:45:52,813 +For the Takenoko, +20 is retiring age. + +440 +00:45:53,016 --> 00:45:54,643 +They are baby Martians. + +441 +00:45:54,852 --> 00:45:58,219 +I go see them dance +every Sunday in Yoyogi Park. + +442 +00:45:58,689 --> 00:46:02,819 +They want people to look at them +but seem not to notice when they do. + +443 +00:46:03,026 --> 00:46:04,618 +They live +in a parallel time stream. + +444 +00:46:04,828 --> 00:46:07,922 +An invisible aquarium wall +separates them from their audience, + +445 +00:46:08,132 --> 00:46:10,100 +and I can spend a whole afternoon + +446 +00:46:10,300 --> 00:46:14,964 +watching a little Takenoko girl +learn the customs of her planet. + +447 +00:46:28,752 --> 00:46:30,879 +Beyond that, +they wear dog tags, + +448 +00:46:31,088 --> 00:46:33,852 +they obey a whistle, +the Mafia extorts money from them, + +449 +00:46:34,057 --> 00:46:36,355 +and with the exception +of a single all-girl group, + +450 +00:46:36,560 --> 00:46:38,960 +a boy is always in charge. " + +451 +00:47:37,221 --> 00:47:39,189 +One day he writes to me, + +452 +00:47:39,389 --> 00:47:41,118 +"Description of a dream. + +453 +00:47:41,325 --> 00:47:43,350 +More and more, +my dreams are set + +454 +00:47:43,560 --> 00:47:45,323 +in the department stores of Tokyo, + +455 +00:47:45,529 --> 00:47:47,929 +the subterranean passages +that parallel the city above. + +456 +00:47:49,833 --> 00:47:53,530 +A face appears, then disappears. +A trace is found, then lost. + +457 +00:47:53,737 --> 00:47:56,865 +The folklore of dreams is so much intact +that the next day, when I'm awake, + +458 +00:47:57,074 --> 00:47:59,941 +I realize that I continue to seek +in this basement labyrinth + +459 +00:48:00,143 --> 00:48:03,374 +the presence concealed +the night before. + +460 +00:48:03,881 --> 00:48:06,281 +I begin to wonder +if those dreams are really mine, + +461 +00:48:06,483 --> 00:48:10,442 +or if they're part of a totality, +a gigantic collective dream, + +462 +00:48:10,654 --> 00:48:13,782 +of which the entire city +may be the projection. + +463 +00:48:14,124 --> 00:48:17,059 +It might suffice to pick up +any of the telephones lying around + +464 +00:48:17,261 --> 00:48:18,956 +to hear a familiar voice + +465 +00:48:19,696 --> 00:48:22,631 +or the beating of a heart - + +466 +00:48:23,100 --> 00:48:25,762 +Sei Shonagon's, for example. + +467 +00:48:26,336 --> 00:48:28,304 +All the underground passages +lead to train stations. + +468 +00:48:28,505 --> 00:48:31,633 +The same companies own the stores +and the railroads that bear their name - + +469 +00:48:31,842 --> 00:48:34,936 +Keio, Odakyu, +all those names of ports. + +470 +00:48:35,145 --> 00:48:38,273 +The train inhabited by sleeping people +assembles all the fragments of dreams + +471 +00:48:38,482 --> 00:48:41,815 +and makes a single film of them, +the ultimate film. + +472 +00:48:42,052 --> 00:48:45,180 +The tickets from the automatic dispenser +grant admission to the show. " + +473 +00:53:50,994 --> 00:53:54,521 +He told me of the January light +on the stations' stairways. + +474 +00:53:55,098 --> 00:53:58,329 +He said the city ought to be +deciphered like a musical score. + +475 +00:53:59,803 --> 00:54:04,263 +One could get lost in the great orchestral +masses and the accumulation of details, + +476 +00:54:04,474 --> 00:54:06,635 +but that yielded +the cheapest image of Tokyo. + +477 +00:54:06,843 --> 00:54:09,505 +Overcrowded, +megalomaniac, inhuman. + +478 +00:54:09,713 --> 00:54:12,147 +He thought he saw +more subtle cycles there. + +479 +00:54:12,349 --> 00:54:15,011 +Rhythms, clusters of faces +glimpsed in passing, + +480 +00:54:15,218 --> 00:54:18,881 +as different and precise +as groups of instruments. + +481 +00:54:19,322 --> 00:54:22,291 +Sometimes the musical comparison +coincided with plain reality. + +482 +00:54:22,492 --> 00:54:26,326 +The Sony stairway in the Ginza +was itself a musical instrument, + +483 +00:54:26,529 --> 00:54:28,759 +each step a note. + +484 +00:54:28,965 --> 00:54:31,763 +It all fit together like voices +in a complicated fugue, + +485 +00:54:31,968 --> 00:54:34,937 +but it was enough to seize +one of them and hang on to it. + +486 +00:54:35,138 --> 00:54:37,629 +The television screens, +for example. + +487 +00:54:37,841 --> 00:54:39,638 +All by themselves +they created an itinerary + +488 +00:54:39,843 --> 00:54:42,778 +that sometimes +took unexpected turns. + +489 +00:54:42,979 --> 00:54:44,446 +It was sumo season, + +490 +00:54:44,648 --> 00:54:47,981 +and the fans watching the fights +in the very chic Ginza showrooms + +491 +00:54:48,184 --> 00:54:50,846 +were the poorest +of the Tokyo poor, + +492 +00:54:51,054 --> 00:54:53,545 +so poor that they didn't have +even a TVset. + +493 +00:54:53,757 --> 00:54:56,658 +He saw them come, +these lost souls of Namidabashi + +494 +00:54:56,860 --> 00:54:59,954 +with whom he'd drunk sake +one sunny dawn. + +495 +00:55:00,330 --> 00:55:03,163 +How many seasons ago +was that now? + +496 +00:56:33,656 --> 00:56:35,590 +He wrote me... + +497 +00:56:36,826 --> 00:56:39,124 +"Even in the stalls +selling spare electronic parts + +498 +00:56:39,329 --> 00:56:42,025 +that some hipsters +use for jewelry, + +499 +00:56:42,232 --> 00:56:45,360 +there is, in Tokyo's musical score, +a particular staff + +500 +00:56:45,568 --> 00:56:49,026 +whose rarity in Europe condemns me +to a real acoustic exile. + +501 +00:56:49,239 --> 00:56:51,833 +The music of video games. + +502 +00:56:52,342 --> 00:56:54,401 +They're built into tables. + +503 +00:56:54,611 --> 00:56:57,512 +You can drink and have lunch +and go on playing. + +504 +00:56:57,781 --> 00:56:59,681 +The arcades open onto the street, + +505 +00:56:59,883 --> 00:57:02,477 +where you can listen +and play from memory. + +506 +00:57:31,247 --> 00:57:33,715 +I witnessed the birth +of these games in Japan. + +507 +00:57:33,917 --> 00:57:37,717 +I met them again later all over the world, +but one detail was different. + +508 +00:57:37,921 --> 00:57:39,684 +At first it was the familiar game, + +509 +00:57:39,889 --> 00:57:43,381 +a politically incorrect battering +aimed at killing off creatures + +510 +00:57:43,593 --> 00:57:48,292 +that were either prairie dogs +or baby seals - I can't be sure which. + +511 +00:57:49,365 --> 00:57:52,129 +Here's the new Japanese variation. + +512 +00:57:52,335 --> 00:57:56,396 +Instead of the critters, there are +vaguely human heads identified by labels. + +513 +00:57:56,606 --> 00:57:59,234 +At the top, +the chairman of the board. + +514 +00:57:59,609 --> 00:58:02,703 +In front of him, +the vice president and directors. + +515 +00:58:03,413 --> 00:58:06,576 +In the front row, department heads +and personnel manager. + +516 +00:58:07,116 --> 00:58:09,084 +The guy I filmed, + +517 +00:58:09,285 --> 00:58:11,913 +who was smashing up +the hierarchy with enviable energy, + +518 +00:58:12,121 --> 00:58:14,612 +confided that it was +not at all allegorical for him, + +519 +00:58:14,824 --> 00:58:17,384 +that he was thinking +very specifically of his superiors. + +520 +00:58:17,594 --> 00:58:19,824 +That's no doubt why +the 'personnel manager' + +521 +00:58:20,029 --> 00:58:24,227 +has been clubbed so often and so hard +that it was taken out of commission + +522 +00:58:24,434 --> 00:58:28,063 +and a baby seal +reinserted in its place. + +523 +00:58:32,942 --> 00:58:35,308 +Hayao Yamaneko invents +video games with his machine. + +524 +00:58:36,813 --> 00:58:40,078 +To please me, he puts in +my most beloved animals, + +525 +00:58:40,283 --> 00:58:42,376 +the cat and the owl. + +526 +00:58:48,958 --> 00:58:51,017 +He claims +that only electronics + +527 +00:58:51,227 --> 00:58:55,687 +can deal with feeling, +memory and imagination. + +528 +00:58:57,066 --> 00:58:59,330 +Mizoguchi's Arsène Lupin, +for example, + +529 +00:58:59,536 --> 00:59:02,437 +or the no-less-imaginary +Burakumin. + +530 +00:59:03,139 --> 00:59:07,599 +How to show a category +of Japanese that doesn't exist? + +531 +00:59:07,944 --> 00:59:12,313 +Yes, I saw them in Osaka, for hire +by the day, sleeping on the ground. + +532 +00:59:12,515 --> 00:59:15,575 +Since the Middle Ages they've been +doomed to grubby and thankless jobs, + +533 +00:59:15,785 --> 00:59:19,084 +but since the Meiji era, +officially nothing sets them apart, + +534 +00:59:19,289 --> 00:59:23,658 +and their real name - the eta - +is a taboo word, not to be pronounced. + +535 +00:59:24,994 --> 00:59:26,621 +They are non-persons. + +536 +00:59:26,829 --> 00:59:29,662 +How can they be shown, +except as non-images? + +537 +00:59:38,908 --> 00:59:43,277 +Video games are the first stage in a plan +for machines to help the human race, + +538 +00:59:43,479 --> 00:59:46,039 +the only plan that offers +a future for intelligence. + +539 +00:59:47,350 --> 00:59:50,513 +For the moment, the unsurpassable +philosophy of our time + +540 +00:59:50,720 --> 00:59:52,688 +is found in Pac-Man. + +541 +00:59:53,623 --> 00:59:56,251 +I didn't know, while sacrificing +my 100-yen coins to him, + +542 +00:59:56,459 --> 00:59:58,654 +that he was +to conquer the world. + +543 +00:59:58,861 --> 01:00:02,558 +Perhaps because he's the most perfect +graphic metaphor of the human condition. + +544 +01:00:02,765 --> 01:00:04,665 +He puts into true perspective + +545 +01:00:04,867 --> 01:00:07,131 +the balance of power between +the individual and the environment, + +546 +01:00:07,337 --> 01:00:09,464 +and he tells us soberly +that though there's honor + +547 +01:00:09,672 --> 01:00:11,936 +in carrying out the greatest number +of victorious attacks, + +548 +01:00:12,141 --> 01:00:15,110 +it never amounts +to anything in the end. " + +549 +01:00:58,054 --> 01:01:00,284 +He was pleased to see +the same chrysanthemums + +550 +01:01:00,490 --> 01:01:03,186 +at funerals +for both men and animals. + +551 +01:01:03,393 --> 01:01:06,385 +He described the ceremony +held at the zoo in Ueno, + +552 +01:01:06,596 --> 01:01:08,791 +in memory of animals +that had died during the year. + +553 +01:01:09,465 --> 01:01:10,932 +"For two years now, + +554 +01:01:11,134 --> 01:01:14,365 +a certain panda's death has rendered +this day even more sorrowful, + +555 +01:01:14,570 --> 01:01:16,470 +a loss more irreparable, +say the newspapers, + +556 +01:01:16,673 --> 01:01:18,436 +than the recent death +of the prime minister. + +557 +01:01:18,641 --> 01:01:20,438 +Last year people really cried. + +558 +01:01:20,643 --> 01:01:22,406 +Now they seem to be +getting used to it, + +559 +01:01:22,612 --> 01:01:24,580 +accepting that each year +death takes a panda + +560 +01:01:24,781 --> 01:01:27,682 +as dragons carry off young girls +in fairy tales. + +561 +01:01:30,019 --> 01:01:32,146 +I've heard this sentence. + +562 +01:01:33,756 --> 01:01:35,587 +'The partition separating +life from death + +563 +01:01:35,792 --> 01:01:39,421 +doesn't seem as thick to us +as it does to a Westerner. ' + +564 +01:01:41,731 --> 01:01:45,633 +What I've read most often in the eyes +of people about to die is surprise. + +565 +01:01:46,369 --> 01:01:50,328 +What I read right now in the eyes +of Japanese children is curiosity, + +566 +01:01:50,540 --> 01:01:54,499 +as if they were trying +to see through the partition + +567 +01:01:54,711 --> 01:01:56,679 +to understand an animal's death. " + +568 +01:03:19,996 --> 01:03:21,827 +"I've returned from a country + +569 +01:03:22,031 --> 01:03:25,797 +where death is not a partition to cross +but a road to follow. + +570 +01:03:26,435 --> 01:03:28,926 +The Great Ancestor +of the Bijago archipelago + +571 +01:03:29,138 --> 01:03:31,072 +has described for us +the itinerary of the dead, + +572 +01:03:31,274 --> 01:03:35,404 +and how they move from island to island +according to a rigorous protocol, + +573 +01:03:35,611 --> 01:03:40,514 +until they come to the last beach, where +they wait for the ship to the other world. + +574 +01:03:42,585 --> 01:03:46,077 +If by accident one should meet them, +it is imperative not to recognize them. + +575 +01:03:49,559 --> 01:03:52,357 +The Bijagos +are part of Guinea-Bissau. + +576 +01:03:52,562 --> 01:03:56,464 +In an old film clip, Amilcar Cabral +waves good-bye to the shore. + +577 +01:03:56,666 --> 01:03:59,794 +He's right. +He'll never see it again. + +578 +01:04:00,169 --> 01:04:02,603 +Luis Cabral made +the same gesture 15 years later, + +579 +01:04:02,805 --> 01:04:05,330 +on the canoe +that was bringing us back. + +580 +01:04:05,541 --> 01:04:09,978 +Guinea had by that time become a nation, +and Luis was its president. + +581 +01:04:10,580 --> 01:04:13,481 +All those who remember the war +remember him. + +582 +01:04:13,716 --> 01:04:18,346 +Like his half brother Amilcar, he was of +mixed Guinean and Cape Verdian blood, + +583 +01:04:18,554 --> 01:04:22,923 +and, like Amilcar, a founding member +of an unusual party, the PAIGC, + +584 +01:04:23,125 --> 01:04:25,821 +which, by uniting the two colonized +countries in a single struggle, + +585 +01:04:26,028 --> 01:04:29,486 +sought to herald +a federation of the two states. + +586 +01:04:30,466 --> 01:04:32,798 +I've heard the stories +of former guerrilla fighters, + +587 +01:04:33,002 --> 01:04:36,870 +who'd fought in conditions so inhuman +that they pitied the Portuguese soldiers + +588 +01:04:37,073 --> 01:04:39,268 +for having to bear what +they themselves suffered. + +589 +01:04:39,475 --> 01:04:41,966 +I heard that +and many more things + +590 +01:04:42,178 --> 01:04:45,978 +that make one ashamed for having used +lightly, even if inadvertently, + +591 +01:04:46,182 --> 01:04:49,618 +the word "guerrilla" to describe +a certain kind of filmmaking, + +592 +01:04:49,819 --> 01:04:52,185 +a word linked at the time +to many theoretical debates + +593 +01:04:52,388 --> 01:04:54,948 +as well as bloody defeats +on the ground. + +594 +01:04:55,157 --> 01:04:58,092 +Amilcar Cabral was the only one +to lead a victorious guerrilla war, + +595 +01:04:58,294 --> 01:05:00,660 +and not only in terms +of military conquests. + +596 +01:05:00,863 --> 01:05:03,263 +He knew his people. +He'd studied them at length. + +597 +01:05:03,466 --> 01:05:06,993 +He wanted every liberated region +to herald a different kind of society. + +598 +01:05:07,203 --> 01:05:09,797 +The socialist countries send +weapons to arm the fighters. + +599 +01:05:10,006 --> 01:05:13,134 +The social democracies +fill the people's stores. + +600 +01:05:13,342 --> 01:05:15,776 +May the extreme Left +forgive history, + +601 +01:05:15,978 --> 01:05:20,779 +but if the guerrillas are like fish +in water, it's a bit thanks to Sweden. + +602 +01:05:20,983 --> 01:05:24,475 +Amilcar was not afraid of ambiguities. +He knew the traps. + +603 +01:05:24,687 --> 01:05:30,125 +He wrote, "It's as though +we're facing a raging river, + +604 +01:05:30,326 --> 01:05:32,317 +and those trying +to cross are drowning. + +605 +01:05:32,528 --> 01:05:35,224 +But there's no choice. +They must get to the other side. " + +606 +01:05:54,550 --> 01:05:58,213 +Now the scene moves to Cassaca, +February 17th, 1980, + +607 +01:05:58,421 --> 01:06:01,652 +but to grasp it properly, +one must move forward in time. + +608 +01:06:01,857 --> 01:06:05,020 +In a year, Luis Cabral, +the president, will be in prison, + +609 +01:06:05,227 --> 01:06:08,594 +and the weeping man +he has just decorated, Major Nino, + +610 +01:06:08,798 --> 01:06:10,595 +will have taken power. + +611 +01:06:10,967 --> 01:06:12,696 +The party will have split. + +612 +01:06:12,902 --> 01:06:16,497 +Guineans and Capeverdians +will be fighting over Amilcar's legacy. + +613 +01:06:16,706 --> 01:06:19,334 +We'll see that beneath +this ceremony of promotions, + +614 +01:06:19,542 --> 01:06:22,534 +seemingly perpetuating +the brotherhood of the struggle, + +615 +01:06:22,745 --> 01:06:25,612 +there lay a pit +of post-victory bitterness, + +616 +01:06:25,815 --> 01:06:28,943 +and that Nino's tears expressed +not an ex-warrior's emotion + +617 +01:06:29,151 --> 01:06:31,016 +but the wounded pride of a hero + +618 +01:06:31,220 --> 01:06:34,121 +slighted at not being raised +high enough above the rest. + +619 +01:06:36,359 --> 01:06:39,294 +Beneath each of these faces +lies a memory, + +620 +01:06:39,495 --> 01:06:42,623 +and where there was to be +one collective memory, + +621 +01:06:42,932 --> 01:06:46,527 +there are a thousand memories of men +who parade their personal wounds + +622 +01:06:46,736 --> 01:06:48,533 +in the great wound of history. + +623 +01:06:49,839 --> 01:06:53,900 +In Portugal, swept up in turn +by the breaking wave of Bissau, + +624 +01:06:54,110 --> 01:06:57,910 +Miguel Torga, who'd struggled all his +life against the dictatorship, wrote, + +625 +01:06:58,114 --> 01:07:01,572 +'Every bit player +represents only himself. + +626 +01:07:01,984 --> 01:07:04,179 +Instead of seeking social change, + +627 +01:07:04,387 --> 01:07:09,825 +he seeks simply, in the revolutionary act, +to boost his own image. ' + +628 +01:07:12,194 --> 01:07:14,924 +That's the way +the breakers recede, + +629 +01:07:15,131 --> 01:07:19,261 +and so predictably that one must believe +in an 'amnesia of the future' + +630 +01:07:19,468 --> 01:07:22,631 +that history bestows, +out of mercy or self-interest, + +631 +01:07:22,838 --> 01:07:24,965 +on those whom it recruits. + +632 +01:07:25,307 --> 01:07:28,799 +Amilcar murdered +by members of his own party, + +633 +01:07:29,011 --> 01:07:32,174 +the liberated areas +fallen to bloody petty tyrants, + +634 +01:07:32,381 --> 01:07:34,645 +liquidated in their turn +by a central power + +635 +01:07:34,850 --> 01:07:38,411 +to whose stability everyone +paid homage until the military coup - + +636 +01:07:38,621 --> 01:07:40,953 +that's how history advances, + +637 +01:07:41,157 --> 01:07:44,217 +plugging its memory +like one plugs one's ears. + +638 +01:07:44,427 --> 01:07:46,190 +Luis, exiled to Cuba, + +639 +01:07:46,395 --> 01:07:49,057 +and Nino, +himself a target of later plots, + +640 +01:07:49,265 --> 01:07:53,065 +can summon each other endlessly +before history's court - + +641 +01:07:53,269 --> 01:07:55,294 +but history doesn't care. + +642 +01:07:55,504 --> 01:07:58,735 +It has only one friend, +the one Brando spoke of in Apocalypse: + +643 +01:07:59,241 --> 01:08:02,039 +The horror that has a name +and a face. + +644 +01:08:04,513 --> 01:08:08,711 +I'm writing you all this from another world, +a world of appearances. + +645 +01:08:09,185 --> 01:08:12,279 +In a way, the two worlds +communicate with each other. + +646 +01:08:12,488 --> 01:08:15,218 +Memory is to one +what history is to the other. + +647 +01:08:15,424 --> 01:08:17,392 +An impossibility. + +648 +01:08:17,860 --> 01:08:20,954 +Legends are born of the need +to decipher the indecipherable. + +649 +01:08:21,163 --> 01:08:23,859 +Memories must make do +with their delirium, with their drift. + +650 +01:08:26,735 --> 01:08:28,635 +A moment stopped would burn + +651 +01:08:28,838 --> 01:08:32,035 +like a frame of film caught +in the furnace of the projector. + +652 +01:08:32,241 --> 01:08:35,108 +Madness protects, +as fever does. + +653 +01:08:37,012 --> 01:08:39,412 +I envy Hayao and his Zone. + +654 +01:08:39,615 --> 01:08:41,981 +He plays +with the signs of his memory. + +655 +01:08:42,184 --> 01:08:44,345 +He pins them down +and decorates them like insects + +656 +01:08:44,553 --> 01:08:46,316 +that have flown beyond time + +657 +01:08:46,522 --> 01:08:50,083 +and that he can contemplate +from a point outside of time - + +658 +01:08:50,326 --> 01:08:52,920 +the only eternity we have left. + +659 +01:08:53,929 --> 01:08:55,897 +I look at his machines. + +660 +01:08:56,098 --> 01:09:00,262 +I think of a world where each memory +could create its own legend. " + +661 +01:10:04,333 --> 01:10:06,494 +He wrote that only one film +had been capable + +662 +01:10:06,702 --> 01:10:08,966 +of portraying impossible memory, +insane memory. + +663 +01:10:09,171 --> 01:10:12,038 +Alfred Hitchcock's Vertigo. + +664 +01:10:13,976 --> 01:10:15,637 +In the spiral +of the opening titles, + +665 +01:10:15,844 --> 01:10:19,610 +he saw time covering a field +growing ever wider as it moved away, + +666 +01:10:19,815 --> 01:10:24,275 +a cyclone whose present moment +contains the motionless eye. + +667 +01:10:25,588 --> 01:10:29,615 +In San Francisco he'd gone +on a pilgrimage to all the film's locations. + +668 +01:10:30,192 --> 01:10:35,459 +The florist Podesta Baldocchi, +where James Stewart spies on Kim Novak, + +669 +01:10:35,664 --> 01:10:37,632 +he the hunter +and she the prey - + +670 +01:10:37,833 --> 01:10:40,131 +or was it the other way around? + +671 +01:10:40,536 --> 01:10:43,403 +The tile floor hadn't changed. + +672 +01:10:43,772 --> 01:10:46,434 +He'd driven up and down the hills +of San Francisco, + +673 +01:10:46,642 --> 01:10:50,305 +where Jimmy Stewart - Scottie - +follows Kim Novak- Madeleine. + +674 +01:10:53,349 --> 01:10:56,443 +It seems to be about pursuit, +mystery and murder, + +675 +01:10:56,652 --> 01:10:58,984 +but in truth +it's about power and freedom, + +676 +01:10:59,188 --> 01:11:01,486 +melancholy and dazzlement, + +677 +01:11:01,690 --> 01:11:05,786 +so carefully coded within the spiral +that you could miss it + +678 +01:11:05,995 --> 01:11:08,361 +and not immediately notice +that this vertigo of space + +679 +01:11:08,564 --> 01:11:11,533 +in reality stands +for the vertigo of time. + +680 +01:11:13,269 --> 01:11:15,169 +He'd followed every trail, + +681 +01:11:15,371 --> 01:11:17,339 +even to the cemetery +at Mission Dolores, + +682 +01:11:17,539 --> 01:11:20,940 +where Madeleine prayed at the grave +of a woman long dead + +683 +01:11:21,143 --> 01:11:23,611 +whom she should not +have known. + +684 +01:11:23,979 --> 01:11:26,447 +He'd followed Madeleine - +as Scottie had done - + +685 +01:11:26,649 --> 01:11:28,480 +to the Museum +of the Legion of Honor, + +686 +01:11:28,684 --> 01:11:31,744 +before the portrait of a dead woman +she shouldn't have known. + +687 +01:11:31,954 --> 01:11:34,514 +And on the portrait, +as in Madeleine's hair, + +688 +01:11:34,723 --> 01:11:36,691 +the spiral of time. + +689 +01:11:44,733 --> 01:11:48,999 +The Victorian hotel where Madeleine +disappeared had itself disappeared. + +690 +01:11:49,204 --> 01:11:52,731 +Concrete had replaced it +at the corner of Eddie and Gough. + +691 +01:11:52,941 --> 01:11:57,640 +But the cross-section of redwood trunk +was still in Muir Woods. + +692 +01:11:57,913 --> 01:11:59,881 +On it, Madeleine traced +the short distance + +693 +01:12:00,082 --> 01:12:04,314 +between two of those concentric lines +that measure the age of the tree and said, + +694 +01:12:04,520 --> 01:12:07,216 +"Here I was born, +and there I died. " + +695 +01:12:08,424 --> 01:12:11,359 +He remembered another film +in which this passage was quoted. + +696 +01:12:11,860 --> 01:12:14,761 +The redwood was +in the Jardin des Plantes in Paris, + +697 +01:12:14,963 --> 01:12:20,424 +and the hand pointed to a place +beyond the tree - outside of time. + +698 +01:12:23,238 --> 01:12:25,570 +This painted horse +at San Juan Bautista, + +699 +01:12:25,774 --> 01:12:28,334 +with an eye +that looked like Madeleine's - + +700 +01:12:28,544 --> 01:12:31,775 +Hitchcock had invented nothing. +It was all there. + +701 +01:12:32,448 --> 01:12:34,382 +He'd run under the arches +in the mission + +702 +01:12:34,583 --> 01:12:36,608 +as Madeleine had run +towards her death - + +703 +01:12:36,819 --> 01:12:39,379 +but was it really hers? + +704 +01:12:41,724 --> 01:12:44,693 +From this fake tower- +the only thing Hitchcock added- + +705 +01:12:44,893 --> 01:12:47,726 +he imagined Scottie +as "Time's Fool of Love," + +706 +01:12:48,097 --> 01:12:52,591 +unable to live with memory +without falsifying it, + +707 +01:12:52,801 --> 01:12:55,827 +inventing a double for Madeleine +in another dimension of time, + +708 +01:12:56,038 --> 01:12:58,871 +a Zone that would belong +only to him, + +709 +01:12:59,074 --> 01:13:01,702 +from which he could decipher +the undecipherable story + +710 +01:13:01,910 --> 01:13:05,471 +begun under the Golden Gate when he +pulled Madeleine out of San Francisco Bay, + +711 +01:13:05,681 --> 01:13:08,616 +when he'd saved her from death +before casting her back to death - + +712 +01:13:08,817 --> 01:13:11,547 +or was it the other way around? + +713 +01:13:27,636 --> 01:13:31,629 +"In San Francisco I made the pilgrimage +of a film I'd seen 19 times. + +714 +01:13:32,174 --> 01:13:35,803 +In Iceland, I laid the first stone +of an imaginary film. + +715 +01:13:36,011 --> 01:13:38,673 +That summer, +I'd met three children on a road, + +716 +01:13:38,881 --> 01:13:41,042 +and a volcano had risen up +out of the sea - + +717 +01:13:41,250 --> 01:13:43,684 +the Set Designer +at work once again. + +718 +01:13:45,053 --> 01:13:49,456 +American astronauts trained in this lunar +landscape before flying to the moon. + +719 +01:13:49,658 --> 01:13:51,626 +I immediately saw it as a setting +for science fiction, + +720 +01:13:51,827 --> 01:13:53,488 +the landscape of another planet - + +721 +01:13:53,695 --> 01:13:58,325 +No, let it be our own for someone +who comes from very far away. + +722 +01:13:59,368 --> 01:14:02,303 +I imagine him lumbering about +like a deep-sea diver + +723 +01:14:02,504 --> 01:14:04,768 +in this volcanic soil +that sticks to the soles. + +724 +01:14:04,973 --> 01:14:08,875 +All of a sudden he stumbles, +and with the next step it's a year later. + +725 +01:14:09,077 --> 01:14:12,046 +He's walking on a small path +near the Dutch border, + +726 +01:14:12,247 --> 01:14:14,977 +along a seabird sanctuary. + +727 +01:14:16,318 --> 01:14:18,445 +That's for a start. + +728 +01:14:18,654 --> 01:14:21,589 +Why this cut in time, +this connection of memories? + +729 +01:14:21,790 --> 01:14:24,315 +That's just it. +He can't understand. + +730 +01:14:24,526 --> 01:14:28,121 +He comes not from another planet +but from our future. + +731 +01:14:28,330 --> 01:14:32,699 +4001, when the human brain +has reached the era of full employment. + +732 +01:14:32,901 --> 01:14:34,869 +Everything works to perfection - + +733 +01:14:35,070 --> 01:14:37,630 +all that we now allow to slumber, +including memory. + +734 +01:14:38,507 --> 01:14:43,137 +The logical result. +Total recall is memory anesthetized. + +735 +01:14:43,345 --> 01:14:46,212 +After so many stories of men +who forgot how to remember, + +736 +01:14:46,415 --> 01:14:49,179 +here's the story of one +who forgot how to forget... + +737 +01:14:50,519 --> 01:14:52,749 +and who, through some peculiarity +of his nature, + +738 +01:14:52,955 --> 01:14:56,914 +instead of being proud and scorning +mankind of the past and its shadows, + +739 +01:14:57,125 --> 01:15:01,391 +turned to it first with curiosity +and then with compassion. + +740 +01:15:01,730 --> 01:15:03,960 +In the world he comes from, +to call forth a vision, + +741 +01:15:04,166 --> 01:15:07,101 +to be moved by a portrait, +to tremble at the sound of music + +742 +01:15:07,302 --> 01:15:11,033 +can only be signs +of a long and painful prehistory. + +743 +01:15:11,573 --> 01:15:13,473 +He wants to understand. + +744 +01:15:13,675 --> 01:15:17,441 +He feels these infirmities of time +like an injustice, + +745 +01:15:17,646 --> 01:15:21,707 +and he reacts to it like Che Guevara +or youth of the '60s - with indignation. + +746 +01:15:23,285 --> 01:15:25,378 +He's a third worlder of time. + +747 +01:15:25,587 --> 01:15:28,556 +The idea that unhappiness +had existed in his planet's past + +748 +01:15:28,757 --> 01:15:32,921 +is as unbearable to him as the existence +of poverty in their present moment. + +749 +01:15:36,832 --> 01:15:38,925 +Naturally, he will fail. + +750 +01:15:39,134 --> 01:15:41,364 +The unhappiness he discovers +is as inaccessible to him + +751 +01:15:41,570 --> 01:15:46,132 +as the poverty of a poor country +is to the children of a rich one. + +752 +01:15:46,341 --> 01:15:49,139 +He's chosen +to give up his privileges, + +753 +01:15:49,344 --> 01:15:53,246 +but he can do nothing about the privilege +that has allowed him to choose. + +754 +01:15:54,516 --> 01:15:57,610 +His only comfort is precisely +what threw him into this absurd quest. + +755 +01:15:57,819 --> 01:16:00,583 +A song cycle by Moussorgski. + +756 +01:16:00,889 --> 01:16:03,653 +It's still sung +in the 40th century. + +757 +01:16:03,859 --> 01:16:07,056 +Its meaning has been lost, +but for the first time, he glimpsed + +758 +01:16:07,262 --> 01:16:09,492 +the presence of that thing +he didn't understand, + +759 +01:16:09,698 --> 01:16:11,996 +which had to do +with unhappiness and memory, + +760 +01:16:12,200 --> 01:16:14,361 +which he must grasp at all cost, + +761 +01:16:14,570 --> 01:16:18,802 +and toward which, slowly, +heavily, he began to walk. + +762 +01:16:21,843 --> 01:16:24,607 +Of course, +I'll never make that film. + +763 +01:16:26,715 --> 01:16:30,173 +Nonetheless, I'm collecting sets, +devising plot twists, + +764 +01:16:30,385 --> 01:16:32,683 +putting in my favorite creatures. + +765 +01:16:32,888 --> 01:16:35,186 +I've even given it a title, + +766 +01:16:35,791 --> 01:16:38,282 +indeed, the title +of those Moussorgski songs. + +767 +01:16:38,493 --> 01:16:40,620 +Sunless." + +768 +01:17:00,983 --> 01:17:03,952 +"On May 15th, 1945, +at 7.00 a.m., + +769 +01:17:04,152 --> 01:17:06,814 +the 382nd US Infantry Regiment + +770 +01:17:07,022 --> 01:17:10,958 +attacked a hill in Okinawa +they had renamed Dick Hill. + +771 +01:17:11,159 --> 01:17:14,651 +I suppose they believed +they were conquering Japanese soil + +772 +01:17:14,863 --> 01:17:17,559 +and knew nothing +about Ryukyu civilization. + +773 +01:17:17,766 --> 01:17:19,393 +Neither did I, + +774 +01:17:19,601 --> 01:17:21,728 +except that the faces +of the market ladies at Itoman + +775 +01:17:21,937 --> 01:17:25,498 +spoke to me more of Gauguin +than of Utamaro. + +776 +01:17:25,707 --> 01:17:29,803 +Through centuries of dreamy vassalage, +time had not stirred in the archipelago. + +777 +01:17:30,012 --> 01:17:31,946 +Then came the rupture. + +778 +01:17:32,514 --> 01:17:36,917 +Is it a property of islands to make women +the guardians of their memory? + +779 +01:17:37,119 --> 01:17:41,317 +I learned that, as in the Bijagos, magic +knowledge is passed on through women. + +780 +01:17:41,523 --> 01:17:44,253 +Each community +has its priestess, the noro, + +781 +01:17:44,459 --> 01:17:47,826 +who presides over all ceremonies, +with the exception of funerals. + +782 +01:17:48,497 --> 01:17:50,590 +The Japanese defended +their position inch by inch. + +783 +01:17:50,799 --> 01:17:54,326 +At the end of the day, +the remnants of L Company + +784 +01:17:54,536 --> 01:17:57,061 +had gotten only +halfway up the hill- + +785 +01:17:57,339 --> 01:17:59,739 +a hill like the one +where I followed some villagers + +786 +01:17:59,941 --> 01:18:03,274 +on their way +to a purification ceremony. + +787 +01:18:03,478 --> 01:18:05,878 +The noro communicates +with the gods of the sea, + +788 +01:18:06,081 --> 01:18:07,981 +of rain, of earth, of fire. + +789 +01:18:08,183 --> 01:18:12,313 +She speaks of them +as of family members who've made good. + +790 +01:18:12,521 --> 01:18:16,514 +All bow down before the Sister Deity, +a reflection, in the absolute, + +791 +01:18:16,725 --> 01:18:19,626 +of a privileged relationship +between brother and sister. + +792 +01:18:19,828 --> 01:18:23,559 +Even after her death, the sister +maintains her spiritual predominance. + +793 +01:18:23,765 --> 01:18:25,733 +At dawn +the Americans withdrew. + +794 +01:18:25,934 --> 01:18:28,732 +Fighting went on for a month +before the island surrendered- + +795 +01:18:28,937 --> 01:18:31,371 +and toppled +into the modern world. + +796 +01:18:31,573 --> 01:18:33,302 +Twenty-seven years +of American occupation, + +797 +01:18:33,508 --> 01:18:35,703 +Japan's disputed +sovereignty restored. + +798 +01:18:35,911 --> 01:18:38,072 +Two miles from bowling alleys +and gas stations, + +799 +01:18:38,280 --> 01:18:41,511 +the noro continues her dialogue +with the gods. + +800 +01:18:41,717 --> 01:18:44,777 +When she's gone, +the dialogue will end. + +801 +01:18:44,986 --> 01:18:48,945 +Brothers will no longer know that +their dead sister is watching over them. + +802 +01:19:58,226 --> 01:20:02,253 +When filming this ceremony, I knew +I was present at the end of something. + +803 +01:20:02,931 --> 01:20:06,367 +Magical cultures that disappear +leave traces for those who follow. + +804 +01:20:06,568 --> 01:20:08,832 +This one will leave none. + +805 +01:20:09,037 --> 01:20:11,301 +The rupture in history +has been too violent. + +806 +01:20:11,506 --> 01:20:14,066 +I touched that rupture +at the top of the hill, + +807 +01:20:14,276 --> 01:20:16,244 +as I had at the edge of the ditch + +808 +01:20:16,444 --> 01:20:19,413 +where 200 girls used grenades +in 1945 to commit suicide + +809 +01:20:19,614 --> 01:20:23,243 +rather than fall +into American hands. + +810 +01:20:23,451 --> 01:20:25,510 +People have +their pictures taken here. + +811 +01:20:25,720 --> 01:20:29,918 +Grenade-shaped cigarette lighters +are sold nearby as souvenirs. + +812 +01:20:34,930 --> 01:20:36,397 +On Hayao's machine, + +813 +01:20:36,598 --> 01:20:41,934 +war resembles letters being burned, +shredded in a fiery frame. + +814 +01:20:42,204 --> 01:20:45,867 +The code name for Pearl Harbor +was "Tora, tora, tora," + +815 +01:20:46,074 --> 01:20:49,771 +the name of the cat the couple +in Gotokuji was praying for. + +816 +01:20:49,978 --> 01:20:54,847 +So all of this will have begun with +the name of a cat pronounced three times. + +817 +01:21:02,490 --> 01:21:07,052 +Off Okinawa, +kamikazes dived on the American fleet. + +818 +01:21:07,262 --> 01:21:11,062 +They would become a legend, and were +likelier material for it, obviously, + +819 +01:21:11,266 --> 01:21:14,258 +than the special units who exposed their +prisoners to the bitter frost of Manchuria + +820 +01:21:14,469 --> 01:21:19,406 +and then to hot water to see +how fast flesh separates from bone. + +821 +01:21:20,275 --> 01:21:24,439 +Only their last letters would reveal +that the kamikaze weren't all volunteers, + +822 +01:21:24,646 --> 01:21:27,444 +nor were they all +swashbuckling samurai. + +823 +01:21:27,649 --> 01:21:32,313 +Before drinking his last cup of sake, +Ryoji Uebara had written, + +824 +01:21:32,520 --> 01:21:37,116 +'I've always thought that Japan +must live free to live eternally. + +825 +01:21:37,325 --> 01:21:41,489 +It may seem idiotic to say that today, +under a totalitarian regime. + +826 +01:21:42,063 --> 01:21:47,160 +We kamikaze pilots are machines. +We have nothing to say + +827 +01:21:47,369 --> 01:21:51,169 +except to beg our compatriots to make +Japan the great country of our dreams. + +828 +01:21:51,373 --> 01:21:53,170 +In the plane +I'm a machine, + +829 +01:21:53,375 --> 01:21:56,276 +a bit of magnetized metal that will +plaster itself to an aircraft carrier, + +830 +01:21:56,478 --> 01:22:01,415 +but on the ground, I'm a human being, +with feelings and passions. + +831 +01:22:01,616 --> 01:22:03,811 +Please excuse +these disorganized thoughts. + +832 +01:22:04,019 --> 01:22:05,919 +I'm leaving you +with a rather melancholy picture, + +833 +01:22:06,121 --> 01:22:08,589 +but in the depths of my heart, +I'm happy. + +834 +01:22:08,790 --> 01:22:12,385 +I've spoken frankly. +Forgive me. "' + +835 +01:23:36,945 --> 01:23:40,108 +Every time he came back from Africa, +he stopped at the Island of Sal, + +836 +01:23:40,315 --> 01:23:43,443 +a salt rock +in the middle of the Atlantic. + +837 +01:23:43,651 --> 01:23:45,516 +At the end of the island, + +838 +01:23:45,720 --> 01:23:48,553 +beyond the village of Santa Maria +and its cemetery of painted tombs, + +839 +01:23:48,757 --> 01:23:52,659 +one need only walk straight ahead +to meet the desert. + +840 +01:24:06,441 --> 01:24:08,432 +He wrote... + +841 +01:24:08,643 --> 01:24:10,406 +"I've understood the visions. + +842 +01:24:10,612 --> 01:24:13,080 +Suddenly you're in the desert +the way you are in the night. + +843 +01:24:13,281 --> 01:24:15,340 +Whatever is not desert +no longer exists. + +844 +01:24:15,550 --> 01:24:18,883 +You don't want to believe +the images that crop up. + +845 +01:25:14,542 --> 01:25:17,909 +Did I write that there are emus +in the Ile de France? + +846 +01:25:19,614 --> 01:25:23,414 +'Island of France' sounds strange +on the Island of Sal. + +847 +01:25:23,651 --> 01:25:25,778 +My memory superimposes +two towers, + +848 +01:25:25,987 --> 01:25:29,286 +the one in the castle ruins of Montepilloy +that Joan of Arc used as a camp, + +849 +01:25:30,091 --> 01:25:32,355 +and the lighthouse tower +at the southern tip of Sal, + +850 +01:25:32,560 --> 01:25:35,757 +probably one +of the last lighthouses to use oil. + +851 +01:26:00,388 --> 01:26:03,118 +A lighthouse in the Sahel +looks pasted on + +852 +01:26:03,324 --> 01:26:07,226 +until you see the ocean +at the edge of the sand and salt. + +853 +01:26:07,962 --> 01:26:11,295 +Crews of transcontinental planes +are rotated on Sal. + +854 +01:26:11,499 --> 01:26:13,558 +Their club brings +to this empty frontier + +855 +01:26:13,768 --> 01:26:17,431 +a small touch of the seaside resort +that makes the rest even more unreal. + +856 +01:26:17,639 --> 01:26:20,802 +They feed the stray dogs +that live on the beach. + +857 +01:26:34,522 --> 01:26:37,184 +My dogs seemed +pretty nervous that evening. + +858 +01:26:37,392 --> 01:26:41,158 +They played with the sea +as I'd never seen them before. + +859 +01:26:41,396 --> 01:26:44,126 +Listening to Radio Hong Kong +later on, I understood. + +860 +01:26:44,332 --> 01:26:47,529 +That was the first day +of the lunar new year, + +861 +01:26:47,735 --> 01:26:52,399 +and for the first time in 60 years, the +sign of the Dog met the sign of Water. " + +862 +01:27:35,583 --> 01:27:37,915 +"Out there, +11,000 miles away, + +863 +01:27:38,119 --> 01:27:41,020 +a single shadow remains immobile +among the long moving shadows + +864 +01:27:41,222 --> 01:27:43,782 +that the January light +casts on the ground in Tokyo. + +865 +01:27:43,992 --> 01:27:46,426 +The shadow of the Asakusa monk. + +866 +01:28:36,110 --> 01:28:39,136 +For in Japan too +the Year of the Dog is beginning. + +867 +01:28:39,347 --> 01:28:42,248 +Temples are filled with visitors +who toss their coins + +868 +01:28:42,450 --> 01:28:44,418 +and pray, Japanese-style - + +869 +01:28:44,619 --> 01:28:48,111 +a prayer slipped quietly into life +without interrupting it. + +870 +01:29:19,987 --> 01:29:22,512 +Stranded at the end of the world, +on my Island of Sal, + +871 +01:29:22,724 --> 01:29:25,056 +in the company +of my prancing dogs, + +872 +01:29:25,259 --> 01:29:26,920 +I remember that January in Tokyo, + +873 +01:29:27,128 --> 01:29:31,155 +or rather I remember the images +I filmed that January in Tokyo. + +874 +01:29:31,366 --> 01:29:33,459 +They've replaced my memory. + +875 +01:29:33,668 --> 01:29:35,431 +They are my memory. + +876 +01:29:36,003 --> 01:29:41,168 +I wonder how people remember things +who don't film or photograph or tape. + +877 +01:29:41,376 --> 01:29:44,072 +How has mankind +managed to remember? + +878 +01:29:44,278 --> 01:29:47,076 +I know. +It wrote the Bible. + +879 +01:29:47,615 --> 01:29:50,550 +The new bible will be +an eternal magnetic tape + +880 +01:29:50,752 --> 01:29:54,813 +of a time that will have to reread itself +constantly, just to know it existed. + +881 +01:29:55,823 --> 01:29:58,621 +As we await the year 4001 +and its total recall, + +882 +01:29:58,826 --> 01:30:01,158 +that's what the New Year oracles + +883 +01:30:01,362 --> 01:30:04,627 +that we take out of +their long hexagonal boxes offer us. + +884 +01:30:04,832 --> 01:30:07,130 +A little more power +over that memory + +885 +01:30:07,335 --> 01:30:09,803 +that runs from camp to camp, +like Joan of Arc, + +886 +01:30:10,004 --> 01:30:12,302 +that a shortwave announcement +from Hong Kong Radio + +887 +01:30:12,507 --> 01:30:15,442 +picked up on a Cape Verde Island +projects to Tokyo, + +888 +01:30:15,643 --> 01:30:18,168 +and that the memory of a precise color +in the street bounces back + +889 +01:30:18,379 --> 01:30:20,609 +on another country, +another distance, + +890 +01:30:20,815 --> 01:30:24,410 +another music, endlessly. + +891 +01:30:32,427 --> 01:30:34,395 +At the end of memory's path, + +892 +01:30:34,962 --> 01:30:37,863 +the ideograms of the Island of France +are no less enigmatic + +893 +01:30:38,065 --> 01:30:42,832 +than the kanji of Tokyo +in the miraculous light of the New Year. + +894 +01:30:43,037 --> 01:30:44,698 +It's Indian winter. + +895 +01:30:44,906 --> 01:30:46,806 +It's as if the air +were the first element + +896 +01:30:47,008 --> 01:30:49,169 +to emerge purified +from the countless ceremonies + +897 +01:30:49,377 --> 01:30:53,177 +the Japanese use to wash off one year +before entering the next. + +898 +01:30:53,381 --> 01:30:55,315 +A full month is just enough + +899 +01:30:55,516 --> 01:30:59,782 +to fulfill all the duties +that courtesy owes to time, + +900 +01:30:59,987 --> 01:31:01,716 +the most interesting +being the acquisition, + +901 +01:31:01,923 --> 01:31:04,323 +at the temple of Tenjin, +of the Uso bird, + +902 +01:31:04,525 --> 01:31:07,756 +who, according to one tradition, +eats all your lies of the year to come, + +903 +01:31:07,962 --> 01:31:11,489 +and according to another, +turns them into truths. + +904 +01:31:11,799 --> 01:31:14,893 +But what gives the street +its color in January, + +905 +01:31:15,102 --> 01:31:17,332 +what makes it suddenly different, + +906 +01:31:17,538 --> 01:31:19,904 +is the appearance +of the kimonos. + +907 +01:31:20,475 --> 01:31:22,170 +In the street, +in stores, in offices, + +908 +01:31:22,376 --> 01:31:24,537 +even at the stock exchange +on opening day, + +909 +01:31:24,745 --> 01:31:28,579 +girls bring out +their fur-collared winter kimonos. + +910 +01:31:28,783 --> 01:31:30,250 +At that time of year, + +911 +01:31:30,451 --> 01:31:34,080 +others may invent extra-flat TVsets, +commit suicide with chain saws, + +912 +01:31:34,288 --> 01:31:37,223 +or capture two-thirds of the world market +for semiconductors - good for them! + +913 +01:31:37,425 --> 01:31:39,893 +All you see are the girls. + +914 +01:31:50,838 --> 01:31:53,102 +January 15th +is Coming-of-Age day, + +915 +01:31:53,307 --> 01:31:56,538 +an obligatory celebration +in the life of a young Japanese woman. + +916 +01:31:56,744 --> 01:32:01,306 +City governments distribute bags +filled with gifts, date books, advice. + +917 +01:32:01,516 --> 01:32:04,417 +How to be a good citizen, +mother and wife. + +918 +01:32:05,653 --> 01:32:09,282 +On that day, every 20-year-old girl +can phone her family for free, + +919 +01:32:09,490 --> 01:32:11,924 +no matter where in Japan. + +920 +01:32:13,294 --> 01:32:17,287 +Work, home and country - +this is the anteroom of adulthood. + +921 +01:32:17,865 --> 01:32:21,858 +The world of the Takenoko and of +rock singers speeds away like a rocket. + +922 +01:32:22,270 --> 01:32:26,434 +Speakers explain +what society expects of them. + +923 +01:32:26,641 --> 01:32:29,940 +How long will they take +to forget the secret? + +924 +01:33:28,803 --> 01:33:30,828 +And when +all the celebrations are over, + +925 +01:33:31,038 --> 01:33:34,769 +all that remains is to collect +the ornaments and accessories + +926 +01:33:34,976 --> 01:33:37,444 +and burn them +in one more celebration. + +927 +01:34:22,423 --> 01:34:24,391 +This is dondoyaki, + +928 +01:34:24,592 --> 01:34:28,494 +a Shinto blessing of the debris +that has a right to immortality, + +929 +01:34:28,696 --> 01:34:30,425 +like the dolls at Ueno. + +930 +01:34:30,631 --> 01:34:34,123 +The last stage in the poignancy of things +before they disappear. + +931 +01:34:35,202 --> 01:34:39,832 +Daruma, the one-eyed spirit, +reigns supreme atop the bonfire. + +932 +01:34:40,041 --> 01:34:42,703 +Abandonment must be a feast, +laceration must be a feast, + +933 +01:34:42,910 --> 01:34:45,276 +and the farewell +to all that one has lost, broken, used, + +934 +01:34:45,479 --> 01:34:47,447 +must be ennobled by a ceremony. + +935 +01:34:47,648 --> 01:34:50,446 +It's Japan that could fulfill +the wish of that French writer + +936 +01:34:50,651 --> 01:34:53,176 +who wanted divorce +to be made a sacrament. + +937 +01:34:53,387 --> 01:34:55,548 +The only baffling part +of this ritual + +938 +01:34:55,756 --> 01:34:59,214 +was the children striking +the ground with long poles. + +939 +01:34:59,427 --> 01:35:01,452 +I only got one explanation, +a rather peculiar one. + +940 +01:35:01,662 --> 01:35:05,189 +I thought it might be +a small, intimate ritual, + +941 +01:35:05,399 --> 01:35:07,833 +but it was to chase away moles. + +942 +01:35:50,344 --> 01:35:55,247 +And that's where my three children from +Iceland came and grafted themselves in. + +943 +01:35:56,317 --> 01:35:58,512 +I picked up the whole shot again, + +944 +01:35:58,719 --> 01:36:00,619 +adding the somewhat +hazy ending, + +945 +01:36:00,821 --> 01:36:04,222 +the frame trembling +under the force of the wind. + +946 +01:36:04,425 --> 01:36:06,359 +Everything I had cut +in order to "tidy up" + +947 +01:36:06,560 --> 01:36:09,552 +and that said better than all the rest +what I saw in that moment, + +948 +01:36:09,764 --> 01:36:12,232 +why I held it at arm's length, +at zoom's length, + +949 +01:36:12,433 --> 01:36:15,425 +until its last 24th of a second. + +950 +01:36:17,338 --> 01:36:19,829 +The city of Heimaey +spread out below us, + +951 +01:36:20,040 --> 01:36:21,974 +and when, five years later, +my friend Haroun Tazieff + +952 +01:36:22,176 --> 01:36:24,371 +sent me the film +he'd just shot in the same place, + +953 +01:36:24,578 --> 01:36:29,743 +I lacked only the name to know +that nature performs its own dondoyaki. + +954 +01:36:30,785 --> 01:36:33,583 +The island's volcano +had reawakened. + +955 +01:36:33,788 --> 01:36:35,415 +I looked at those pictures, + +956 +01:36:35,623 --> 01:36:40,060 +and it was as if all of 1965 +had just been covered in ash. + +957 +01:36:56,744 --> 01:36:58,735 +So all one had to do was wait, + +958 +01:36:58,946 --> 01:37:02,575 +and the planet itself +would stage the working of time. + +959 +01:37:03,551 --> 01:37:06,349 +I saw again +what had been my window. + +960 +01:37:06,554 --> 01:37:09,489 +I saw familiar roofs +and balconies emerge, + +961 +01:37:09,690 --> 01:37:12,420 +the landmarks of the walks +I took through town every day, + +962 +01:37:12,626 --> 01:37:15,459 +down to the cliff +where I'd met the children. + +963 +01:37:16,997 --> 01:37:20,797 +The cat with white socks +that Haroun had kindly filmed for me + +964 +01:37:21,001 --> 01:37:23,561 +naturally found its place, + +965 +01:37:23,771 --> 01:37:27,138 +and I thought that of all the prayers +to time that I'd studied this trip, + +966 +01:37:27,341 --> 01:37:30,105 +the kindest was the one spoken +by the woman of Gotokuji, + +967 +01:37:30,311 --> 01:37:32,609 +who said simply to her cat Tora, + +968 +01:37:32,813 --> 01:37:36,909 +"Beloved cat, wherever you are, +may your soul rest in peace. " + +969 +01:37:59,573 --> 01:38:02,667 +And then, in its turn, +the journey entered the Zone. + +970 +01:38:03,444 --> 01:38:07,312 +Hayao showed me my images +already touched by the moss of time, + +971 +01:38:07,514 --> 01:38:10,381 +freed of the lie that had prolonged +the existence of those moments + +972 +01:38:10,584 --> 01:38:13,052 +swallowed by the spiral. + +973 +01:38:28,769 --> 01:38:30,999 +When spring came + +974 +01:38:31,205 --> 01:38:35,164 +and every crow announced its arrival +by raising his cry half a tone, + +975 +01:38:35,809 --> 01:38:40,439 +I took the green train of the Yamanote +line and got off at Tokyo station, + +976 +01:38:40,648 --> 01:38:43,481 +near the central post office. + +977 +01:38:43,918 --> 01:38:45,977 +Though the street was empty, + +978 +01:38:46,186 --> 01:38:48,677 +I waited at the red light, +Japanese-style, + +979 +01:38:48,989 --> 01:38:52,322 +to leave space +for the spirits of broken cars. + +980 +01:38:52,526 --> 01:38:54,357 +Though I was expecting no letter, + +981 +01:38:54,561 --> 01:38:57,121 +I stopped +at the general delivery window, + +982 +01:38:57,331 --> 01:38:59,993 +for one must honor +the spirits of torn-up letters, + +983 +01:39:00,200 --> 01:39:04,796 +and at the airmail counter, +to hail the spirits of unmailed letters. + +984 +01:39:06,040 --> 01:39:08,133 +I took the measure +of the unbearable vanity of the West + +985 +01:39:08,342 --> 01:39:10,469 +that has always favored +being over non-being, + +986 +01:39:10,678 --> 01:39:12,373 +what is spoken +over what's left unsaid. + +987 +01:39:12,579 --> 01:39:16,379 +I walked along the little stalls +of clothing dealers. + +988 +01:39:16,583 --> 01:39:20,041 +In the distance I heard Mr. Akao's voice +reverberating from the loudspeakers, + +989 +01:39:20,254 --> 01:39:22,449 +now a half tone higher. + +990 +01:39:22,656 --> 01:39:24,419 +Then I went down +to the basement + +991 +01:39:24,625 --> 01:39:28,083 +where my maniac friend busies +himself with his electronic graffiti. + +992 +01:39:28,329 --> 01:39:30,263 +In the end +his language touches me, + +993 +01:39:30,464 --> 01:39:34,958 +for he talks to that part of us that insists +on drawing profiles on prison walls. + +994 +01:39:35,169 --> 01:39:37,103 +A piece of chalk +to follow the contours + +995 +01:39:37,304 --> 01:39:40,831 +of what is not, +or is no longer, or is not yet. + +996 +01:39:41,108 --> 01:39:43,804 +The handwriting each of us +will use to draw up + +997 +01:39:44,011 --> 01:39:46,946 +his own list of things +that quicken the heart - + +998 +01:39:47,147 --> 01:39:49,877 +to offer up or to erase. + +999 +01:39:50,751 --> 01:39:53,049 +In that moment, +poetry will be made by everyone, + +1000 +01:39:53,253 --> 01:39:55,983 +and there will be emus +in the Zone. " + +1001 +01:40:15,476 --> 01:40:17,444 +He writes to me from Japan. + +1002 +01:40:17,644 --> 01:40:19,544 +He writes to me from Africa. + +1003 +01:40:19,747 --> 01:40:23,581 +He says he can now summon up the look +on the market lady's face in Praia + +1004 +01:40:23,784 --> 01:40:25,979 +that had lasted +only the length of a film frame. + +1005 +01:40:27,688 --> 01:40:31,089 +Will there be +a last letter someday? + +1006 +01:40:34,561 --> 01:40:38,156 +IN THE FRENCH AUDIO VERSION, + +1007 +01:40:38,365 --> 01:40:44,235 +THE LETTERS OF SANDOR KRASNA +WERE READ BY FLORENCE DELAY + diff --git a/demos/videoeditor/srt/0097514.srt b/demos/videoeditor/srt/0097514.srt new file mode 100644 index 00000000..c6c15af9 --- /dev/null +++ b/demos/videoeditor/srt/0097514.srt @@ -0,0 +1,710 @@ +1 +00:00:00,680 --> 00:00:04,389 +Change nothing +so that everything is different. + +2 +00:00:24,560 --> 00:00:27,120 +Don't show every side of things. + +3 +00:00:27,680 --> 00:00:30,672 +Allow yourself +a margin of indefiniteness. + +4 +00:05:11,960 --> 00:05:16,272 +Histories of cinema, +in the plural. + +5 +00:05:27,000 --> 00:05:29,719 +All the stories + +6 +00:05:30,680 --> 00:05:33,240 +that will be + +7 +00:05:34,560 --> 00:05:36,118 +that have been. + +8 +00:09:06,760 --> 00:09:10,878 +To tell the story of the last tycoon + +9 +00:09:12,480 --> 00:09:13,754 +Irving Thalberg. + +10 +00:09:17,000 --> 00:09:21,835 +A TV executive has, at most, +200 films a year in his head. + +11 +00:09:23,160 --> 00:09:25,799 +Thalberg was the only person who, + +12 +00:09:26,000 --> 00:09:28,958 +every day, had 52 films in his head. + +13 +00:10:50,440 --> 00:10:51,839 +The foundation. + +14 +00:10:52,880 --> 00:10:54,598 +The founding father. + +15 +00:11:02,720 --> 00:11:04,119 +The only son. + +16 +00:11:10,200 --> 00:11:12,839 +This story had to pass by this: + +17 +00:11:14,960 --> 00:11:17,872 +A young body, +fragile and beautiful, + +18 +00:11:29,160 --> 00:11:31,674 +as described +F. Scott Fitzgerald - + +19 +00:11:32,000 --> 00:11:35,072 +so that this could exist: + +20 +00:11:38,160 --> 00:11:39,752 +The power of Hollywood. + +21 +00:13:22,800 --> 00:13:25,075 +The power of Babylon. + +22 +00:13:38,480 --> 00:13:39,879 +A dream factory. + +23 +00:13:43,320 --> 00:13:45,231 +History of cinema. + +24 +00:13:48,080 --> 00:13:51,470 +Newness of history. +History of news. + +25 +00:15:59,920 --> 00:16:03,799 +What has gone through cinema +and is still marked by it + +26 +00:16:04,000 --> 00:16:06,150 +can no longer enter anywhere else. + +27 +00:16:10,240 --> 00:16:12,196 +A dream factory. + +28 +00:16:22,800 --> 00:16:27,112 +Communism wore itself out +trying to dream up such factories. + +29 +00:17:46,520 --> 00:17:50,638 +Married to one of +the prettiest women alive. + +30 +00:18:07,440 --> 00:18:10,034 +Or to tell the story of Howard Hughes. + +31 +00:18:35,720 --> 00:18:37,517 +Braver than Mermoz, + +32 +00:18:38,200 --> 00:18:39,792 +richer than Rockefeller. + +33 +00:19:13,400 --> 00:19:16,790 +Producer of Citizen Kane, +president of TWA. + +34 +00:19:17,800 --> 00:19:21,270 +As if Meliès ran Gallimard +and the SNCF. + +35 +00:19:55,680 --> 00:19:57,398 +And before Hughes Aircraft + +36 +00:19:57,600 --> 00:20:02,116 +began fishing up CIA submarines +from the bottom of the Pacific, + +37 +00:20:07,800 --> 00:20:11,793 +he forced RKO starlets +to go on weekly limousine rides + +38 +00:20:16,560 --> 00:20:18,039 +at one mile an hour + +39 +00:20:22,640 --> 00:20:26,110 +so their breasts +wouldn't bounce up and down. + +40 +00:20:35,640 --> 00:20:38,598 +His death, worse than anything + +41 +00:20:38,800 --> 00:20:41,519 +Defoe had imagined for Robinson. + +42 +00:23:06,840 --> 00:23:11,277 +To tell the stories +of all the films never made... + +43 +00:24:08,240 --> 00:24:12,791 +To tell the stories +of all the films never made... + +44 +00:25:52,200 --> 00:25:55,875 +To tell the stories +of all the films never made, + +45 +00:26:02,360 --> 00:26:04,271 +rather than those that were. + +46 +00:26:11,800 --> 00:26:14,268 +Those that were +can be seen on TV. + +47 +00:26:14,480 --> 00:26:16,675 +Let's not exaggerate: + +48 +00:26:16,880 --> 00:26:19,997 +They're not even +copies of reproductions. + +49 +00:27:19,800 --> 00:27:23,679 +1940. Geneva. +L'Ecole des femmes. Max Ophuls. + +50 +00:27:55,080 --> 00:27:57,719 +He fell on Madeleine Ozeray's ass, + +51 +00:27:57,920 --> 00:28:01,799 +while the Germans were taking +the French from behind + +52 +00:28:04,920 --> 00:28:07,718 +and while Louis Jouvet was giving up. + +53 +00:29:28,280 --> 00:29:31,078 +Theater is something +too much known. + +54 +00:29:32,200 --> 00:29:34,839 +The cinématographe, too unknown... + +55 +00:29:35,720 --> 00:29:36,675 +up to now. + +56 +00:31:29,680 --> 00:31:33,514 +History of cinema +newness of history. + +57 +00:31:33,720 --> 00:31:35,438 +History of news. + +58 +00:31:37,160 --> 00:31:40,914 +Histories of cinema, with "s". + +59 +00:31:41,520 --> 00:31:43,033 +With SS. + +60 +00:32:21,160 --> 00:32:23,310 +1939, 1940, 1941... + +61 +00:32:23,720 --> 00:32:25,472 +Betrayal by radio, + +62 +00:32:26,200 --> 00:32:27,872 +but cinema keeps its word. + +63 +00:32:37,160 --> 00:32:41,358 +Because from Siegfried and M +to the dictator and Lubitsch, + +64 +00:32:42,520 --> 00:32:43,873 +films were made. + +65 +00:32:48,960 --> 00:32:50,393 +1940, 1941. + +66 +00:32:51,240 --> 00:32:55,552 +Even scratched to death, +a simple 35-millimeter rectangle + +67 +00:32:56,080 --> 00:32:58,640 +saves the honor of reality. + +68 +00:33:00,160 --> 00:33:01,991 +1941, 1942. + +69 +00:33:02,480 --> 00:33:05,517 +If poor images still strike + +70 +00:33:05,920 --> 00:33:09,276 +without anger or hatred, +like a butcher, + +71 +00:33:10,280 --> 00:33:12,874 +it is because cinema is there: +Silent film, + +72 +00:33:13,080 --> 00:33:16,959 +with its humble and formidable +power of transfiguration. + +73 +00:33:19,080 --> 00:33:21,674 +1942, 1943, 1944. + +74 +00:33:23,040 --> 00:33:24,758 +That which plunges into the night + +75 +00:33:24,960 --> 00:33:27,793 +is the echo of what silence submerges. + +76 +00:33:29,960 --> 00:33:31,871 +What silence submerges + +77 +00:33:35,240 --> 00:33:38,915 +sustains in light +that which plunges into the night. + +78 +00:35:43,160 --> 00:35:44,991 +Images and sounds, + +79 +00:35:54,320 --> 00:35:56,993 +like travelers whose paths cross + +80 +00:35:57,200 --> 00:35:59,156 +and who can no longer part ways. + +81 +00:36:35,240 --> 00:36:37,993 +To prove it, the masses like myths. + +82 +00:36:38,200 --> 00:36:40,236 +Cinema speaks to the masses. + +83 +00:36:41,400 --> 00:36:43,709 +But if the myth begins with Fantomas, + +84 +00:36:43,920 --> 00:36:45,512 +it ends with Christ. + +85 +00:36:46,520 --> 00:36:49,751 +What did those who listened +to St. Bernard hear? + +86 +00:36:49,960 --> 00:36:51,996 +Not what he was saying? + +87 +00:36:52,200 --> 00:36:54,270 +Maybe. Probably. + +88 +00:36:55,920 --> 00:36:58,559 +How can we neglect what we learn + +89 +00:36:58,760 --> 00:37:02,548 +when that unknown voice +plunges deep into our hearts? + +90 +00:37:35,480 --> 00:37:37,914 +What the news can teach us: + +91 +00:37:38,840 --> 00:37:41,673 +The birth of a nation, +of hope, + +92 +00:37:48,760 --> 00:37:50,352 +of Rome, Open City. + +93 +00:37:50,560 --> 00:37:53,870 +The cinématographe +never meant to create an event, + +94 +00:37:54,080 --> 00:37:55,274 +but a vision. + +95 +00:38:10,680 --> 00:38:12,272 +Because the screen + +96 +00:38:12,480 --> 00:38:13,959 +is the same white canvas + +97 +00:38:14,160 --> 00:38:16,151 +as the Samaritan's shirt. + +98 +00:38:24,440 --> 00:38:28,149 +What Arnold and Richter's +cameras preserve, + +99 +00:38:28,840 --> 00:38:32,515 +so as not to be outdone +by nightmares and dreams, + +100 +00:38:33,080 --> 00:38:37,392 +will not be shown on a screen, +but on a shroud. + +101 +00:38:44,800 --> 00:38:47,109 +If the deaths of Puig and the Négus, + +102 +00:38:47,320 --> 00:38:49,311 +of Captain Boïeldieu, + +103 +00:38:49,760 --> 00:38:52,479 +and of the little bunny +were inaudible, + +104 +00:38:53,280 --> 00:38:56,955 +it is because life never rendered +what it stole from film. + +105 +00:38:58,360 --> 00:39:02,069 +Forgetting extermination +is part of extermination. + +106 +00:39:35,400 --> 00:39:36,879 +Histories of cinema, + +107 +00:39:37,680 --> 00:39:39,910 +stories without speech, + +108 +00:39:40,560 --> 00:39:42,710 +stories of the night. + +109 +00:40:12,040 --> 00:40:14,474 +For nearly 50 years, in the dark, + +110 +00:40:14,680 --> 00:40:19,151 +moviegoers burn imagination +to heat up reality. + +111 +00:40:19,760 --> 00:40:21,830 +Now reality is seeking revenge. + +112 +00:40:22,040 --> 00:40:24,873 +It wants real tears, real blood. + +113 +00:40:32,480 --> 00:40:33,674 +From Vienna to Madrid, + +114 +00:40:33,880 --> 00:40:35,108 +from Siodmak to Capra, + +115 +00:40:35,320 --> 00:40:37,675 +from Paris +to Los Angeles and Moscow, + +116 +00:40:37,880 --> 00:40:40,189 +from Renoir +to Malraux and Dovjenko - + +117 +00:40:40,400 --> 00:40:44,757 +great fiction directors +couldn't control the vengeance + +118 +00:40:45,520 --> 00:40:48,159 +which they had directed over and over. + +119 +00:42:05,120 --> 00:42:07,076 +The poor cinema of news + +120 +00:42:07,280 --> 00:42:10,431 +must clear the blood and tears +of all suspicion + +121 +00:42:10,640 --> 00:42:13,359 +as streets are cleaned too late, + +122 +00:42:13,880 --> 00:42:16,519 +after the army +has fired at the masses. + +123 +00:42:34,320 --> 00:42:35,673 +What there is of cinema + +124 +00:42:35,880 --> 00:42:38,678 +in wartime newsreels +says nothing. + +125 +00:42:38,880 --> 00:42:40,393 +It does not judge. + +126 +00:42:53,520 --> 00:42:55,351 +No close-ups. + +127 +00:42:55,560 --> 00:42:57,437 +Suffering is not a star. + +128 +00:43:02,080 --> 00:43:06,392 +Nor is the burned-down church +or the bombed-out countryside. + +129 +00:44:02,600 --> 00:44:06,388 +The spirits of Flaherty and Epstein +took over. + +130 +00:44:06,600 --> 00:44:10,878 +Daumier and Rembrandt, +with his terrifying black and white. + +131 +00:44:52,600 --> 00:44:54,033 +A few pans, + +132 +00:44:54,240 --> 00:44:59,075 +an occasional high angle, for a mother +mourning her murdered child. + +133 +00:45:45,400 --> 00:45:48,153 +It is because this time alone + +134 +00:45:48,840 --> 00:45:53,197 +the only veritable popular art form +rejoins painting, + +135 +00:45:53,400 --> 00:45:55,118 +that is: Art. + +136 +00:45:55,320 --> 00:45:58,392 +That is: What is reborn +from what was burned. + +137 +00:46:26,640 --> 00:46:30,474 +We've forgotten that village, +its white walls and olive trees, + +138 +00:46:30,680 --> 00:46:32,432 +but we remember Picasso, + +139 +00:46:32,920 --> 00:46:34,558 +that is: Guernica. + +140 +00:46:44,120 --> 00:46:48,511 +We've forgotten Valentin Feldman, +killed in '43, + +141 +00:46:49,320 --> 00:46:52,437 +but we remember +at least one other prisoner, + +142 +00:46:52,640 --> 00:46:54,119 +that is: Goya. + +143 +00:46:55,160 --> 00:46:59,915 +And if George Stevens hadn't used +the first 16-mm color film + +144 +00:47:00,280 --> 00:47:02,396 +in Auschwitz and Ravensbruck, + +145 +00:47:04,040 --> 00:47:08,192 +Elizabeth Taylor would never +have found a place in the sun. + +146 +00:47:18,920 --> 00:47:20,638 +1939, 1944. + +147 +00:47:21,760 --> 00:47:24,832 +Martyrdom and resurrection +of the documentary. + +148 +00:47:28,600 --> 00:47:32,673 +How marvelous to be able to look at +what we cannot see. + +149 +00:47:33,040 --> 00:47:35,918 +What a miracle for our blind eyes. + +150 +00:47:41,600 --> 00:47:42,749 +Besides that, + +151 +00:47:42,960 --> 00:47:44,552 +cinema is an industry. + +152 +00:47:45,000 --> 00:47:47,560 +And if World War I allowed + +153 +00:47:47,760 --> 00:47:50,228 +American cinema +to ruin French cinema, + +154 +00:47:50,680 --> 00:47:52,352 +with the advent of television, + +155 +00:47:52,560 --> 00:47:54,437 +World War II allowed it to finance, + +156 +00:47:55,120 --> 00:47:57,395 +that is, to ruin, European cinema. + +157 +00:48:15,200 --> 00:48:17,634 +"Do you have two hands?" +Asks the blind man. + +158 +00:48:28,320 --> 00:48:31,232 +But looking won't reassure me. + +159 +00:48:31,960 --> 00:48:35,430 +Why trust my eyes, if I have doubts? + +160 +00:48:36,120 --> 00:48:38,793 +Why check my eyes + +161 +00:48:39,000 --> 00:48:41,355 +to see whether I see my hands? + +162 +00:49:56,880 --> 00:49:58,518 +Help! + diff --git a/demos/videoeditor/srt/1438535.srt b/demos/videoeditor/srt/1438535.srt new file mode 100644 index 00000000..dfe4912a --- /dev/null +++ b/demos/videoeditor/srt/1438535.srt @@ -0,0 +1,3131 @@ +1 +00:00:55,926 --> 00:00:59,129 +Money is a common good. +- Like water. + +2 +00:01:04,234 --> 00:01:05,235 +Exactly. + +3 +00:01:15,379 --> 00:01:17,515 +Algiers the White + +4 +00:01:19,383 --> 00:01:21,553 +As Mireille Balin +gives up Pépé le Moko + +5 +00:01:34,499 --> 00:01:40,940 +And as we have, once +again, given up Africa + +6 +00:01:52,084 --> 00:01:55,321 +Constance, there is nothing +else you could have done. + +7 +00:01:57,089 --> 00:01:58,258 +It's well known that +when one goes south + +8 +00:01:58,692 --> 00:02:00,527 +the latitude becomes negative + +9 +00:02:01,962 --> 00:02:04,565 +and all that remains is the North, +precious soul, precious friend. + +10 +00:02:07,601 --> 00:02:09,069 +You still have the watch. + +11 +00:02:14,809 --> 00:02:17,612 +Done with the crimes and +the blood. Done with Kigali. + +12 +00:02:18,345 --> 00:02:19,347 +Long live the holidays. + +13 +00:02:46,776 --> 00:02:49,679 +Uncle Mathias, why did you +say this watch is worth gold? + +14 +00:02:50,847 --> 00:02:51,915 +It doesn't even show the time. + +15 +00:02:55,184 --> 00:02:56,185 +THINGS + +16 +00:03:14,137 --> 00:03:16,874 +Henri Déricourt... +wait a second, yes I know. + +17 +00:03:21,713 --> 00:03:25,182 +But Richard Christmann... +I don't know. + +18 +00:03:25,984 --> 00:03:30,154 +I know, the fire... but doesn't +matter... it's him, it's him. + +19 +00:03:31,255 --> 00:03:35,260 +Alright... war is war, but +a crime remains a crime. + +20 +00:03:36,728 --> 00:03:43,101 +Please keep looking for Alice. +Two "M", only one "N". + +21 +00:04:32,320 --> 00:04:33,922 +We're far from Byzance, you know. + +22 +00:04:36,124 --> 00:04:39,194 +What lies ahead is an +impossible history. + +23 +00:04:40,161 --> 00:04:41,930 +We're facing a kind of zero. + +24 +00:04:44,433 --> 00:04:45,968 +I have once encountered +nothingness + +25 +00:04:46,735 --> 00:04:48,737 +and it is much more immense +than one tends to believe. + +26 +00:04:49,739 --> 00:04:51,841 +Jaffa, 1948 + +27 +00:04:55,377 --> 00:04:59,849 +you know that we are living +in a material world + +28 +00:05:00,917 --> 00:05:04,888 +LIKE THAT + +29 +00:05:25,576 --> 00:05:29,580 +You're completely right, +I don't love any nation. + +30 +00:05:31,616 --> 00:05:35,420 +Not the French, not the North +Americans, not the Germans. + +31 +00:05:38,055 --> 00:05:40,826 +Not the Jewish nation, +not the Black nation. + +32 +00:05:41,927 --> 00:05:42,995 +With their slanted eyes + +33 +00:05:43,061 --> 00:05:44,195 +I only love my friends. + +34 +00:05:44,596 --> 00:05:45,597 +Dollars + +35 +00:05:46,264 --> 00:05:47,265 +Cinémascope + +36 +00:05:50,502 --> 00:05:51,503 +16:9 + +37 +00:06:19,366 --> 00:06:20,467 +Where did you +steal this watch? + +38 +00:06:20,567 --> 00:06:21,869 +It's not your business. + +39 +00:06:22,202 --> 00:06:23,637 +Give it to me, +or I will denounce you. + +40 +00:06:23,938 --> 00:06:25,372 +No, it is mine. + +41 +00:06:25,673 --> 00:06:29,042 +Oh, you speak German? +You will be useful, my boy. + +42 +00:06:29,343 --> 00:06:31,011 +Yes, but... how much? + +43 +00:06:31,479 --> 00:06:35,082 +And you have studied, too. +What a great find, this Ludovic. + +44 +00:06:35,182 --> 00:06:36,284 +Who told you my first name? + +45 +00:06:37,786 --> 00:06:38,787 +I know everything. + +46 +00:06:52,067 --> 00:06:55,003 +Mr. Obersturmbannführer Goldberg + +47 +00:06:56,472 --> 00:06:59,709 +what did you do in +Avenue Foch, 1943? + +48 +00:07:00,476 --> 00:07:01,911 +Leave me alone, horrible kid. + +49 +00:07:19,329 --> 00:07:27,271 +All movement on a plain surface that +is not driven by physical necessity + +50 +00:07:28,572 --> 00:07:31,843 +is a spatial affirmation of oneself + +51 +00:07:32,643 --> 00:07:36,981 +be it building an +Empire, or tourism. + +52 +00:07:42,086 --> 00:07:43,955 +Everyone can do something +so that there is no God. + +53 +00:07:45,390 --> 00:07:49,895 +But what has changed today +is that the assholes are sincere. + +54 +00:08:10,249 --> 00:08:14,019 +A-L-I-S-S-A + +55 +00:08:20,727 --> 00:08:21,829 +Stop being suspicious +of everything. + +56 +00:08:25,666 --> 00:08:27,033 +I'm thinking about what +Ludovic has told us. + +57 +00:08:28,001 --> 00:08:29,603 +Alright... what, for example? + +58 +00:08:30,504 --> 00:08:31,639 +The old man with the young girl. + +59 +00:08:32,473 --> 00:08:33,808 +I have seen them +speak to the Captain. + +60 +00:08:34,876 --> 00:08:36,343 +Alright... and so? + +61 +00:08:36,644 --> 00:08:40,181 +So, the name of the largest +shareholder of the company + +62 +00:08:41,449 --> 00:08:42,450 +Goldberg + +63 +00:08:44,419 --> 00:08:45,520 +Mountain of Gold + +64 +00:08:46,087 --> 00:08:48,590 +Yes... it's the name +of the old man. + +65 +00:08:50,124 --> 00:08:51,125 +Alright... + +66 +00:09:02,605 --> 00:09:05,507 +Abandon ship, abandon +ship, abandon ship! + +67 +00:09:56,027 --> 00:09:58,897 +Quiet, Alissa, quiet! + +68 +00:10:00,031 --> 00:10:03,435 +Meow is how the ancient +Egyptians called their cats. + +69 +00:10:04,570 --> 00:10:08,674 +You trouble me with +each of your words. + +70 +00:10:23,490 --> 00:10:24,758 +Be silent, Alissa. + +71 +00:10:43,978 --> 00:10:47,448 +Waves of Allied bombers destroy +the Third Reich under their bombs + +72 +00:10:49,851 --> 00:10:52,286 +The Luftwaffe tries to +regain their advantage + +73 +00:10:52,387 --> 00:10:54,288 +by means of a terrifying +new strategy. + +74 +00:10:56,691 --> 00:11:00,328 +The German pilots will crash their +own planes into the enemy bombers. + +75 +00:11:03,999 --> 00:11:07,636 +Ach, Germany. + +76 +00:11:13,676 --> 00:11:16,879 +Did you know that +kamikaze, in Japanese + +77 +00:11:17,747 --> 00:11:20,483 +means divinity of the wind? +- Of course. + +78 +00:11:46,210 --> 00:11:53,584 +Major Kamenskaia. I am a friend of +your godmother, Alexandra Irinivna. + +79 +00:11:54,318 --> 00:11:59,457 +Yes, exactly, the old +chief of the Moscow Police. + +80 +00:12:00,024 --> 00:12:02,794 +I have read a number of books... + +81 +00:12:06,064 --> 00:12:08,901 +I have read a number of books +on what she has written. + +82 +00:12:09,601 --> 00:12:12,805 +So... I think that we should talk. + +83 +00:13:00,455 --> 00:13:02,290 +And you think you +will stay in Haifa? + +84 +00:13:06,728 --> 00:13:07,863 +I will see. + +85 +00:13:10,398 --> 00:13:16,004 +They say there's a right to return. +For me it would be... to get away. + +86 +00:13:18,073 --> 00:13:20,376 +In Stanford, what are +you studying, exactly? + +87 +00:13:21,610 --> 00:13:26,382 +I'm directing a seminar. Monetary +creation and literary creation. + +88 +00:13:35,291 --> 00:13:41,364 +You see, still today, they're +asking themselves, in Moscow... + +89 +00:13:45,602 --> 00:13:46,603 +35 + +90 +00:13:50,441 --> 00:13:51,442 +36 + +91 +00:13:54,378 --> 00:13:55,947 +The Spanish Civil War + +92 +00:14:01,051 --> 00:14:03,054 +The Republicans +tell the Comintern + +93 +00:14:03,922 --> 00:14:06,858 +to evacuate the gold +of the Bank of Spain. + +94 +00:14:10,428 --> 00:14:14,266 +The France-Navigation +company, exactly. + +95 +00:14:15,601 --> 00:14:20,105 +When they reach Odessa, one third, +one fourth has disappeared. + +96 +00:14:20,506 --> 00:14:22,408 +And another third in Moscow. + +97 +00:14:25,444 --> 00:14:27,313 +Regarding the first third, +I have my idea. + +98 +00:14:30,483 --> 00:14:32,218 +For the last third + +99 +00:14:32,318 --> 00:14:37,557 +you would have to dig deep +into the communist archives. + +100 +00:15:34,818 --> 00:15:38,722 +Art... and the knife. +War. So it's... + +101 +00:16:39,552 --> 00:16:40,754 +You want to hear my opinion? + +102 +00:16:42,221 --> 00:16:44,591 +AIDS is just an instrument +to kill the black continent. + +103 +00:16:54,401 --> 00:16:58,305 +Why is there light? +Because there is darkness. + +104 +00:17:09,417 --> 00:17:11,920 +LIKE THAT + +105 +00:17:15,156 --> 00:17:16,157 +Money was invented + +106 +00:17:16,224 --> 00:17:17,893 +so that the people wouldn't have +to look each other in the eye. + +107 +00:17:27,469 --> 00:17:29,805 +So, we're back to zero, my friend. + +108 +00:17:30,973 --> 00:17:32,775 +Fortunately, the Arabs +have invented it. + +109 +00:17:34,376 --> 00:17:36,579 +We don't even pay them +for their copyright. + +110 +00:17:40,449 --> 00:17:42,652 +Negative numbers were +invented in India. + +111 +00:17:44,955 --> 00:17:49,726 +They made some in Arabia, +before setting out for Italy. + +112 +00:17:50,827 --> 00:17:53,630 +Fibonacci has used them first. + +113 +00:17:57,267 --> 00:17:59,469 +When the British left Israel + +114 +00:17:59,536 --> 00:18:02,606 +what exactly did you do with the +gold of the Bank of Palestine? + +115 +00:19:17,385 --> 00:19:20,889 +THINGS LIKE THAT + +116 +00:19:23,491 --> 00:19:28,229 +One always says that one can only +compare what is comparable. + +117 +00:19:29,932 --> 00:19:36,338 +In fact, one can only compare what +is incomparable to the incomparable. + +118 +00:19:41,109 --> 00:19:42,478 +It's over, all that. + +119 +00:19:52,589 --> 00:19:53,590 +Stalin + +120 +00:19:55,158 --> 00:19:56,159 +Hitler + +121 +00:19:59,062 --> 00:20:00,063 +No. + +122 +00:20:02,399 --> 00:20:06,336 +Your comedy is pointless. +Enough, stop. + +123 +00:20:12,142 --> 00:20:18,148 +Me too, I have learned to +collaborate with the French. + +124 +00:20:21,786 --> 00:20:27,292 +See, I will teach you something. +It's Napoleon. + +125 +00:20:29,761 --> 00:20:32,364 +During the Fire of Moscow, +he signed the decree + +126 +00:20:32,464 --> 00:20:35,133 +for the creation of +the Comédie-Française. + +127 +00:20:35,834 --> 00:20:38,036 +I do not understand. + +128 +00:20:40,906 --> 00:20:42,875 +I do not understand. + +129 +00:20:43,709 --> 00:20:47,112 +To understand, Mr. Goldberg, +that is difficult. + +130 +00:20:50,717 --> 00:20:53,686 +I don't care about the Spanish gold +that you have made disappear. + +131 +00:20:55,054 --> 00:20:56,890 +I only have to find the rest. + +132 +00:20:59,225 --> 00:21:01,027 +There's no need to +fear Moscow anymore. + +133 +00:21:02,028 --> 00:21:04,297 +My only true mission, +Mr. Krewitzky... + +134 +00:21:04,397 --> 00:21:05,899 +Ah, what fortune. + +135 +00:21:09,102 --> 00:21:11,705 +My grandmother would say that +as a Yes and as a No. + +136 +00:21:15,309 --> 00:21:18,880 +I don't want to die + +137 +00:21:20,314 --> 00:21:22,316 +before I have seen +Europe happy again + +138 +00:21:24,251 --> 00:21:29,157 +before I have seen the word "Russia" +and the word "Happiness" + +139 +00:21:32,661 --> 00:21:36,598 +cling to each other again, +like two plaques of a belt. + +140 +00:21:37,933 --> 00:21:38,934 +God be with you. + +141 +00:21:41,971 --> 00:21:42,972 +Heil Hitler! + +142 +00:22:25,550 --> 00:22:27,418 +Naples, alright. + +143 +00:22:27,919 --> 00:22:32,891 +But Alexandria, Haifa, Odessa... +to get from Algiers to Barcelona? + +144 +00:23:37,759 --> 00:23:42,096 +One shall never... +- Silence is gold. + +145 +00:24:19,302 --> 00:24:22,740 +Istanbul, that's the Orient +or the Occident? + +146 +00:24:24,575 --> 00:24:25,576 +Lets go. + +147 +00:24:49,167 --> 00:24:51,537 +EGYPT + +148 +00:25:14,160 --> 00:25:19,332 +Once, in 1942, I have +encountered nothingness + +149 +00:25:20,367 --> 00:25:23,604 +and it is much more immense +than one tends to believe. + +150 +00:25:55,237 --> 00:25:58,874 +To be or not to be. + +151 +00:26:01,443 --> 00:26:02,444 +A jew. + +152 +00:26:05,514 --> 00:26:10,186 +Yes, I've been told... +my parents... but so what? + +153 +00:26:12,589 --> 00:26:13,890 +To tell is never enough. + +154 +00:26:22,1000 --> 00:26:26,403 +THINGS + +155 +00:26:26,737 --> 00:26:28,772 +Geometry as origin + +156 +00:26:29,840 --> 00:26:32,443 +The origin is always +what one returns to. + +157 +00:26:32,910 --> 00:26:38,148 +There has been, for decades, +especially in Mathematics + +158 +00:26:38,282 --> 00:26:40,551 +a return of Geometry. + +159 +00:26:41,319 --> 00:26:44,455 +The idea is not that Geometry +would return to its origin + +160 +00:26:44,589 --> 00:26:48,794 +but rather that we return +to Geometry, as origin + +161 +00:26:49,026 --> 00:26:53,598 +and participate in the +return of Geometry. + +162 +00:27:00,405 --> 00:27:01,473 +The poor things. + +163 +00:27:01,974 --> 00:27:03,943 +They have for themselves only +the name that we impose on them. + +164 +00:27:05,344 --> 00:27:07,446 +There's nothing more +convenient than a text. + +165 +00:27:08,881 --> 00:27:10,984 +We have only books +to put into books. + +166 +00:27:12,618 --> 00:27:17,089 +But what if we have to +put reality into a book? + +167 +00:27:19,091 --> 00:27:25,098 +And what if we have to +put reality into reality? + +168 +00:27:30,738 --> 00:27:32,740 +I TURNED AWAY SO AS NOT TO SEE + +169 +00:27:41,115 --> 00:27:47,321 +Geometry that is still valid, and +at the same time still improves. + +170 +00:27:49,825 --> 00:27:56,130 +Residing in all these +new forms... Geometry. + +171 +00:27:57,599 --> 00:28:00,469 +Do-Re-Mi-Fa-So-La + +172 +00:28:01,203 --> 00:28:05,708 +Husserl underlines the "la" +... la géométrie. + +173 +00:28:07,843 --> 00:28:14,650 +In all new forms +... die Geometrie. + +174 +00:28:21,658 --> 00:28:24,861 +This I cannot accept. + +175 +00:28:25,295 --> 00:28:27,965 +I will address it tonight. +I have to work now. + +176 +00:28:31,735 --> 00:28:36,106 +Miss Alissa... Miss Alissa! + +177 +00:28:50,822 --> 00:28:55,293 +continued to speak, for +a while, with a low voice + +178 +00:28:55,894 --> 00:28:57,996 +so that the young girl +wouldn't hear them. + +179 +00:28:59,297 --> 00:29:02,100 +But this precaution +was unnecessary + +180 +00:29:03,034 --> 00:29:05,738 +they spoke to each other +with their thoughts. + +181 +00:29:14,580 --> 00:29:18,284 +insofar as all of these parts, +or a sum of these parts + +182 +00:29:18,351 --> 00:29:21,955 +at a given moment denies, insofar +as each part contains the sum + +183 +00:29:22,822 --> 00:29:26,493 +the part that we consider, +insofar as this part denies + +184 +00:29:27,360 --> 00:29:30,363 +insofar as the sum of these parts, +re-becoming collectively + +185 +00:29:30,898 --> 00:29:32,432 +becomes the collectivity of +these parts joined together + +186 +00:29:37,003 --> 00:29:41,609 +dialectical thought is quite simply +a way of using analytical thought + +187 +00:29:42,777 --> 00:29:45,980 +insofar as it is part of a whole, +insofar as it denies this whole + +188 +00:29:46,781 --> 00:29:49,784 +insofar as the whole includes it, +conditions it and denies it + +189 +00:29:50,986 --> 00:29:54,188 +insofar as, by consequence, it +is both positive and negative + +190 +00:29:54,288 --> 00:29:57,058 +with regards to the whole, +insofar as its movement + +191 +00:29:57,458 --> 00:30:01,062 +must be destructive and preserving +with regards to the whole + +192 +00:30:18,447 --> 00:30:22,986 +Listen... after the reception +of Daguerre by Agaro + +193 +00:30:23,118 --> 00:30:27,724 +at the Academy of the Sciences, +a mostly British armada + +194 +00:30:28,090 --> 00:30:31,261 +even though long before the +Declaration of Lord Balfour + +195 +00:30:31,561 --> 00:30:33,363 +rushed towards Palestine. + +196 +00:30:34,765 --> 00:30:38,101 +This is one of the first +photographs of the Bay of Haifa. + +197 +00:34:10,358 --> 00:34:17,532 +So... Otto Goldberg, Leopold +Krewitzky, and even Moishe Schmücke + +198 +00:34:17,666 --> 00:34:18,700 +according to their passports. + +199 +00:34:19,768 --> 00:34:23,939 +But one pronounces +Richard Christmann... + +200 +00:34:24,807 --> 00:34:27,075 +The French knew him well +since he was working + +201 +00:34:27,175 --> 00:34:29,946 +for the German counter-espionage, +and for their own. + +202 +00:34:31,313 --> 00:34:33,917 +He begins in the +Foreign Legion in Spain + +203 +00:34:34,517 --> 00:34:37,587 +then joins networks of the +Résistance in occupied Paris + +204 +00:34:38,053 --> 00:34:39,288 +on behalf of the Abwehr. + +205 +00:34:41,090 --> 00:34:44,795 +After the defeat of the Germans, +he still belongs to the rest + +206 +00:34:45,295 --> 00:34:50,801 +of the Organisation Gehlen +... the Algerian FLN + +207 +00:34:51,568 --> 00:34:55,472 +and finally Tunis, representative +of Bayer and Rhône-Poulenc. + +208 +00:34:57,341 --> 00:35:00,644 +Multiple assassination attempts. +Acquitted twice. + +209 +00:35:02,480 --> 00:35:03,547 +Like Henri Déricourt. + +210 +00:35:05,984 --> 00:35:07,051 +Like Henri Déricourt. + +211 +00:35:08,586 --> 00:35:11,122 +No, that's another story. + +212 +00:35:17,629 --> 00:35:20,198 +War criminal, maybe not. + +213 +00:35:24,002 --> 00:35:29,374 +But you know... +Alice Simone + +214 +00:35:34,313 --> 00:35:35,581 +How do you know? + +215 +00:35:36,582 --> 00:35:38,150 +The book by Roger Faligot + +216 +00:35:40,753 --> 00:35:42,087 +The archives of the NKWD + +217 +00:35:49,329 --> 00:35:52,833 +That would explain why only +two thirds of the Spanish gold + +218 +00:35:52,933 --> 00:35:54,200 +made it to Odessa + +219 +00:35:54,735 --> 00:35:57,838 +but not why also Moscow +would only receive one third. + +220 +00:36:03,544 --> 00:36:06,614 +The Group du musée de l'Homme. +Germaine Tillon... + +221 +00:36:09,417 --> 00:36:11,586 +Alice... + +222 +00:36:16,491 --> 00:36:20,027 +Mind borrows from matter perceptions +from which it derives its nourishment + +223 +00:36:23,565 --> 00:36:27,135 +Mind borrows from matter perceptions +from which it derives its nourishment + +224 +00:36:32,274 --> 00:36:35,477 +Mind borrows from matter perceptions +from which it derives its nourishment + +225 +00:36:38,614 --> 00:36:42,017 +Mind borrows from matter perceptions +from which it derives its nourishment + +226 +00:36:42,284 --> 00:36:43,786 +and gives them back to it +in the form of movement + +227 +00:36:43,887 --> 00:36:46,055 +on which it has +impressed its liberty. + +228 +00:39:03,533 --> 00:39:13,377 +NAPLES + +229 +00:40:08,335 --> 00:40:11,171 +Have you heard, they have +abolished the fiscal paradises. + +230 +00:40:12,673 --> 00:40:13,674 +What are we going to do? + +231 +00:40:14,809 --> 00:40:17,177 +Well... we will rest in hell. + +232 +00:40:25,152 --> 00:40:29,691 +Italy has concerned us a bit too +much in the last two thousand years + +233 +00:40:30,057 --> 00:40:33,094 +for the French, painting is Italy + +234 +00:40:33,161 --> 00:40:36,064 +all our journeys take place in +Italy, it's Italian museums + +235 +00:40:36,631 --> 00:40:44,874 +while German Renaissance painting +is for me extremely impressing + +236 +00:40:45,474 --> 00:40:47,175 +Thank you for your advice. + +237 +00:41:13,804 --> 00:41:17,675 +So... you're going to do something. + +238 +00:41:18,976 --> 00:41:20,845 +You know, all these +failed resolutions... + +239 +00:41:21,679 --> 00:41:23,815 +The United Nations are +rather disunited since 48. + +240 +00:41:24,682 --> 00:41:25,850 +Never mind the crime... + +241 +00:41:51,176 --> 00:41:56,716 +My friends, I have +found the black box. + +242 +00:41:58,451 --> 00:42:00,620 +This is why Hollywood was +called the Mecca of cinema. + +243 +00:42:02,054 --> 00:42:03,189 +The tomb of the prophet + +244 +00:42:04,758 --> 00:42:06,292 +All eyes in the same direction + +245 +00:42:07,560 --> 00:42:08,561 +The cinema hall + +246 +00:42:09,963 --> 00:42:16,770 +Yes, but... a strange thing is that +Hollywood was invented by the Jews. + +247 +00:42:17,504 --> 00:42:22,342 +Adolf Zucker, William Fox, +David Selznick + +248 +00:42:22,509 --> 00:42:29,116 +Samuel Goldwyn, Marcus Loew, +Karl Laemmle, etcetera + +249 +00:43:21,104 --> 00:43:24,408 +Life is beautiful, you will see + +250 +00:43:24,541 --> 00:43:27,945 +how in spite of sorrow + +251 +00:43:28,111 --> 00:43:31,382 +you will have friends, +you will have love + +252 +00:43:31,515 --> 00:43:34,752 +you will have friends + +253 +00:44:14,694 --> 00:44:17,965 +Is there a single act in the world +of which I could still claim today + +254 +00:44:18,331 --> 00:44:19,332 +that I have done it? + +255 +00:44:20,500 --> 00:44:24,070 +My business, the garage +Catherine wants to sell it. + +256 +00:44:24,137 --> 00:44:27,908 +Her friend wants to buy it. +They know it. I don't. + +257 +00:44:29,176 --> 00:44:30,344 +I know bookkeeping, yes. + +258 +00:44:37,284 --> 00:44:39,821 +France is facing today the +largest risk in its history. + +259 +00:44:40,855 --> 00:44:43,257 +One has to know how to say "We" +Before one can say "I" + +260 +00:44:44,492 --> 00:44:46,828 +A drama that we debate, in +the hope that we can end it. + +261 +00:44:47,495 --> 00:44:51,165 +A tragedy? Not at all. +Everything remains neat. + +262 +00:44:52,200 --> 00:44:55,637 +Everything remains among us. +We ignore each other. + +263 +00:44:56,772 --> 00:44:58,407 +Wars everywhere, for +the last fifty years. + +264 +00:44:59,608 --> 00:45:01,844 +We see ourselves in war +like in a mirror. + +265 +00:45:04,480 --> 00:45:05,481 +One can buy time. + +266 +00:45:07,450 --> 00:45:08,818 +It needs courage +in order to think. + +267 +00:45:10,353 --> 00:45:12,021 +Love your neighbor? +Ridiculous. + +268 +00:45:12,956 --> 00:45:14,156 +You would have to +love yourself enough + +269 +00:45:14,223 --> 00:45:15,592 +to not do bad +to your neighbor. + +270 +00:45:16,659 --> 00:45:18,127 +Today that becomes impossible. + +271 +00:45:18,862 --> 00:45:21,565 +If you follow the law +or if you break it... + +272 +00:45:23,066 --> 00:45:24,534 +Don't say all this, dad. + +273 +00:45:25,803 --> 00:45:27,805 +And I ask you: +Why don't you love us? + +274 +00:45:31,074 --> 00:45:35,680 +Ideas separate us. +But dreams bring us closer... + +275 +00:45:36,280 --> 00:45:38,081 +No, nightmares. + +276 +00:45:40,284 --> 00:45:42,854 +Because there's love and pride +in the blood of the father... + +277 +00:45:43,020 --> 00:45:44,355 +and thus hate. + +278 +00:45:46,056 --> 00:45:48,560 +So what have you found today +to piss us off? + +279 +00:45:50,228 --> 00:45:54,132 +I love my brother, first of all. +We've just debated brotherhood. + +280 +00:45:54,833 --> 00:45:57,335 +And liberty. +- Liberty, before. + +281 +00:45:58,236 --> 00:46:01,774 +And once the hour of equality comes +I will speak to you of shit. + +282 +00:46:02,574 --> 00:46:05,978 +Okay, Flo. +But why don't you love us? + +283 +00:46:11,550 --> 00:46:15,321 +Excuse me, Miss... +Excuse me? Miss, hello.. + +284 +00:46:15,421 --> 00:46:17,791 +We want to go to the Cote d'Azur. +Is this the right direction? + +285 +00:46:19,125 --> 00:46:21,494 +Are we on the right way +to the Cote d'Azur? + +286 +00:46:21,561 --> 00:46:22,562 +Straight? Left? Right? + +287 +00:46:25,498 --> 00:46:29,135 +Unbelievable. Scheiss French! +- Scheiss France! + +288 +00:46:32,606 --> 00:46:34,608 +Ach, Germany. + +289 +00:46:49,090 --> 00:46:51,158 +Go, mother... +Go, mom... + +290 +00:46:53,261 --> 00:46:58,199 +Yes. To keep space and +time intact, I have lied. + +291 +00:46:59,534 --> 00:47:03,305 +I neglect to live them. +That's a bit unfair. + +292 +00:47:04,673 --> 00:47:05,708 +That's a bit unfair. + +293 +00:47:06,642 --> 00:47:11,347 +But for me, that seems +to be the way I do it. + +294 +00:47:12,782 --> 00:47:14,918 +I always think that I'm elsewhere +- Forget it. + +295 +00:47:15,585 --> 00:47:17,420 +I always think that I'm elsewhere +- Forget it. + +296 +00:47:17,887 --> 00:47:21,190 +and that no particular moment has +any importance. - Forget it. + +297 +00:47:21,992 --> 00:47:22,993 +Nothing else? + +298 +00:47:24,427 --> 00:47:27,063 +There's a figure, the mother. + +299 +00:47:27,664 --> 00:47:31,702 +For her, it doesn't matter +if she has a life at all. + +300 +00:47:32,402 --> 00:47:36,005 +If one considers the fact to +have a life as a fact by itself. + +301 +00:47:37,875 --> 00:47:43,815 +She will never ask herself, +not once, if she is still alive. + +302 +00:47:45,215 --> 00:47:47,451 +She will never have the idea +to just ask herself + +303 +00:47:47,552 --> 00:47:49,787 +why and how she exists. + +304 +00:47:51,422 --> 00:47:53,825 +After all, she is not aware +that she is this figure + +305 +00:47:54,492 --> 00:47:57,028 +because she is never, +not for a single moment + +306 +00:47:57,629 --> 00:48:01,266 +separated from her role. +She doesn't know that she has one. + +307 +00:48:04,169 --> 00:48:07,506 +The blood of the mother, +full of hate... + +308 +00:48:09,207 --> 00:48:10,943 +loves and remains. + +309 +00:48:47,247 --> 00:48:48,516 +Is this Garage Martin? + +310 +00:48:52,921 --> 00:48:54,054 +Is this Garage Martin? + +311 +00:48:57,325 --> 00:48:58,493 +Is this Garage Martin? + +312 +00:49:06,100 --> 00:49:07,502 +Is this Garage Martin? + +313 +00:49:10,272 --> 00:49:12,107 +Flo, what do we have to tell them? + +314 +00:49:12,374 --> 00:49:14,276 +We don't speak to people +who use the verb "to be". + +315 +00:49:16,245 --> 00:49:19,682 +Are you working here? +Yes, but I don't have a contract. + +316 +00:49:21,383 --> 00:49:22,585 +Lets speak to your parents. + +317 +00:49:32,128 --> 00:49:34,130 +BALZAC +LOST ILLUSIONS + +318 +00:49:49,947 --> 00:49:52,483 +I'm leaving. +I'll return to the Midi. + +319 +00:49:54,285 --> 00:49:55,286 +And our comrades? + +320 +00:50:02,627 --> 00:50:03,628 +And our comrades? + +321 +00:50:08,700 --> 00:50:10,168 +It will be them who decide. + +322 +00:50:23,182 --> 00:50:24,450 +They will come. + +323 +00:51:00,889 --> 00:51:01,890 +It's for the elections. + +324 +00:51:02,724 --> 00:51:06,427 +I'm filming... +- Forget, my dear, forget. + +325 +00:51:07,462 --> 00:51:10,231 +We have an appointment with them. +- Forget it, madam. + +326 +00:51:18,908 --> 00:51:22,344 +Only two or three minutes +for a declaration. + +327 +00:51:23,445 --> 00:51:26,515 +Who will present it? +- But forget it, forget it. + +328 +00:51:27,249 --> 00:51:29,351 +But your parents have +made an appointment. + +329 +00:51:29,518 --> 00:51:30,519 +What parents? +- We're not making this up. + +330 +00:51:31,420 --> 00:51:33,556 +No, he wanted to say: +What kind of parents? + +331 +00:51:34,824 --> 00:51:37,727 +Mr. and Mrs. Martin, +they are not your parents? + +332 +00:51:38,361 --> 00:51:41,030 +Please don't use the verb "to be". + +333 +00:51:43,166 --> 00:51:44,801 +I don't understand anything at all. + +334 +00:51:45,736 --> 00:51:48,204 +So? - They're not picking up. +- Give it to me. + +335 +00:51:49,172 --> 00:51:51,408 +It's not surprising that +they all have mobiles + +336 +00:51:51,575 --> 00:51:53,410 +to say that they +are not there. + +337 +00:51:54,612 --> 00:51:57,247 +Excuse me... to say +that they have no time. + +338 +00:52:00,985 --> 00:52:03,822 +They really seem to +have a problem... + +339 +00:52:04,221 --> 00:52:06,624 +Finally... use the verb "to have". + +340 +00:52:07,124 --> 00:52:08,292 +Everything will be +better in France. + +341 +00:52:13,799 --> 00:52:15,333 +Did you find that +in Balzac, Flo? + +342 +00:52:15,634 --> 00:52:18,938 +Florine. If you make fun +of Balzac, I will kill you. + +343 +00:52:30,549 --> 00:52:34,620 +Please, Mr... two or three +short questions. - No. + +344 +00:52:34,721 --> 00:52:35,922 +Please, two questions. - No. + +345 +00:52:45,198 --> 00:52:46,332 +One and a half hours late. + +346 +00:52:58,278 --> 00:53:00,681 +Had this project been carried out +the way it was initially planned + +347 +00:53:00,781 --> 00:53:03,384 +it would have, without a doubt, +given France a lasting advantage + +348 +00:53:03,451 --> 00:53:05,286 +with regards to the +digitization of books. + +349 +00:53:05,720 --> 00:53:07,421 +But it's failing dramatically. + +350 +00:53:09,624 --> 00:53:10,792 +Mr... do you want +me to wait for you? + +351 +00:53:11,993 --> 00:53:13,728 +No... you will pick up +the Prince at the airport + +352 +00:53:13,862 --> 00:53:15,062 +and then return to the office. + +353 +00:53:16,765 --> 00:53:17,766 +So? + +354 +00:53:18,800 --> 00:53:19,768 +So? + +355 +00:53:19,868 --> 00:53:21,369 +So... the presidency + +356 +00:53:21,470 --> 00:53:22,871 +"la", not "le" + +357 +00:53:30,579 --> 00:53:33,148 +We'll see. +- It's been seen. + +358 +00:53:34,817 --> 00:53:38,153 +Nothing at all. And our convention? +It's the 4th of August today. + +359 +00:53:43,493 --> 00:53:45,962 +Flo is right. +We'll have to wait a bit. + +360 +00:53:48,966 --> 00:53:51,601 +The show is at 7 pm. We will +still have to do some editing. + +361 +00:54:00,043 --> 00:54:01,645 +Ten minutes. +I will take care of it. + +362 +00:54:07,351 --> 00:54:08,519 +Can I film +while we're waiting? + +363 +00:54:20,866 --> 00:54:21,867 +Nothing at all. + +364 +00:54:24,102 --> 00:54:28,039 +Why don't we present ourselves +at the elections? Florine and I. + +365 +00:54:28,206 --> 00:54:29,675 +Not mama or papa. + +366 +00:54:36,048 --> 00:54:38,117 +They're dreaming. Children +don't have the right + +367 +00:54:38,250 --> 00:54:40,185 +to participate in elections, +not even on the regional level. + +368 +00:54:45,658 --> 00:54:49,095 +Yes, yes, yes... but children +are part of the people. + +369 +00:54:49,763 --> 00:54:51,464 +And it exists, the +will of the people. + +370 +00:54:53,700 --> 00:54:58,705 +We have paid 30% of France's debt. +Because you've grown old. + +371 +00:55:02,710 --> 00:55:05,245 +Exactly the sum of profit +that the insurance companies + +372 +00:55:05,345 --> 00:55:06,346 +make of the debt. + +373 +00:55:09,049 --> 00:55:10,618 +And the beautiful dress, +can I film it? + +374 +00:55:11,552 --> 00:55:12,787 +Yes, why not. + +375 +00:55:35,444 --> 00:55:36,445 +I'm listening. + +376 +00:55:45,889 --> 00:55:48,925 +Today it's not so good. +I had forgotten that. + +377 +00:55:49,893 --> 00:55:51,194 +They're both born +on the same day. + +378 +00:55:51,862 --> 00:55:54,765 +On every birthday +Jean-Jacques and me + +379 +00:55:55,131 --> 00:55:58,669 +we'll accept a debate with them, +based on democratic principles. + +380 +00:56:07,945 --> 00:56:09,246 +And it's them who direct it? + +381 +00:56:12,917 --> 00:56:15,620 +More of less. We have +signed a convention. + +382 +00:56:16,587 --> 00:56:19,323 +But that's great. +We have to film that. + +383 +00:56:22,928 --> 00:56:27,165 +We're working at night. +We're doing what we can. + +384 +00:56:33,872 --> 00:56:35,307 +We're giving what we have. + +385 +00:56:37,209 --> 00:56:41,313 +How long is this going to take? +- 24 hours. It's their right. + +386 +00:56:50,156 --> 00:56:52,358 +So either you wait, or +you come back tomorrow. + +387 +00:57:01,535 --> 00:57:04,137 +We're waiting. +We're waiting. + +388 +00:57:06,172 --> 00:57:08,141 +I will borrow Catherine's car +and I will be back in a bit. + +389 +00:57:09,643 --> 00:57:11,579 +We have to take care +of the Garage. + +390 +00:57:14,248 --> 00:57:15,382 +Oh shit. + +391 +00:57:22,122 --> 00:57:23,491 +Be careful, mom. + +392 +00:57:55,224 --> 00:57:59,128 +Yes... all of you... +I'm able to mess you up. + +393 +00:58:48,180 --> 00:58:51,918 +I will also attack the sun +if one day it attacks me. + +394 +00:59:13,774 --> 00:59:16,710 +I do not have my +heart in my mouth. + +395 +00:59:17,311 --> 00:59:19,847 +Ah? Are we moving +to America now? + +396 +00:59:20,247 --> 00:59:21,816 +No, to England. + +397 +00:59:22,249 --> 00:59:26,186 +Exactly 400 years ago. +Her heart is not in her mouth. + +398 +00:59:26,587 --> 00:59:29,524 +Well, okay. But now, +do you love us or not? + +399 +00:59:31,259 --> 00:59:37,298 +When I speak to myself +I speak the words of someone else + +400 +00:59:38,901 --> 00:59:40,936 +that I speak to myself. + +401 +00:59:42,805 --> 00:59:45,240 +When one hears one's own voice +... where's that from? + +402 +00:59:48,811 --> 00:59:52,381 +No, dad... from here. +- Yes. So? + +403 +00:59:58,020 --> 01:00:03,025 +I'll check the TV. +- No, mom... stay. + +404 +01:00:15,739 --> 01:00:19,176 +The other is oneself. +Oneself is in the other. + +405 +01:00:20,711 --> 01:00:23,447 +And these are the three figures. +- We are four. + +406 +01:00:31,222 --> 01:00:36,227 +There's the law. But you have +rights. At least say it. + +407 +01:00:39,698 --> 01:00:42,500 +We're entering an age +the digital age + +408 +01:00:44,336 --> 01:00:49,207 +where for various reasons +mankind will face problems + +409 +01:00:50,108 --> 01:00:51,978 +that won't offer the luxury +of expressing themselves. + +410 +01:00:54,146 --> 01:00:55,748 +With regards to the +garage, for example + +411 +01:00:56,615 --> 01:00:58,885 +there has to be a +redistribution of property. + +412 +01:01:02,822 --> 01:01:05,759 +One has to say it. +The revolution... + +413 +01:01:09,863 --> 01:01:13,099 +Brotherhood... +St. Augustin + +414 +01:01:20,073 --> 01:01:21,475 +I count as my friends + +415 +01:01:21,909 --> 01:01:25,412 +those who disapprove of my actions +but not of my existence. + +416 +01:01:32,119 --> 01:01:33,120 +I'm still smiling + +417 +01:01:34,355 --> 01:01:35,590 +but there hasn't been a +reason, for a long time. + +418 +01:01:38,994 --> 01:01:41,963 +My words enter... +They make a mess. + +419 +01:01:43,832 --> 01:01:46,601 +I stay like this. +I've had enough. + +420 +01:01:49,070 --> 01:01:50,606 +Language enters... + +421 +01:01:52,975 --> 01:01:56,044 +The mouth shuts up. It has to +form a straight line now. + +422 +01:01:58,080 --> 01:02:00,583 +It's done. +I've made the image. + +423 +01:02:04,888 --> 01:02:08,124 +Almost all, mathematics, +television... + +424 +01:02:08,758 --> 01:02:10,660 +There are almost as many +as there are numbers. + +425 +01:02:13,029 --> 01:02:15,432 +I don't understand... +why television? + +426 +01:02:16,967 --> 01:02:20,203 +Today, the nervous system +becomes a natural resource. + +427 +01:02:20,971 --> 01:02:24,474 +So in my humble opinion, +Africa is once more out of luck. + +428 +01:02:24,675 --> 01:02:27,077 +But has not become history. +One used to think that. + +429 +01:02:28,011 --> 01:02:30,047 +It doesn't change the fact that +there will always be assholes. + +430 +01:02:30,147 --> 01:02:33,283 +But what is different today +is that the assholes are sincere. + +431 +01:02:34,051 --> 01:02:35,787 +They believe sincerely +in Europe, exactly. + +432 +01:02:37,555 --> 01:02:40,057 +Europe used to be +a German musician... + +433 +01:02:40,191 --> 01:02:43,060 +a French writer... +the Italian singers... + +434 +01:02:43,361 --> 01:02:44,830 +Ah yes... +The Marriage of Figaro + +435 +01:02:48,466 --> 01:02:49,467 +Yes, Sir! + +436 +01:02:51,703 --> 01:02:53,739 +What we're doing is pathetic. + +437 +01:02:53,839 --> 01:02:56,675 +We're distributing, +but we should be producing. + +438 +01:02:57,309 --> 01:02:58,310 +We'd know how do it. + +439 +01:03:02,147 --> 01:03:05,818 +Now, with these people here, +I'll try to produce something. + +440 +01:03:06,285 --> 01:03:07,286 +Don't you think so? + +441 +01:03:11,090 --> 01:03:14,193 +She hasn't given you the +sandwich, Flo? Flo, Flo? + +442 +01:03:19,733 --> 01:03:24,638 +Yes? Yes... +Yes, yes, 5 pm. + +443 +01:03:26,640 --> 01:03:28,308 +Do you think this +will take long? + +444 +01:03:29,176 --> 01:03:30,377 +It'll be soon. + +445 +01:03:31,044 --> 01:03:33,981 +As I said, I don't +have any control. + +446 +01:03:34,415 --> 01:03:36,617 +You've heard it. 5 pm. + +447 +01:03:37,318 --> 01:03:38,319 +It'll work out. + +448 +01:03:43,224 --> 01:03:48,363 +Jean-Jaques will leave you +some space? - I hope so. + +449 +01:03:49,397 --> 01:03:50,766 +Ask him if he has a program. + +450 +01:03:53,936 --> 01:03:57,105 +And the unions? +What are they saying? + +451 +01:03:58,407 --> 01:04:03,612 +We'll see. They'll say he's right, +but then they won't do anything. + +452 +01:04:08,050 --> 01:04:09,652 +Anyway, there's nothing to say. + +453 +01:04:10,185 --> 01:04:14,657 +To show, above all. To show +the possible. That's all. + +454 +01:04:18,762 --> 01:04:19,796 +What, for example? + +455 +01:04:29,506 --> 01:04:32,108 +Not by making it readable. +By showing it. + +456 +01:04:43,755 --> 01:04:44,956 +Do you want more power? + +457 +01:04:50,996 --> 01:04:54,733 +No power at all. +A society, not a state. + +458 +01:04:56,434 --> 01:04:58,102 +Excuse me, Florine, +I don't get it. + +459 +01:04:59,070 --> 01:05:01,306 +The dream of the State +is to be one. + +460 +01:05:02,340 --> 01:05:04,543 +The dream of the individual +is to be two. + +461 +01:05:05,711 --> 01:05:06,779 +Lets go, hurry up! + +462 +01:05:19,893 --> 01:05:21,060 +What is she talking? + +463 +01:05:27,534 --> 01:05:30,069 +Make up your mind about what it +is that you're struggling for + +464 +01:05:30,737 --> 01:05:32,506 +because you might well obtain it. + +465 +01:05:45,085 --> 01:05:46,086 +What's this story? + +466 +01:05:52,226 --> 01:05:53,661 +Be cautious, dad! + +467 +01:06:14,884 --> 01:06:16,986 +You're also wearing +a string, like mom? + +468 +01:06:17,186 --> 01:06:20,155 +Lucien! - But I'm curious. + +469 +01:07:50,751 --> 01:07:54,422 +To live or to tell... +We don't have a choice. + +470 +01:07:54,822 --> 01:08:00,294 +I'm going to tell... +1789, 8th of August + +471 +01:08:01,529 --> 01:08:04,733 +Abolishment of all +individual privileges + +472 +01:08:07,168 --> 01:08:08,570 +There will only be +one common law + +473 +01:08:09,270 --> 01:08:12,006 +that applies universally +to everyone in France. + +474 +01:08:15,377 --> 01:08:18,347 +Nothing to obscure the relation +between the individual and the law. + +475 +01:08:21,985 --> 01:08:25,254 +I hate the dust that I am made of +and that speaks to you. + +476 +01:08:28,658 --> 01:08:32,562 +Bravo... Saint Just... 89 + +477 +01:08:35,398 --> 01:08:36,700 +Les beaux corps de vingt ans + +478 +01:10:08,296 --> 01:10:13,000 +Madame... what are these countless +eyes that are watching at night? + +479 +01:10:17,673 --> 01:10:22,177 +Monsieur... all of a sudden, +all of sudden it takes me wonder. + +480 +01:10:23,011 --> 01:10:26,816 +There is no-one +but still I speak to you. + +481 +01:10:27,750 --> 01:10:30,085 +And you can hear me +since you are answering. + +482 +01:10:32,688 --> 01:10:40,630 +Monsieur... what are these images? +So free and yet locked up. + +483 +01:10:42,966 --> 01:10:47,871 +This enormous idea... where figures +pass, and where the colors shine... + +484 +01:10:52,075 --> 01:10:58,181 +Madame... it was space. +And space is dying. + +485 +01:12:02,550 --> 01:12:07,054 +One word, that's enough. +- I know... + +486 +01:12:07,855 --> 01:12:10,859 +Yes... you're full +of beauty, of power. + +487 +01:12:11,459 --> 01:12:16,598 +I can tell you too... +We don't love each other anymore. + +488 +01:13:47,761 --> 01:13:49,996 +The General Councils... +it's not simple. + +489 +01:13:50,897 --> 01:13:52,198 +There are no simple elections. + +490 +01:13:53,433 --> 01:13:54,601 +We'd need to have a program. + +491 +01:14:59,736 --> 01:15:03,306 +Yes, obviously... a program. + +492 +01:15:07,544 --> 01:15:08,545 +And do you have one? + +493 +01:15:10,314 --> 01:15:14,184 +To be twenty years old. +To be right. + +494 +01:15:14,485 --> 01:15:18,990 +To keep up hope. To be right. +Since your government is wrong. + +495 +01:15:20,124 --> 01:15:22,594 +To learn to see +before one learns to write. + +496 +01:15:26,297 --> 01:15:27,298 +It's great, no? + +497 +01:15:28,834 --> 01:15:30,802 +Oh dear... you never listen. + +498 +01:15:33,806 --> 01:15:36,174 +But still, +without her knowing + +499 +01:15:37,877 --> 01:15:41,914 +she had already taken +the decisive step + +500 +01:15:43,315 --> 01:15:48,187 +and was advancing +through an unknown country + +501 +01:15:50,723 --> 01:15:53,225 +outside the borders +of her ancient paradise. + +502 +01:15:54,293 --> 01:15:57,564 +Alone, as someone else +than this little girl. + +503 +01:15:57,664 --> 01:15:59,198 +The union of multiple voices... + +504 +01:15:59,299 --> 01:16:00,300 +Without fear. + +505 +01:16:00,366 --> 01:16:05,171 +prevents the progess +of one towards the other. + +506 +01:16:09,242 --> 01:16:13,614 +Stop the thief! +Stop the thief! + +507 +01:16:18,218 --> 01:16:19,687 +Has anyone seen my hat? + +508 +01:16:30,498 --> 01:16:32,667 +Hey, little white one... +you haven't seen anything? + +509 +01:16:33,902 --> 01:16:36,505 +Hey? - No, Miss. + +510 +01:16:40,141 --> 01:16:41,243 +I've seen you, +bastard! + +511 +01:16:42,310 --> 01:16:43,813 +Hey, attention! + +512 +01:16:52,154 --> 01:16:53,155 +What are you doing? + +513 +01:16:53,389 --> 01:16:55,458 +I'm welcoming +an ancient landscape. + +514 +01:17:08,739 --> 01:17:11,007 +I'm welcoming +an ancient landscape. + +515 +01:17:16,881 --> 01:17:18,215 +Shit... that's a Renoir! + +516 +01:17:18,849 --> 01:17:20,150 +Yes, exactly. + +517 +01:17:20,384 --> 01:17:23,187 +It has seen beautiful +things, this animal. + +518 +01:17:25,122 --> 01:17:29,026 +And these two here, +that's you and your mother? + +519 +01:17:39,872 --> 01:17:42,908 +If anyone asks you, +just say that you don't know. + +520 +01:17:51,918 --> 01:17:53,519 +I can't make out the brand. + +521 +01:17:54,921 --> 01:17:58,224 +"Night and Day" +Le jour et la nuit. + +522 +01:17:58,958 --> 01:18:00,526 +It's fine, +I understand English. + +523 +01:18:02,829 --> 01:18:03,830 +It's from Egypt. + +524 +01:18:04,430 --> 01:18:06,867 +It was found in the tomb +of a pharaoh, at El Amarna. + +525 +01:18:08,234 --> 01:18:10,069 +But there are no hours, +there's nothing. + +526 +01:18:10,837 --> 01:18:13,440 +Yes, but there is time. +The night of time. + +527 +01:18:19,780 --> 01:18:24,017 +And the day, who decides? +- The watch itself. + +528 +01:18:27,254 --> 01:18:28,389 +Nothing moves. + +529 +01:18:29,357 --> 01:18:30,625 +Yes, because it's thinking. + +530 +01:18:31,125 --> 01:18:34,262 +If it takes too long +I shake off the dust. + +531 +01:18:37,632 --> 01:18:38,633 +And so? + +532 +01:18:41,169 --> 01:18:42,170 +Mystery. + +533 +01:18:48,644 --> 01:18:49,945 +What are you thinking? + +534 +01:18:54,383 --> 01:18:55,384 +And you? + +535 +01:18:59,355 --> 01:19:00,556 +Of your back. + +536 +01:19:04,995 --> 01:19:06,229 +That really interests you? + +537 +01:19:10,433 --> 01:19:11,701 +No comment. + +538 +01:19:56,014 --> 01:19:57,282 +That's enough! + +539 +01:20:15,034 --> 01:20:17,337 +and you will +see them again + +540 +01:20:19,339 --> 01:20:21,575 +yes, after the annulation +of the first elections + +541 +01:20:21,675 --> 01:20:23,911 +now the children +are waiting for + +542 +01:20:27,013 --> 01:20:29,850 +the decision of +the State Council + +543 +01:20:30,484 --> 01:20:35,656 +their father has a small +estate in the Midi + +544 +01:20:36,891 --> 01:20:38,292 +for the first elections + +545 +01:20:38,392 --> 01:20:39,794 +the decision of the +State Council was correct + +546 +01:20:42,630 --> 01:20:47,869 +Florine and Lucien +had kept their family name + +547 +01:20:49,538 --> 01:20:53,475 +the sovereignty of the people had +spoken, but without a clear pattern + +548 +01:20:55,410 --> 01:20:59,882 +this time, they got +93% of the votes + +549 +01:21:01,450 --> 01:21:04,687 +with just their first names + +550 +01:21:05,955 --> 01:21:09,993 +so they are going to win + +551 +01:21:11,360 --> 01:21:16,032 +in the days of the Resistance, +not far from Toulouse + +552 +01:21:17,534 --> 01:21:21,571 +there was a small group, +part of the "Combat" movement + +553 +01:21:23,373 --> 01:21:27,110 +"the Martin family" + +554 +01:21:29,613 --> 01:21:31,415 +who had as their motto + +555 +01:21:33,050 --> 01:21:37,221 +liberate and federate + +556 +01:22:13,459 --> 01:22:17,163 +We know that gold powder from Sudan +together with egyptian slaves + +557 +01:22:17,430 --> 01:22:19,532 +constitutes the principal element +of trade in the Sahara. + +558 +01:22:20,901 --> 01:22:23,236 +But one doesn't see that this gold +has been for centuries + +559 +01:22:23,369 --> 01:22:26,573 +one of the decisive weapons +of western Islam. + +560 +01:22:35,783 --> 01:22:38,486 +Sun and death +never look at each other directly. + +561 +01:23:03,712 --> 01:23:06,148 +See... here... + +562 +01:23:06,949 --> 01:23:10,419 +two female gold diggers, in a +gathering of the Golden League. + +563 +01:23:11,821 --> 01:23:16,325 +So, the image... Historians +don't search, they find. + +564 +01:23:24,768 --> 01:23:26,803 +To shield all these +images from language + +565 +01:23:27,604 --> 01:23:28,605 +means to actually +make use of them + +566 +01:23:29,940 --> 01:23:31,207 +because they are +in the desert + +567 +01:23:31,675 --> 01:23:32,843 +and that's where one +has to look for them. + +568 +01:24:00,104 --> 01:24:03,609 +In 1839, Palestine welcomes +its first photographer. + +569 +01:24:03,809 --> 01:24:05,544 +The quadrature of the circle +had been accomplished + +570 +01:24:05,644 --> 01:24:09,114 +with the famous metaphor +x + 3 = 1 + +571 +01:24:09,281 --> 01:24:10,683 +that Einstein had been +looking for all his life. + +572 +01:24:11,684 --> 01:24:13,686 +Clarity through obscurity + +573 +01:24:21,861 --> 01:24:26,098 +At the end of 1926 +in Jerusalem + +574 +01:24:27,534 --> 01:24:32,038 +Gershom Scholem writes to +Franz Rosenzweig in Berlin + +575 +01:24:36,343 --> 01:24:38,478 +This country is a volcano. + +576 +01:24:39,313 --> 01:24:40,514 +And the day will come +when language + +577 +01:24:40,614 --> 01:24:42,483 +will turn itself against +those who speak it. + +578 +01:24:43,851 --> 01:24:46,253 +And this is why the +young girls love you + +579 +01:24:48,656 --> 01:24:51,292 +Take me for a walk, +make me run after you + +580 +01:24:53,427 --> 01:24:54,796 +The king invites me +into his chamber + +581 +01:24:54,896 --> 01:24:56,097 +A prisoner of love + +582 +01:24:57,766 --> 01:25:00,502 +And the second angel +poured out his vial upon the sea + +583 +01:25:01,403 --> 01:25:03,238 +and it became as the blood +of a dead man. + +584 +01:25:07,142 --> 01:25:10,178 +In his second course at the École +libre des hautes études in New York + +585 +01:25:11,146 --> 01:25:15,451 +Roman Jakobson shows +during the winter of 1942/43 + +586 +01:25:16,552 --> 01:25:19,655 +that is it impossible to separate +sound from meaning + +587 +01:25:20,623 --> 01:25:24,727 +and that only the concept of the +phoneme can solve this mystery. + +588 +01:25:24,828 --> 01:25:27,597 +To write for two voices +can only succeed + +589 +01:25:27,664 --> 01:25:31,401 +if the dissonances are announced +by a common note. + +590 +01:25:52,991 --> 01:26:00,331 +Tell me where the soldiers are +where have they lived on? + +591 +01:26:00,565 --> 01:26:06,137 +Tell me where the soldiers are +what has been done? + +592 +01:26:06,237 --> 01:26:07,539 +ISAAC SAID TO HIS FATHER + +593 +01:26:07,639 --> 01:26:11,042 +Tell me where the soldiers are +I SEE THE FIRE + +594 +01:26:11,243 --> 01:26:14,647 +I SEE THE KNIFE +over gravestones wafts the wind + +595 +01:26:14,880 --> 01:26:18,517 +BUT WHERE IS THE LAMB? +When will they ever see + +596 +01:26:18,684 --> 01:26:21,253 +AND ABRAHAM SAID +when will they ever see? + +597 +01:26:21,353 --> 01:26:24,022 +GOD WILL PROVIDE IT +FOR A BURNT OFFERING + +598 +01:26:30,530 --> 01:26:35,067 +The crusades, and the name +Jerusalem, explain many things. + +599 +01:26:36,336 --> 01:26:37,838 +If there was desire +for vengeance + +600 +01:26:38,705 --> 01:26:40,741 +the person to avenge +was Jesus Christ. + +601 +01:26:47,548 --> 01:26:48,549 +PALESTINE + +602 +01:26:57,258 --> 01:27:02,196 +ODESSA + +603 +01:28:53,280 --> 01:28:58,619 +Odessa. The stairs, in +Russian, are feminine. + +604 +01:29:07,027 --> 01:29:08,696 +In my opinion, she's +talking nonsense. + +605 +01:29:09,464 --> 01:29:11,065 +But there was something else. + +606 +01:29:12,667 --> 01:29:13,869 +Poor Vakulinchuk. + +607 +01:29:32,789 --> 01:29:35,524 +The manifestation was full +of joy, of happiness. + +608 +01:29:37,660 --> 01:29:39,362 +Here's the work... your turn. + +609 +01:29:40,563 --> 01:29:43,032 +The soldiers began shooting +because... manifest... + +610 +01:29:43,667 --> 01:29:45,502 +and in manifest there is +the word hand [main]. + +611 +01:29:49,105 --> 01:29:52,509 +An ideal, a smile that +conjures up the universe. + +612 +01:30:09,694 --> 01:30:17,001 +HELLAS + +613 +01:30:31,116 --> 01:30:34,487 +Democracy and tragedy +were married in Athens + +614 +01:30:34,854 --> 01:30:36,489 +under Pericles and Sophocles. + +615 +01:30:37,556 --> 01:30:40,994 +A single child: civil war + +616 +01:30:46,032 --> 01:30:47,968 +The tragic hero of the Greek + +617 +01:30:49,870 --> 01:30:53,406 +The deadly encounter +of a body without language + +618 +01:30:54,341 --> 01:30:58,545 +with an impossible +declaration. + +619 +01:31:16,230 --> 01:31:22,838 +Ismene, mine own dear sister, +knowest thou what ill there is? + +620 +01:31:26,107 --> 01:31:29,611 +When Odysseus returns +from his odyssey + +621 +01:31:30,245 --> 01:31:33,215 +the only one who recognizes him +through his disguise is a dog. + +622 +01:31:34,984 --> 01:31:39,822 +But that morning, side +by side with Atalante + +623 +01:31:40,790 --> 01:31:43,058 +he understood that the war +would be at the center of his life. + +624 +01:31:44,093 --> 01:31:48,064 +French News presents today +the first report + +625 +01:31:48,264 --> 01:31:50,099 +from a country that +is falling apart. + +626 +01:32:15,626 --> 01:32:17,695 +Why would I have desired +the gift of prophecy? + +627 +01:32:18,930 --> 01:32:21,633 +Cassandra, you will +be reasonable! - No. + +628 +01:32:23,067 --> 01:32:25,537 +You don't approve +of Gods plan? - No. + +629 +01:32:26,705 --> 01:32:28,173 +But you going +to behave! - No. + +630 +01:32:38,784 --> 01:32:39,785 +Naples + +631 +01:32:42,120 --> 01:32:44,724 +Reintroducing duration. + +632 +01:32:47,727 --> 01:32:51,230 +Even more significant than the +profound structures of life + +633 +01:32:52,665 --> 01:33:00,540 +are the points where they break, +their brusk or long deterioration. + +634 +01:33:11,385 --> 01:33:15,924 +The tragedy is that one +copies the same model + +635 +01:33:16,090 --> 01:33:18,225 +that dates back to the +Ancient Mediterranean. + +636 +01:33:19,126 --> 01:33:20,461 +Affection is an ancient event. + +637 +01:33:20,561 --> 01:33:25,500 +It has colored with its perfume, +its colors, and its affirmations + +638 +01:33:26,234 --> 01:33:28,035 +the entire life in +the western world. + +639 +01:33:28,136 --> 01:33:29,938 +Without affection, evolution +would not have been possible. + +640 +01:33:31,039 --> 01:33:34,576 +The plague breaks out in Naples +on October 1st, 1943 + +641 +01:33:35,778 --> 01:33:40,683 +the same day when the Allies enter +and liberate this unfortunate city. + +642 +01:33:42,718 --> 01:33:43,886 +Liberty is expensive. + +643 +01:33:46,990 --> 01:33:49,325 +But one can't buy her with gold, +and not with blood + +644 +01:33:50,693 --> 01:33:55,298 +but with cowardice, +prostitution and betrayal. + +645 +01:34:01,638 --> 01:34:03,907 +The North Americans could +pretend to liberate the people + +646 +01:34:04,407 --> 01:34:06,710 +and force them, at the same +time, to feel defeated. + +647 +01:34:14,852 --> 01:34:15,853 +Barcelona + +648 +01:34:18,289 --> 01:34:22,092 +Spain is a country where there +is no shortage, at the moment + +649 +01:34:22,994 --> 01:34:24,261 +of chances to die. + +650 +01:34:26,965 --> 01:34:27,966 +And even our hopes + +651 +01:34:29,400 --> 01:34:30,969 +And yet, of course + +652 +01:34:31,269 --> 01:34:34,472 +What matters is not +what a dictator thinks. + +653 +01:34:52,291 --> 01:34:56,629 +We discover war only once. +But we discover life many times. + +654 +01:35:02,569 --> 01:35:08,441 +A truth that's more loyal, and +one might add, delivered by hand. + +655 +01:35:17,818 --> 01:35:20,822 +Bullfight on the Plaza de Toros. +Everyone was there. + +656 +01:35:21,088 --> 01:35:24,124 +Hemingway, Dos Passos, Orwell. + +657 +01:35:26,694 --> 01:35:27,695 +And then? + +658 +01:35:28,596 --> 01:35:32,968 +After the execution, toreros and +spectators left for the front. + +659 +01:35:35,938 --> 01:35:38,239 +Women. Like all the ones who were + +660 +01:35:38,373 --> 01:35:41,009 +building barricades in +the suburbs of the city + +661 +01:35:41,610 --> 01:35:43,412 +awaiting the offensive. + +662 +01:35:44,112 --> 01:35:48,183 +Simon Weil would later, +after Franco's victory + +663 +01:35:49,284 --> 01:35:52,421 +when she learned the Germans +had taken Paris, declare: + +664 +01:35:54,156 --> 01:35:56,125 +A great day +for Indochina. + +665 +01:35:59,295 --> 01:36:05,635 +You see, with the verb "to be", the +lack of reality becomes flagrant. + +666 +01:36:06,569 --> 01:36:09,873 +For example: +Soon we will be in Barcelona. + +667 +01:36:13,577 --> 01:36:17,047 +It would be better to say: +Barcelona will welcome us soon. + +668 +01:36:24,989 --> 01:36:27,157 +What time is it? + +669 +01:36:32,597 --> 01:36:33,999 +Always the right time. + +670 +01:36:43,976 --> 01:36:47,847 +THINGS LIKE + +671 +01:36:54,119 --> 01:37:01,293 +WHEN THE LAW IS WRONG +JUSTICE COMES BEFORE THE LAW + +672 +01:37:02,361 --> 01:37:06,900 +SUBTITLES +PIRATE CINEMA BERLIN + diff --git a/source/Ox.UI/js/Form/Ox.Button.js b/source/Ox.UI/js/Form/Ox.Button.js index cacfaca8..a3234c95 100644 --- a/source/Ox.UI/js/Form/Ox.Button.js +++ b/source/Ox.UI/js/Form/Ox.Button.js @@ -154,8 +154,9 @@ Ox.Button = function(options, self) { @*/ that.toggleDisabled = function() { that.options({ - enabled: !self.options.disabled + disabled: !self.options.disabled }); + return that; //self.options.disabled = !self.options.disabled; } @@ -167,6 +168,7 @@ Ox.Button = function(options, self) { that.options({ selected: !self.options.selected }); + return that; //self.options.selected = !self.options.selected; } @@ -180,6 +182,7 @@ Ox.Button = function(options, self) { self.$tooltip && self.$tooltip.options({ title: self.tooltips[self.selectedTitle] }); + return that; } return that; diff --git a/source/Ox.UI/js/Video/Ox.BlockVideoTimeline.js b/source/Ox.UI/js/Video/Ox.BlockVideoTimeline.js index cb6f6ae2..182c6704 100644 --- a/source/Ox.UI/js/Video/Ox.BlockVideoTimeline.js +++ b/source/Ox.UI/js/Video/Ox.BlockVideoTimeline.js @@ -149,7 +149,6 @@ Ox.BlockVideoTimeline = function(options, self) { // fixme: check if this pattern is better // than the one used for list selection if (!self.triggered) { - Ox.print('$$$$$$$$$$$$$$$') that.triggerEvent('position', { position: self.options.position }); @@ -197,15 +196,7 @@ Ox.BlockVideoTimeline = function(options, self) { function setPoint(point) { setPointMarker(point); self.$image.options(point, self.options[point]); - self.$lines.forEach(function($line, i) { - $($line.children()[0]).replaceWith( - self.$images[i] = self.$image.clone() - .css({ - position: 'absolute', - marginLeft: (-i * self.options.width) + 'px' - }) - ); - }); + updateTimelines(); } function setPointMarker(point) { @@ -225,6 +216,11 @@ Ox.BlockVideoTimeline = function(options, self) { }); } + function setResults() { + self.$image.options({results: self.options.results}); + updateTimelines(); + } + function setWidth() { self.lines = getLines(); setCSS(); @@ -253,11 +249,25 @@ Ox.BlockVideoTimeline = function(options, self) { setPointMarker('out'); } + function updateTimelines() { + self.$lines.forEach(function($line, i) { + $($line.children()[0]).replaceWith( + self.$images[i] = self.$image.clone() + .css({ + position: 'absolute', + marginLeft: (-i * self.options.width) + 'px' + }) + ); + }); + } + self.setOption = function(key, value) { if (key == 'in' || key == 'out') { setPoint(key) } else if (key == 'position') { setPositionMarker(); + } else if (key == 'results') { + setResults(); } else if (key == 'width') { setWidth(); } diff --git a/source/Ox.UI/js/Video/Ox.VideoEditor.js b/source/Ox.UI/js/Video/Ox.VideoEditor.js index e285fea1..709ce069 100644 --- a/source/Ox.UI/js/Video/Ox.VideoEditor.js +++ b/source/Ox.UI/js/Video/Ox.VideoEditor.js @@ -33,10 +33,9 @@ Ox.VideoEditor = function(options, self) { showAnnotations: false, subtitles: [], videoHeight: 0, - videoId: '', videoWidth: 0, videoSize: 'small', - videoURL: '', + video: '', width: 0 }) .options(options || {}) @@ -100,7 +99,7 @@ Ox.VideoEditor = function(options, self) { movePositionBy(self.options.duration); }, key_shift_left: function() { - movePositionBy(1); + movePositionBy(-1); }, key_shift_i: function() { goToPoint('in'); @@ -146,7 +145,7 @@ Ox.VideoEditor = function(options, self) { ['play', 'in', 'out'].forEach(function(type, i) { self.$player[i] = new Ox.VideoPlayer({ controlsBottom: type == 'play' ? - ['play', 'playInToOut', 'volume', 'size', 'space', 'position'] : + ['play', 'playInToOut', 'volume', 'space', 'position'] : ['goto', 'set', 'space', 'position'], duration: self.options.duration, externalControls: true, @@ -159,7 +158,7 @@ Ox.VideoEditor = function(options, self) { position: type == 'play' ? self.options.position : self.options[type], posterFrame: self.options.posterFrame, showMarkers: true, - showMilliseconds: 2, + showMilliseconds: 3, subtitles: self.options.subtitles, type: type, video: type == 'play' ? self.options.video : self.options.getFrameURL, @@ -269,10 +268,255 @@ Ox.VideoEditor = function(options, self) { .appendTo(self.$annotations); }); - that.$element = new Ox.SplitPanel({ + self.$menubar = Ox.Bar({ + size: 16 + }).addClass('OxVideoPlayer'); + + self.$sizeButton = Ox.Button({ + style: 'symbol', + title: [ + {id: 'grow', title: 'grow', selected: self.options.size == 'small'}, + {id: 'shrink', title: 'shrink', selected: self.options.size == 'large'} + ], + tooltip: ['Larger', 'Smaller'], + type: 'image' + }) + .css({float: 'left'}) + .bindEvent({ + click: toggleSize + }) + .appendTo(self.$menubar); + + self.resolutions = []; + Ox.forEach(self.options.video, function(url, resolution) { + Ox.print(url, resolution) + self.resolutions.push( + {id: resolution + '', title: resolution + 'p'} + ); + }); + Ox.print('::::::',self.resolutions) + + self.$resolutionSelect = Ox.Select({ + items: [{id: '96', title: '96p'},{id: '240', title: '240p'}],//self.resolutions, + width: 48 + }) + .css({float: 'left'}) + .bindEvent({ + change: function() { + + } + }) + .appendTo(self.$menubar); + + + //$('
').css({float: 'left', width: '8px', height: '1px'}).appendTo(self.$menubar.$element); + + self.$linkButton = Ox.Button({ + style: 'symbol', + title: 'arrowRight', + tooltip: 'Link...', + type: 'image' + }) + .css({float: 'left'}) + //.css({marginLeft: '16px'}) + .bindEvent({ + click: function() { + window.location.hash = + Ox.formatDuration(self.options['in'], 3) + '-' + + Ox.formatDuration(self.options.out, 3); + } + }) + .appendTo(self.$menubar); + + self.$embedButton = Ox.Button({ + style: 'symbol', + title: 'embed', + tooltip: 'Embed...', + type: 'image' + }) + .css({float: 'left'}) + .bindEvent({ + click: function() { + + } + }) + .appendTo(self.$menubar); + + self.$downloadButton = Ox.Button({ + style: 'symbol', + title: 'download', + tooltip: 'Download...', + type: 'image' + }) + .css({float: 'left'}) + .bindEvent({ + click: function() { + + } + }) + .appendTo(self.$menubar); + + self.$goToPosterButton = Ox.Button({ + style: 'symbol', + title: 'goToPoster', + tooltip: 'Go to Poster Frame', + type: 'image' + }) + .css({float: 'left'}) + .css({marginLeft: '16px'}) + .bindEvent({ + click: function() { + setPosition(self.options.posterFrame) + } + }) + .appendTo(self.$menubar); + + self.$setPosterButton = Ox.Button({ + disabled: true, + style: 'symbol', + title: 'setPoster', + tooltip: 'Set Poster Frame', + type: 'image' + }) + .css({float: 'left'}) + .bindEvent({ + click: function() { + self.$goToPosterButton.toggleDisabled(); + self.$setPosterButton.toggleDisabled(); + self.$unlockPosterButton.toggleTitle(); + } + }) + .appendTo(self.$menubar); + + self.$unlockPosterButton = Ox.Button({ + style: 'symbol', + title: [ + {id: 'lock', title: 'lock'}, + {id: 'unlock', title: 'unlock', selected: true} + ], + tooltip: ['Lock Poster Frame', 'Unlock Poster Frame'], + type: 'image' + }) + .css({float: 'left'}) + .bindEvent({ + click: function() { + self.$setPosterButton.toggleDisabled(); + } + }) + .appendTo(self.$menubar); + + self.$helpButton = Ox.Button({ + style: 'symbol', + title: 'help', + tooltip: 'Help', + type: 'image' + }) + .css({float: 'right'}) + .bindEvent({ + click: function() { + + } + }) + .appendTo(self.$menubar); + + self.$clearButton = Ox.Button({ + disabled: true, + style: 'symbol', + title: 'close', + tooltip: 'Clear', + type: 'image' + }) + .css({float: 'right'}) + .bindEvent({ + click: function() { + self.$findInput.clearInput(); + submitFindInput(''); + } + }) + .appendTo(self.$menubar); + + self.$findInput = Ox.Input({ + changeOnKeypress: true, + placeholder: 'Find...', + width: 96 + }) + .css({float: 'right'}) + .bindEvent({ + change: function(data) { + submitFindInput(data.value, false); + }, + submit: function(data) { + submitFindInput(data.value, true); + } + }) + .appendTo(self.$menubar); + self.$findInput.find('input').css({background: 'transparent'}) + + self.$findButton = Ox.Button({ + //disabled: true, + style: 'symbol', + title: 'find', + tooltip: 'Find', + type: 'image' + }) + .css({float: 'right'}) + .bindEvent({ + click: function() { + + } + }) + //.appendTo(self.$menubar); + + self.$nextButton = Ox.Button({ + disabled: true, + style: 'symbol', + title: 'arrowRight', + tooltip: 'Next Result', + type: 'image' + }) + .css({float: 'right'}) + .bindEvent({ + click: function() { + + } + }) + .appendTo(self.$menubar); + + self.$previousButton = Ox.Button({ + disabled: true, + style: 'symbol', + title: 'arrowLeft', + tooltip: 'Previous Result', + type: 'image' + }) + .css({float: 'right'}) + .bindEvent({ + click: function() { + + } + }) + .appendTo(self.$menubar); + + self.$results = $('
') + .css({float: 'right', width: '36px', padding: '2px 4px 0 0', fontSize: '9px', textAlign: 'right', cursor: 'default', opacity: 0.25}) + .html('0') + .appendTo(self.$menubar.$element); + + that.$element = Ox.SplitPanel({ elements: [ { - element: self.$editor + element: Ox.SplitPanel({ + elements: [ + { + element: self.$menubar, + size: 16 + }, + { + element: self.$editor + } + ], + orientation: 'vertical' + }) }, { collapsed: !self.options.showAnnotations, @@ -316,6 +560,20 @@ Ox.VideoEditor = function(options, self) { }); } + function find(query) { + var results = []; + if (query.length) { + query = query.toLowerCase(); + results = Ox.map(self.options.subtitles, function(subtitle) { + return subtitle.text.toLowerCase().indexOf(query) > -1 ? { + 'in': subtitle['in'], + out: subtitle.out + } : null; + }); + } + return results; + } + function getNextPosition(type, direction) { var found = false, position = 0, @@ -432,10 +690,10 @@ Ox.VideoEditor = function(options, self) { lines = Math.ceil(self.options.duration / size.timeline[1].width); height = getHeight(); self.$editor.css({ - overflowY: (scrollbarIsVisible && height <= self.options.height) ? 'scroll' : 'auto' + overflowY: (scrollbarIsVisible && height <= self.options.height - 16) ? 'scroll' : 'auto' }); //Ox.print('getSizes', scrollbarIsVisible, height, self.options.height, size) - return (!scrollbarIsVisible && height > self.options.height) ? getSizes(true) : size; + return (!scrollbarIsVisible && height > self.options.height - 16) ? getSizes(true) : size; function getHeight() { return size.player[0].height + self.controlsHeight + size.timeline[0].height + lines * 16 + @@ -565,6 +823,31 @@ Ox.VideoEditor = function(options, self) { }); } + function submitFindInput(value, hasPressedEnter) { + self.options.find = value; + self.results = find(self.options.find); + self.$results.css({opacity: self.results.length ? 1 : 0.25}).html(self.results.length); + self.$previousButton.options({ + disabled: self.results.length <= 1 + }); + self.$nextButton.options({ + disabled: self.results.length <= 1 + }); + self.$clearButton.options({ + disabled: !self.options.find + }); + self.$timeline[1].options({ + find: self.options.find, + results: self.results + }); + self.$findInput.find('input').css({ + opacity: self.results.length ? 1 : 0.25 + }); + if (hasPressedEnter) { + self.results.length ? (function() {})() : self.$findInput.focusInput(); + } + } + function toggleAnnotations(event, data) { self.options.showAnnotations = !data.collapsed; setSizes(); @@ -578,8 +861,8 @@ Ox.VideoEditor = function(options, self) { self.$player[0].togglePaused(); } - function toggleSize(event, data) { - self.options.videoSize = data.size + function toggleSize() { + self.options.videoSize = self.options.videoSize == 'small' ? 'large' : 'small'; setSizes(); that.triggerEvent('togglesize', { size: self.options.videoSize diff --git a/source/Ox.UI/js/Video/Ox.VideoPlayer.js b/source/Ox.UI/js/Video/Ox.VideoPlayer.js index 26431469..321c8c6d 100644 --- a/source/Ox.UI/js/Video/Ox.VideoPlayer.js +++ b/source/Ox.UI/js/Video/Ox.VideoPlayer.js @@ -999,9 +999,8 @@ Ox.VideoPlayer = function(options, self) { } } - function find(query, hasPressedEnter) { + function find(query) { var results = []; - Ox.print(query) if (query.length) { query = query.toLowerCase(); results = Ox.map(self.options.subtitles, function(subtitle) { @@ -1010,9 +1009,6 @@ Ox.VideoPlayer = function(options, self) { out: subtitle.out } : null; }); - if (results.length == 0 && hasPressedEnter) { - self.$findInput.focusInput(); - } } return results; } @@ -1198,7 +1194,7 @@ Ox.VideoPlayer = function(options, self) { Ox.forEach(self.options.subtitles, function(v) { if ( v['in'] <= self.options.position && - v.out > self.options.position + v.out >= self.options.position ) { subtitle = v.text; return false; @@ -1478,21 +1474,23 @@ Ox.VideoPlayer = function(options, self) { self.options.position >= self.options.out ) { togglePaused(); - setPosition(self.options.out, 'video'); + setPosition(self.options.out/*, 'video'*/); //ended(); self.playInToOut = false; } else { setPosition(self.options.position, 'video'); } + that.triggerEvent('position', { + position: self.options.position + }); } function playInToOut() { if (self.options.out > self.options['in']) { + Ox.print('inToOut', self.options['in']) self.playInToOut = true; setPosition(self.options['in']); - if (self.options.paused) { - togglePaused(); - } + self.options.paused && togglePaused(); } } @@ -1552,10 +1550,12 @@ Ox.VideoPlayer = function(options, self) { } function setPosition(position, from) { - position = Ox.limit(position, self['in'], self['out']); + self.options.position = Ox.limit(position, self['in'], self['out']); + /* self.options.position = Math.round( position * self.options.fps ) / self.options.fps; + */ self.options.paused && self.options.showMarkers && setMarkers(); self.$subtitle && setSubtitle(); self.$position && self.$position.html(formatPosition()); @@ -1582,9 +1582,6 @@ Ox.VideoPlayer = function(options, self) { //showLoadingIcon(); loadImage(); } - that.triggerEvent('position', { - position: self.options.position - }); } function setResolution() { @@ -1768,7 +1765,7 @@ Ox.VideoPlayer = function(options, self) { function submitFindInput(value, hasPressedEnter) { Ox.print('submitFindInput', value, hasPressedEnter) self.options.find = value; - self.results = find(self.options.find, hasPressedEnter); + self.results = find(self.options.find); Ox.print('results', self.results.length); if (self.$find) { self.$results.html(self.results.length); @@ -1787,8 +1784,8 @@ Ox.VideoPlayer = function(options, self) { find: self.options.find, results: self.results }); - if (hasPressedEnter && self.results.length) { - goToNextResult(1); + if (hasPressedEnter) { + self.results.length ? goToNextResult(1) : self.$findInput.focusInput(); } } @@ -1813,6 +1810,7 @@ Ox.VideoPlayer = function(options, self) { function submitPositionInput() { self.$positionInput.hide(); self.$position.html('').show(); + Ox.print('###', parsePositionInput(self.$positionInput.options('value'))) setPosition(parsePositionInput(self.$positionInput.options('value'))); if (self.playOnSubmit) { togglePaused(); @@ -1823,6 +1821,9 @@ Ox.VideoPlayer = function(options, self) { that.gainFocus(); } self.mouseHasLeft && hideControls(); + that.triggerEvent('position', { + position: self.options.position + }); } function toggleFind() { diff --git a/source/Ox.UI/themes/modern/css/modern.css b/source/Ox.UI/themes/modern/css/modern.css index b8b827d9..483c1ebf 100644 --- a/source/Ox.UI/themes/modern/css/modern.css +++ b/source/Ox.UI/themes/modern/css/modern.css @@ -483,11 +483,34 @@ Video background-image: -moz-linear-gradient(top, rgba(0, 0, 0, 0.5), rgba(64, 64, 64, 0.5)); background-image: -webkit-linear-gradient(top, rgba(0, 0, 0, 0.5), rgba(64, 64, 64, 0.5)); } +.OxThemeModern .OxVideoPlayer input.OxInput.OxPlaceholder { + //opacity: 0.25; +} .OxThemeModern .OxVideoPlayer .OxRange .OxThumb:active { background: -moz-linear-gradient(top, rgba(64, 64, 64, 0.5), rgba(0, 0, 0, 0.5)); background: -webkit-linear-gradient(top, rgba(255, 64, 64, 0.5), rgba(0, 0, 0, 0.5)); } +.OxThemeModern .OxVideoPlayer .OxSelect { + border: 0; + margin-left: 0px; + margin-right: -18px; + background: transparent; + font-size: 9px; +} +.OxThemeModern .OxVideoPlayer .OxSelect.OxFocus { + -moz-box-shadow: 0 0 0; + -webkit-box-shadow: 0 0 0; +} +.OxThemeModern .OxVideoPlayer .OxSelect div { + padding: 2px 0 0 0; + font-size: 9px; +} + +.OxThemeModern .OxVideoPlayer .OxSelect input { + display: none; +} + /* ================================================================================ diff --git a/source/Ox.UI/themes/modern/svg/symbolAdd.svg b/source/Ox.UI/themes/modern/svg/symbolAdd.svg index fd710b6e..20432bcb 100644 --- a/source/Ox.UI/themes/modern/svg/symbolAdd.svg +++ b/source/Ox.UI/themes/modern/svg/symbolAdd.svg @@ -1,6 +1,6 @@ - - + + \ No newline at end of file diff --git a/source/Ox.UI/themes/modern/svg/symbolRemove.svg b/source/Ox.UI/themes/modern/svg/symbolRemove.svg index 8f2f256a..f6aeaba0 100644 --- a/source/Ox.UI/themes/modern/svg/symbolRemove.svg +++ b/source/Ox.UI/themes/modern/svg/symbolRemove.svg @@ -1,5 +1,5 @@ - - + + \ No newline at end of file