0x2620/phantasma
2
0
Fork 0
Code Issues Pull requests Projects Releases Wiki Activity

program->programme

Browse source
This commit is contained in:
j 2021-10-27 14:26:41 +01:00
parent 3f642bb591
commit 337e90fa04
3 changed files with 4 additions and 4 deletions
Show stats Download patch file Download diff file Expand all files Collapse all files

4
app/templates/about.html
View file

@ -3,7 +3,7 @@
{% block body_class%}body--about animated animated-text{% endblock %} {% block body_class%}body--about animated animated-text{% endblock %}
{% block main %} {% block main %}
<div class="about"> <div class="about">
<h1 class="font-bold">The video art program of the Asian Art Biennial.</h1> <h1 class="font-bold">The video art programme of the Asian Art Biennial.</h1>
<h1 class="font-bold">亞洲藝術雙年展錄像計畫</h1> <h1 class="font-bold">亞洲藝術雙年展錄像計畫</h1>
<div>Curated by Anushka Rajendran</div> <div>Curated by Anushka Rajendran</div>
<p>策展人 安努舒卡．拉堅德蘭</p> <p>策展人 安努舒卡．拉堅德蘭</p>
@ -16,7 +16,7 @@
<p>The 8 edition of the Asian Art Biennial hosted by the National Taiwan Museum of Fine Arts (NTMoFA) invites Independent curator <strong>Nobuo Takamori</strong> (Taiwan) as the chief curator with a transnational curatorial team that also includes curators <strong>Tessa Maria Guazon</strong> (Philippines), <strong>Anushka Rajendran</strong> (India), <strong>Ho Yu-Kuan</strong> (Taiwan), and curator and art historian <strong>Thanavi Chotpradit</strong> (Thailand).</p> <p>The 8 edition of the Asian Art Biennial hosted by the National Taiwan Museum of Fine Arts (NTMoFA) invites Independent curator <strong>Nobuo Takamori</strong> (Taiwan) as the chief curator with a transnational curatorial team that also includes curators <strong>Tessa Maria Guazon</strong> (Philippines), <strong>Anushka Rajendran</strong> (India), <strong>Ho Yu-Kuan</strong> (Taiwan), and curator and art historian <strong>Thanavi Chotpradit</strong> (Thailand).</p>
<p><a href="/polis">Phantas.ma/polis</a>, is the new location for the video art program of the biennial, “Looking Back to the Future”. Using the time-based annotation, timeline views and edit features of <a href="https://pad.ma">Pad.ma</a>, <a href="/polis">Phantas.ma/polis</a> showcases the participating artists’ videos along with extended commentaries by the curator, artists and critics. Over the duration of the biennial, <p><a href="/polis">Phantas.ma/polis</a>, is the new location for the video art programme of the biennial, “Looking Back to the Future”. Using the time-based annotation, timeline views and edit features of <a href="https://pad.ma">Pad.ma</a>, <a href="/polis">Phantas.ma/polis</a> showcases the participating artists’ videos along with extended commentaries by the curator, artists and critics. Over the duration of the biennial,
<a href="/polis">Phantas.ma/polis</a> will evolve to bring the artworks in conversation with each other through both formal and interpretative recombinations of the featured works.</p> <a href="/polis">Phantas.ma/polis</a> will evolve to bring the artworks in conversation with each other through both formal and interpretative recombinations of the featured works.</p>
<p>Curated by Anushka Rajendran, “Phantasmapolis: Looking back to the future” considers alterities and futurisms whose traces endure in our present—often inherited from the past—that were denied existence, or threatened by various dominant apparatuses of power. A series of moving image works articulate their concerns in the grammatical premise determined by the future-past tense, excavating the cyclical nature of time and latencies residing in the interstices of time as experienced in the contemporary.</p> <p>Curated by Anushka Rajendran, “Phantasmapolis: Looking back to the future” considers alterities and futurisms whose traces endure in our present—often inherited from the past—that were denied existence, or threatened by various dominant apparatuses of power. A series of moving image works articulate their concerns in the grammatical premise determined by the future-past tense, excavating the cyclical nature of time and latencies residing in the interstices of time as experienced in the contemporary.</p>

2
app/templates/index-alt.html
View file

@ -113,7 +113,7 @@
<h1 class="h1-zh-home rainbow rainbow_text_animated">未至之城</h1> <h1 class="h1-zh-home rainbow rainbow_text_animated">未至之城</h1>
<p>回望未來</p> <p>回望未來</p>
<div class="font-bold">Video art program</div> <div class="font-bold">Video art programme</div>
<p2>2021 Asian Art Biennale</p> <p2>2021 Asian Art Biennale</p>
<div class="font-bold">錄像計畫</div> <div class="font-bold">錄像計畫</div>

2
app/templates/index.html
View file

@ -8,7 +8,7 @@
<h1 class="h1-zh-home">未至之城</h1> <h1 class="h1-zh-home">未至之城</h1>
<p>回望未來<p> <p>回望未來<p>
<div class="font-bold">Video art program 錄像計畫</div> <div class="font-bold">Video art programme 錄像計畫</div>
<p class="margin-reset">Asian Art Biennale 2021</p> <p class="margin-reset">Asian Art Biennale 2021</p>
<p>2021亞洲藝術雙年展</p> <p>2021亞洲藝術雙年展</p>
<p class="font-size-sm">2021.10.30 - 2022.3.6<p> <p class="font-size-sm">2021.10.30 - 2022.3.6<p>