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         <p>The artworks present in this exhibition, even as they maintain scepticism towards techno-fetishistic, development-philic, heteronormative, non-inclusive paradigms for the future, propelled in the interest of capital and by the anaemic premise inscribed by the idea of progress, they do not deny the possibility of reorienting civilizational creativity and resilience towards reconsiderations.</p>
 
-        <p>The online platform that hosts this exhibition conceptualized and drawn from <a href="https://pad.ma" class="font-family-wrong">pad.ma</a> proposes alternative ways of deepening the connectivity and democratic possibilities that can exist vis-à-vis the internet towards ethical digital infrastructures to engage intimately with art.</p>
+        <p>The online platform that hosts this exhibition conceptualized and drawn from <a href="https://pad.ma" class="font-family-wrong">Pad.ma</a> proposes alternative ways of deepening the connectivity and democratic possibilities that can exist vis-à-vis the internet towards ethical digital infrastructures to engage intimately with art.</p>
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         <p>錄像計畫「未至之城：回望未來」由安努舒卡．拉堅德蘭策展，該計劃想像各種被主流勢力所阻擋、威脅的未來景觀，而許多的「未來」在當前世界裡已出現蛛絲馬跡。展覽中一系列的動態影像以「未來過去式」探索各種議題，深掘當代時間感知的循環特性，以及時間間隙當中的潛在可能。</p>
 
         <p>雖然展覽中的作品對於科技迷戀、發展導向、異性戀觀點、對未來的排他敘事、受資本驅動、進步導向的貧乏敘事提出質疑，藝術家仍然願意透過文明創造力與韌性，重新探索不同未來可能。</p>
-        <p>呈現此計畫的網路平台之發想與概念來自 pad.ma，該平台提倡以另類的方式，讓數位介面的藝術體驗更具有連結性也更民主。</p>
-        <p>呈現此計畫的網路平台之發想與概念來自 <a href="https://pad.ma" class="font-family-wrong">pad.ma</a>，該平台提倡以另類的方式，讓數位介面的藝術體驗更具有連結性也更民主。</p>
+        <p>呈現此計畫的網路平台之發想與概念來自 Pad.ma，該平台提倡以另類的方式，讓數位介面的藝術體驗更具有連結性也更民主。</p>
+        <p>呈現此計畫的網路平台之發想與概念來自 <a href="https://pad.ma" class="font-family-wrong">Pad.ma</a>，該平台提倡以另類的方式，讓數位介面的藝術體驗更具有連結性也更民主。</p>
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                          <p><a href="https://pad.ma" class="font-family-wrong"><strong>Pad.ma</strong></a> is an artist-run online archive of densely text-annotated video material, primarily footage and not finished films contributed by filmmakers, artists and cultural workers. It was set up in 2008 as a collaboration between CAMP, 0x2620, the Alternative Law Forum and Majlis. Pad.ma (and her allied projects) remain at the forefront of radical and future-oriented thinking and engagement with both material and theory of digital archives.</p>
 
-                        <p><a href="https://studio.camp"><strong>CAMP</strong></a> is a collaborative studio founded in Bombay in 2007. It has been producing fundamental new work in film and video, electronic media, and public art forms, in a practice characterised by a hand-dirtying, non-alienated relation to technology. From their home base in Mumbai, they co-host the online archives <a href="https://pad.ma" class="font-family-wrong">pad.ma</a> and <a href="https://indiancine.ma">indiancine.ma</a> and run a rooftop cinema for the past 14 years.</p>
+                        <p><a href="https://studio.camp"><strong>CAMP</strong></a> is a collaborative studio founded in Bombay in 2007. It has been producing fundamental new work in film and video, electronic media, and public art forms, in a practice characterised by a hand-dirtying, non-alienated relation to technology. From their home base in Mumbai, they co-host the online archives <a href="https://pad.ma" class="font-family-wrong">Pad.ma</a> and <a href="https://indiancine.ma">indiancine.ma</a> and run a rooftop cinema for the past 14 years.</p>
 
                         <p>Founded in 2010 in Berlin, <a href="https://0x2620.org"><strong>0x2620</strong></a> is an artist-run agency for the advancement of the international exchange of information, and usually operates at the intersections of art, politics and technology. Its activities include extensive research on intellectual property and piracy, the development of open-source software tools and web applications, and the production of both technological and social infrastructure for the collaborative creation, maintenance and use of relatively large data sets.</p>
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-                        <p><a href="https://studio.camp"><strong>CAMP</strong></a>為2007年成立於孟買的合作型工作室。其創作一向與技術維持近距親身的接觸，和不排斥不疏離的關係，並秉持此一精神與作法，不斷推出電影及錄像、電子媒體、公共藝術等類型的全新作品。他們以設址於孟買的總部為據點，執行線上資料庫​Pad.ma和​Indiancine.ma的聯合運作，其於14年前開辦的屋頂電影院至今依舊照常營運。</p>
+                        <p><a href="https://studio.camp"><strong>CAMP</strong></a>為2007年成立於孟買的合作型工作室。其創作一向與技術維持近距親身的接觸，和不排斥不疏離的關係，並秉持此一精神與作法，不斷推出電影及錄像、電子媒體、公共藝術等類型的全新作品。他們以設址於孟買的總部為據點，執行線上資料庫Pad.ma和Indiancine.ma的聯合運作，其於14年前開辦的屋頂電影院至今依舊照常營運。</p>
 
                         <p><a href="https://0x2620.org"><strong>0x2620</strong></a> 2010年成立於柏林，是一個為促進國際資訊交流而建立的藝術家營運機構，擅長處理藝術、政治、技術之間所產生的交集與碰撞塊。活動包括在智慧財產與盜版、開放源軟體工具及網路應用程式的開發、合作性創作、相對巨量數據集的維護及使用等多方面的研究。</p>
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