Merge pull request 'add links to about page' (#23) from about-links into main
Reviewed-on: 0x2620/aab21#23
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<p>The 8 edition of the Asian Art Biennial hosted by the National Taiwan Museum of Fine Arts (NTMoFA) invites Independent curator <strong>Nobuo Takamori</strong> (Taiwan) as the chief curator with a transnational curatorial team that also includes curators <strong>Tessa Maria Guazon</strong> (Philippines), <strong>Anushka Rajendran</strong> (India), <strong>Ho Yu-Kuan</strong> (Taiwan), and curator and art historian <strong>Thanavi Chotpradit</strong> (Thailand).</p>
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<p>Phantas.ma/polis, is the new location for the video art programme of the biennial, “Looking Back to the Future”. Using the time-based annotation, timeline views and edit features of Pad.ma, Phantas.ma/polis showcases the participating artists’ videos along with extended commentaries by the curator, artists and critics. Over the duration of the biennial,
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Phantas.ma/polis will evolve to bring the artworks in conversation with each other through both formal and interpretative recombinations of the featured works.</p>
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<p><a href="/polis">Phantas.ma/polis</a>, is the new location for the video art programme of the biennial, “Looking Back to the Future”. Using the time-based annotation, timeline views and edit features of <a href="https://pad.ma" class="font-family-wrong">Pad.ma</a>, <a href="/polis">Phantas.ma/polis</a> showcases the participating artists’ videos along with extended commentaries by the curator, artists and critics. Over the duration of the biennial,
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<a href="/polis">Phantas.ma/polis</a> will evolve to bring the artworks in conversation with each other through both formal and interpretative recombinations of the featured works.</p>
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<p>Curated by Anushka Rajendran, “Phantasmapolis: Looking back to the future” considers alterities and futurisms whose traces endure in our present—often inherited from the past—that were denied existence, or threatened by various dominant apparatuses of power. A series of moving image works articulate their concerns in the grammatical premise determined by the future-past tense, excavating the cyclical nature of time and latencies residing in the interstices of time as experienced in the contemporary.</p>
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<p>第八屆2021亞洲藝術雙年展將以「Phantasmapolis未至之城」為題，由臺灣獨立策展人高森信男擔綱本次展覽總策劃，邀請菲律賓策展人泰莎．瑪莉亞．奎松（Tessa Maria Guazon）、印度策展人安努舒卡．拉堅德蘭（Anushka Rajendran）、臺灣策展人侯昱寬與泰國策展人暨藝術史學者唐娜維．恰卜瑞蒂（Thanavi Chotpradit）組成多國跨域的策展團隊。</p>
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<p>Phantas.ma/polis 為本屆亞洲藝術雙年展的錄像藝術單元「回望未來」（Looking Back to the Future）的專屬網站，其時基注釋、時間軸、剪輯等特色，於線上呈現參展藝術家的錄像作品，並搭配策展人、藝術家、藝評家的深度評論和活潑精彩的每日節目規畫。雙年展期間，Phantas.ma/polis 將會持續演化，藉由將展出作品在形式上和詮釋面上的重新組合，讓作品間產生對話。</p>
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<p><a href="/polis">Phantas.ma/polis</a> 為本屆亞洲藝術雙年展的錄像藝術單元「回望未來」（Looking Back to the Future）的專屬網站，其時基注釋、時間軸、剪輯等特色，於線上呈現參展藝術家的錄像作品，並搭配策展人、藝術家、藝評家的深度評論和活潑精彩的每日節目規畫。雙年展期間，<a href="/polis">Phantas.ma/polis</a> 將會持續演化，藉由將展出作品在形式上和詮釋面上的重新組合，讓作品間產生對話。</p>
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<!-- <p><a href="">Read More</a></p> -->
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<p>錄像計畫「未至之城：回望未來」由安努舒卡．拉堅德蘭策展，該計劃想像各種被主流勢力所阻擋、威脅的未來景觀，而許多的「未來」在當前世界裡已出現蛛絲馬跡。展覽中一系列的動態影像以「未來過去式」探索各種議題，深掘當代時間感知的循環特性，以及時間間隙當中的潛在可能。</p>
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</label>
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<input type="checkbox" id="bio-padma" class="accordion-checkbox">
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<div class="accordion-content">
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<p><strong>Pad.ma</strong> is an artist-run online archive of densely text-annotated video material, primarily footage and not finished films contributed by filmmakers, artists and cultural workers. It was set up in 2008 as a collaboration between CAMP, 0x2620 and the Alternative Law Forum and Majlis. Pad.ma has remained at the forefront of radical and future-oriented thinking and engagement with both material and theory of archives, and their team members have lectured and conducted workshops worldwide on the same.</p>
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<p><a href="https://pad.ma" class="font-family-wrong"><strong>Pad.ma</strong></a> is an artist-run online archive of densely text-annotated video material, primarily footage and not finished films contributed by filmmakers, artists and cultural workers. It was set up in 2008 as a collaboration between CAMP, 0x2620 and the Alternative Law Forum and Majlis. Pad.ma has remained at the forefront of radical and future-oriented thinking and engagement with both material and theory of archives, and their team members have lectured and conducted workshops worldwide on the same.</p>
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<p><strong>CAMP</strong> is a collaborative studio founded in Bombay in 2007. It has been producing fundamental new work in film and video, electronic media, and public art forms, in a practice characterised by a hand-dirtying, non-alienated relation to technology. From their home base in Mumbai, they co-host the online archives pad.ma and indiancine.ma and run a rooftop cinema for the past 14 years.</p>
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<p><a href="https://studio.camp"><strong>CAMP</strong></a> is a collaborative studio founded in Bombay in 2007. It has been producing fundamental new work in film and video, electronic media, and public art forms, in a practice characterised by a hand-dirtying, non-alienated relation to technology. From their home base in Mumbai, they co-host the online archives <a href="https://pad.ma" class="font-family-wrong">pad.ma</a> and <a href="https://indiancine.ma">indiancine.ma</a> and run a rooftop cinema for the past 14 years.</p>
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<p>Founded in 2010 in Berlin, <strong>0x2620</strong> is an artist-run agency for the advancement of the international exchange of information, and usually operates at the intersections of art, politics and technology. Its activities include extensive research on intellectual property and piracy, the development of open-source software tools and web applications, and the production of both technological and social infrastructure for the collaborative creation, maintenance and use of relatively large data sets.</p>
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<p>Founded in 2010 in Berlin, <a href="https://0x2620.org"><strong>0x2620</strong></a> is an artist-run agency for the advancement of the international exchange of information, and usually operates at the intersections of art, politics and technology. Its activities include extensive research on intellectual property and piracy, the development of open-source software tools and web applications, and the production of both technological and social infrastructure for the collaborative creation, maintenance and use of relatively large data sets.</p>
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<input type="checkbox" id="bio-padma-zh" class="accordion-checkbox">
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<div class="accordion-content">
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<p>
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<strong>Pad.ma</strong> 公眾存取數位媒體檔案庫（Public Access Digital Media Archive ，簡稱Pad.ma）是一個為密集文字標注影片素材所設立的線上檔案庫。其營運團隊成員皆為藝術家，彙整內容主要為電影創作者、藝術家、文化工作者提供的影片資料帶和未完成的影片。2008年正式上線的Pad.ma為CAMP、0x2620、另類法律論壇、Majlis共同合作而成，而其激進、以未來為導向的思考模式多年來始終如一，並積極投入檔案資料的素材與理論的研究，團隊成員亦常於世界各地發表演講或舉辦工作坊。
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<a href="https://pad.ma" class="font-family-wrong"><strong>Pad.ma</strong></a> 公眾存取數位媒體檔案庫（Public Access Digital Media Archive ，簡稱Pad.ma）是一個為密集文字標注影片素材所設立的線上檔案庫。其營運團隊成員皆為藝術家，彙整內容主要為電影創作者、藝術家、文化工作者提供的影片資料帶和未完成的影片。2008年正式上線的Pad.ma為CAMP、0x2620、另類法律論壇、Majlis共同合作而成，而其激進、以未來為導向的思考模式多年來始終如一，並積極投入檔案資料的素材與理論的研究，團隊成員亦常於世界各地發表演講或舉辦工作坊。
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</p>
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<p><strong>CAMP</strong>為2007年成立於孟買的合作型工作室。其創作一向與技術維持近距親身的接觸，和不排斥不疏離的關係，並秉持此一精神與作法，不斷推出電影及錄像、電子媒體、公共藝術等類型的全新作品。他們以設址於孟買的總部為據點，執行線上資料庫Pad.ma和Indiancine.ma的聯合運作，其於14年前開辦的屋頂電影院至今依舊照常營運。</p>
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<p><a href="https://studio.camp"><strong>CAMP</strong></a>為2007年成立於孟買的合作型工作室。其創作一向與技術維持近距親身的接觸，和不排斥不疏離的關係，並秉持此一精神與作法，不斷推出電影及錄像、電子媒體、公共藝術等類型的全新作品。他們以設址於孟買的總部為據點，執行線上資料庫Pad.ma和Indiancine.ma的聯合運作，其於14年前開辦的屋頂電影院至今依舊照常營運。</p>
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<p><strong>0x2620</strong> 2010年成立於柏林，是一個為促進國際資訊交流而建立的藝術家營運機構，擅長處理藝術、政治、技術之間所產生的交集與碰撞塊。活動包括在智慧財產與盜版、開放源軟體工具及網路應用程式的開發、合作性創作、相對巨量數據集的維護及使用等多方面的研究。</p>
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<p><a href="https://0x2620.org"><strong>0x2620</strong></a> 2010年成立於柏林，是一個為促進國際資訊交流而建立的藝術家營運機構，擅長處理藝術、政治、技術之間所產生的交集與碰撞塊。活動包括在智慧財產與盜版、開放源軟體工具及網路應用程式的開發、合作性創作、相對巨量數據集的維護及使用等多方面的研究。</p>
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<br>
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</div>
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<p>Project "Phantas.ma/polis" is organized by National Taiwan Museum of Fine Arts, supervised by the Ministry of Culture, and is co-organized by the Cultural Taiwan Foundation and in partnership with SEA Plateau.</p>
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<p>Project "<a href="/polis">Phantas.ma/polis</a>" is organized by National Taiwan Museum of Fine Arts, supervised by the Ministry of Culture, and is co-organized by the Cultural Taiwan Foundation and in partnership with SEA Plateau.</p>
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<p>本計畫由國立臺灣美術館策劃，文化部指導、財團法人文化臺灣基金會支持、SEA plateaus協力。</p>
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