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increase line height of chinese text

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imohkay 2021-10-27 20:39:17 +05:30
parent cf1bcbdda8
commit 9ffb421ba3
2 changed files with 11 additions and 13 deletions
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11
app/static/css/partials/_about.scss
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@ -50,13 +50,9 @@
}
}
//.about-phantasma-block {
//@media screen and (min-width: 800px) {
//background: rgba(255, 255, 255, 0.04);
//padding: var(--spacing-2);
//}
//}
.about-phantasma-block--zh, .col--bios-zh {
line-height: 1.3;
}
.accordion-checkbox {
position: absolute;
@ -69,6 +65,7 @@
}
.accordion-title {
font-weight: 700;
margin: var(--spacing-2) 0;
padding: 0 0 calc(var(--spacing) / 2) 0;
cursor: pointer;

13
app/templates/about.html
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@ -25,7 +25,7 @@
</div>
</div>
<div class="col col--about">
<div class="about-phantasma-block">
<div class="about-phantasma-block about-phantasma-block--zh">
<p><a href="/polis">Phantas.ma/polis</a> 為本屆亞洲藝術雙年展的錄像藝術單元「回望未來」（Looking Back to the Future）的專屬網站，其時基注釋、時間軸、剪輯等特色，於線上呈現參展藝術家的錄像作品，並搭配策展人、藝術家、藝評家的深度評論和活潑精彩的每日節目規畫。雙年展期間，<a href="/polis">Phantas.ma/polis</a> 將會持續演化，藉由將展出作品在形式上和詮釋面上的重新組合，讓作品間產生對話。</p>
<p>展覽標題「Phantasmapolis」一詞是新造的希臘字，分別由「Phantasma」（幻影、魅影）及「Polis」（城邦）所組構而成。「Phantasmapolis」一詞的靈感來自於建築家王大閎所撰寫的英文科幻小說《Phantasmagoria》（中譯《幻城》）。2021亞洲藝術雙年展「未至之城」嘗試以「亞洲未來主義」作為主軸，透過科幻文學視角重新省視亞洲的過去與當下。</p>
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<p><strong>Anushka Rajendran</strong> is a curator and art writer based in New Delhi. She is the curator for the Prameya Art Foundation (PRAF), a non-profit arts organization based in New Delhi committed to approaches that enable audience-thinking for contemporary art in India. She is also the Festival Curator of the 2021 edition of Colomboscope and was assistant curator for Kochi-Muziris Biennale 2018. As a research scholar, Anushka is completing her PhD in Visual Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. Her research traces how the notion of ‘public’ has acquired alternative significance to contemporary Indian art. Her previous MPhil research focused on the adoption of installation art by artists in India in the early 1990s to address collective and personal trauma. For her curatorial practice, she has been awarded fellowships that supported residencies with Fundación Sandretto Re Rebaudengo Madrid; Aomori Contemporary Art Center, Aomori, Japan; the International Studio & Curatorial Program (ISCP), New York (by Inlaks Shivdasani Foundation); and Theertha International Artists’ Collective, Colombo.</p>
</div>
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<div class="col col--bios col--bios-zh">
<p><strong>安努舒卡．拉堅德蘭</strong>，現居於新德里的獨立策展人、藝術評論者。曾為2018年柯欽雙年展（Kochi Biennale）之助理策展人，同時也是現任普拉美亞藝術基金會（Prameya Art Foundation） 策展人，這是個非營利的藝術組織，致力作為印度當代藝術與觀眾之橋樑。Anushka現正於印度新德里國立尼赫魯大學（Jawaharlal Nehru University）研讀視覺研究博士學位，她的研究領域包括：追溯2004年迄今當代印度藝術中公共意義的轉變，以及1990年代初期印度藝術家如何透過繪畫、雕塑回應個人及集體的創傷。安努舒卡曾於日本青森當代藝術中心、紐約國際工作室策展計畫（簡稱ISCP）及哥倫波等地駐村。2021年將擔任斯里蘭卡哥倫坡三年展（Colomboscope）之共同策展人。</p>
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</div>
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<p><a href="https://studio.camp"><strong>CAMP</strong></a> is a collaborative studio founded in Bombay in 2007. It has been producing fundamental new work in film and video, electronic media, and public art forms, in a practice characterised by a hand-dirtying, non-alienated relation to technology. From their home base in Mumbai, they co-host the online archives <a href="https://pad.ma">Pad.ma</a> and <a href="https://indiancine.ma">indiancine.ma</a> and run a rooftop cinema for the past 14 years.</p>
<p>Founded in 2010 in Berlin, <a href="https://0x2620.org"><strong>0x2620</strong></a> is an artist-run agency for the advancement of the international exchange of information, and usually operates at the intersections of art, politics and technology. Its activities include extensive research on intellectual property and piracy, the development of open-source software tools and web applications, and the production of both technological and social infrastructure for the collaborative creation, maintenance and use of relatively large data sets.</p> </div>
<div class="col col--bios">
<p>Founded in 2010 in Berlin, <a href="https://0x2620.org"><strong>0x2620</strong></a> is an artist-run agency for the advancement of the international exchange of information, and usually operates at the intersections of art, politics and technology. Its activities include extensive research on intellectual property and piracy, the development of open-source software tools and web applications, and the production of both technological and social infrastructure for the collaborative creation, maintenance and use of relatively large data sets.</p>
</div>
<div class="col col--bios col--bios-zh">
<p><a href="https://pad.ma"><strong>Pad.ma</strong></a> 公眾存取數位媒體檔案庫（Public Access Digital Media Archive ，簡稱Pad.ma）是一個為密集文字標注影片素材所設立的線上檔案庫。其營運團隊成員皆為藝術家，彙整內容主要為電影創作者、藝術家、文化工作者提供的影片資料帶和未完成的影片。2008年正式上線的Pad.ma為CAMP、0x2620、另類法律論壇、Majlis共同合作而成。Pad.ma（與其他相關計畫）激進、以未來為導向的思考模式多年來始終如一，並積極投入數位檔案的素材與理論的研究。
</p>
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<p><strong>Yang Yu-Chiao</strong> is a researcher on oral literature, narratology and folktale poetics, and is also a narrator of Taiwanese folktales in the oral tradition. Yu-Chiao also created several performances drawing from storytelling, poetry, writing actions, and experimental sounds with artists working with different media including digital, film, and classical music since 2017. Yu-Chiao has published several works including a series of tales that demonstrate characters in oracle bone script.</p>
<p><strong>Chen Wan-Yin</strong> is an art critic and a writer. She is currently a Ph.D. researcher on media aesthetics and East Asian contemporary art at Vrije Universiteit Amsterdam. She previously worked as an editor of Artist Magazine (Taipei) from 2014 to 2017 and since 2015, she has also been working as a scriptwriter with video artist Hsu Che-Yu.</p>
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<p><strong>楊雨樵</strong>，喜歡散步，喜歡樹的屍骨。專職為口頭傳統民間譚的言說藝術表演者與獨立撰稿人，並從事口傳文學、戲劇與電影的敘事學、故事詩學與比較故事學研究。除開設「世界民間譚」展演式講座外，2017 年開始以言說藝術表演者身份，和聲音、影像領域的藝術家合作，發展如《聲熔質變——Anamorphosis & Anatexis》的實驗性系列演出至今。出版過數本以甲骨文為對象的文學創作，其他文章散見於紙本刊物與網路平台。</p>
<p><strong>陳琬尹</strong>，現為阿姆斯特丹自由大學藝術史與文化學系博士生，研究關注東亞現當代藝術史與媒介美學，曾任多年藝術雜誌編輯。</p>
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<div class="col col--bios">
<p>Nobuo Takamori, Ho Yu-Kuan, Ye Renyu and Liao Chia-Cheng, Karen Menezes.</p>
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<p>高森信男、侯昱寬、葉人瑜與廖嘉誠、Karen Menezes</p>
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