add video timeline player and demo

This commit is contained in:
rlx 2012-03-14 10:35:46 +00:00
parent 3551e73249
commit 8521eb36ba
5 changed files with 1347 additions and 14 deletions

View file

@ -0,0 +1,11 @@
<!DOCTYPE html>
<html>
<head>
<title>OxJS Video Timeline Player Demo</title
<meta http-equiv="Content-Type" content="text/html; charset=utf-8"/>
<script type="text/javascript" src="../../dev/Ox.js"></script>
<script type="text/javascript" src="js/demo.js"></script>
</head>
<body>
</body>
</html>

View file

@ -0,0 +1,77 @@
Ox.load('UI', function() {
Ox.Theme('modern');
var $innerPanel = Ox.SplitPanel({
elements: [
{
element: Ox.Element(),
resizable: true,
resize: [64, 128, 192],
size: 64
},
{
element: Ox.Element()
}
],
orientation: 'vertical'
}),
$outerPanel = Ox.SplitPanel({
elements: [
{
element: Ox.Element(),
resizable: true,
resize: [128, 256, 384],
size: 128
},
{
element: $innerPanel
}
],
orientation: 'horizontal'
}).appendTo(Ox.$body);
Ox.get('srt/0097514.srt', function(srt) {
var $videoTimelinePlayer = Ox.VideoTimelinePlayer({
duration: 3029.96,
getFrameURL: function(position) {
return 'http://0xdb.org/0097514/64p' + position + '.jpg'
},
getImageURL: function(i) {
return 'http://0xdb.org/0097514/timeline64p' + i + '.png'
},
height: window.innerHeight - 65,
paused: true,
position: 1000,
subtitles: Ox.parseSRT(srt),
timelineURL: 'http://0xdb.org/0097514/timeline16p.png',
videoRatio: 1.291667,
videoURL: 'http://0xdb.org/0097514/96p.webm',
width: window.innerWidth - 129
})
.bindEvent({
resizeend: function(data) {
Ox.print('RESIZE', data.size)
$videoTimelinePlayer.options({
height: data.size
});
}
});
$innerPanel
.replaceElement(1, $videoTimelinePlayer)
.bindEvent({
resize: function(data) {
Ox.print('RESIZE', data.size)
$videoTimelinePlayer.options({
width: data.size
});
}
});
$videoTimelinePlayer.gainFocus();
});
});

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@ -0,0 +1,710 @@
1
00:00:00,680 --> 00:00:04,389
Change nothing
so that everything is different.
2
00:00:24,560 --> 00:00:27,120
Don't show every side of things.
3
00:00:27,680 --> 00:00:30,672
Allow yourself
a margin of indefiniteness.
4
00:05:11,960 --> 00:05:16,272
Histories of cinema,
in the plural.
5
00:05:27,000 --> 00:05:29,719
All the stories
6
00:05:30,680 --> 00:05:33,240
that will be
7
00:05:34,560 --> 00:05:36,118
that have been.
8
00:09:06,760 --> 00:09:10,878
To tell the story of the last tycoon
9
00:09:12,480 --> 00:09:13,754
Irving Thalberg.
10
00:09:17,000 --> 00:09:21,835
A TV executive has, at most,
200 films a year in his head.
11
00:09:23,160 --> 00:09:25,799
Thalberg was the only person who,
12
00:09:26,000 --> 00:09:28,958
every day, had 52 films in his head.
13
00:10:50,440 --> 00:10:51,839
The foundation.
14
00:10:52,880 --> 00:10:54,598
The founding father.
15
00:11:02,720 --> 00:11:04,119
The only son.
16
00:11:10,200 --> 00:11:12,839
This story had to pass by this:
17
00:11:14,960 --> 00:11:17,872
A young body,
fragile and beautiful,
18
00:11:29,160 --> 00:11:31,674
as described
F. Scott Fitzgerald -
19
00:11:32,000 --> 00:11:35,072
so that this could exist:
20
00:11:38,160 --> 00:11:39,752
The power of Hollywood.
21
00:13:22,800 --> 00:13:25,075
The power of Babylon.
22
00:13:38,480 --> 00:13:39,879
A dream factory.
23
00:13:43,320 --> 00:13:45,231
History of cinema.
24
00:13:48,080 --> 00:13:51,470
Newness of history.
History of news.
25
00:15:59,920 --> 00:16:03,799
What has gone through cinema
and is still marked by it
26
00:16:04,000 --> 00:16:06,150
can no longer enter anywhere else.
27
00:16:10,240 --> 00:16:12,196
A dream factory.
28
00:16:22,800 --> 00:16:27,112
Communism wore itself out
trying to dream up such factories.
29
00:17:46,520 --> 00:17:50,638
Married to one of
the prettiest women alive.
30
00:18:07,440 --> 00:18:10,034
Or to tell the story of Howard Hughes.
31
00:18:35,720 --> 00:18:37,517
Braver than Mermoz,
32
00:18:38,200 --> 00:18:39,792
richer than Rockefeller.
33
00:19:13,400 --> 00:19:16,790
<i>Producer of Citizen Kane,
president of TWA.</i>
34
00:19:17,800 --> 00:19:21,270
As if Meliès ran Gallimard
and the SNCF.
35
00:19:55,680 --> 00:19:57,398
And before Hughes Aircraft
36
00:19:57,600 --> 00:20:02,116
began fishing up CIA submarines
from the bottom of the Pacific,
37
00:20:07,800 --> 00:20:11,793
he forced RKO starlets
to go on weekly limousine rides
38
00:20:16,560 --> 00:20:18,039
at one mile an hour
39
00:20:22,640 --> 00:20:26,110
so their breasts
wouldn't bounce up and down.
40
00:20:35,640 --> 00:20:38,598
His death, worse than anything
41
00:20:38,800 --> 00:20:41,519
Defoe had imagined for Robinson.
42
00:23:06,840 --> 00:23:11,277
To tell the stories
of all the films never made...
43
00:24:08,240 --> 00:24:12,791
To tell the stories
of all the films never made...
44
00:25:52,200 --> 00:25:55,875
To tell the stories
of all the films never made,
45
00:26:02,360 --> 00:26:04,271
rather than those that were.
46
00:26:11,800 --> 00:26:14,268
Those that were
can be seen on TV.
47
00:26:14,480 --> 00:26:16,675
Let's not exaggerate:
48
00:26:16,880 --> 00:26:19,997
They're not even
copies of reproductions.
49
00:27:19,800 --> 00:27:23,679
<i>1940. Geneva.
L'Ecole des femmes. Max Ophuls.</i>
50
00:27:55,080 --> 00:27:57,719
He fell on Madeleine Ozeray's ass,
51
00:27:57,920 --> 00:28:01,799
while the Germans were taking
the French from behind
52
00:28:04,920 --> 00:28:07,718
and while Louis Jouvet was giving up.
53
00:29:28,280 --> 00:29:31,078
Theater is something
too much known.
54
00:29:32,200 --> 00:29:34,839
The cinématographe, too unknown...
55
00:29:35,720 --> 00:29:36,675
up to now.
56
00:31:29,680 --> 00:31:33,514
History of cinema
newness of history.
57
00:31:33,720 --> 00:31:35,438
History of news.
58
00:31:37,160 --> 00:31:40,914
Histories of cinema, with "s".
59
00:31:41,520 --> 00:31:43,033
With SS.
60
00:32:21,160 --> 00:32:23,310
1939, 1940, 1941...
61
00:32:23,720 --> 00:32:25,472
Betrayal by radio,
62
00:32:26,200 --> 00:32:27,872
but cinema keeps its word.
63
00:32:37,160 --> 00:32:41,358
Because from Siegfried and M
to the dictator and Lubitsch,
64
00:32:42,520 --> 00:32:43,873
films were made.
65
00:32:48,960 --> 00:32:50,393
1940, 1941.
66
00:32:51,240 --> 00:32:55,552
Even scratched to death,
a simple 35-millimeter rectangle
67
00:32:56,080 --> 00:32:58,640
saves the honor of reality.
68
00:33:00,160 --> 00:33:01,991
1941, 1942.
69
00:33:02,480 --> 00:33:05,517
If poor images still strike
70
00:33:05,920 --> 00:33:09,276
without anger or hatred,
like a butcher,
71
00:33:10,280 --> 00:33:12,874
it is because cinema is there:
Silent film,
72
00:33:13,080 --> 00:33:16,959
with its humble and formidable
power of transfiguration.
73
00:33:19,080 --> 00:33:21,674
1942, 1943, 1944.
74
00:33:23,040 --> 00:33:24,758
That which plunges into the night
75
00:33:24,960 --> 00:33:27,793
is the echo of what silence submerges.
76
00:33:29,960 --> 00:33:31,871
What silence submerges
77
00:33:35,240 --> 00:33:38,915
sustains in light
that which plunges into the night.
78
00:35:43,160 --> 00:35:44,991
Images and sounds,
79
00:35:54,320 --> 00:35:56,993
like travelers whose paths cross
80
00:35:57,200 --> 00:35:59,156
and who can no longer part ways.
81
00:36:35,240 --> 00:36:37,993
To prove it, the masses like myths.
82
00:36:38,200 --> 00:36:40,236
Cinema speaks to the masses.
83
00:36:41,400 --> 00:36:43,709
But if the myth begins with Fantomas,
84
00:36:43,920 --> 00:36:45,512
it ends with Christ.
85
00:36:46,520 --> 00:36:49,751
What did those who listened
to St. Bernard hear?
86
00:36:49,960 --> 00:36:51,996
Not what he was saying?
87
00:36:52,200 --> 00:36:54,270
Maybe. Probably.
88
00:36:55,920 --> 00:36:58,559
How can we neglect what we learn
89
00:36:58,760 --> 00:37:02,548
when that unknown voice
plunges deep into our hearts?
90
00:37:35,480 --> 00:37:37,914
What the news can teach us:
91
00:37:38,840 --> 00:37:41,673
The birth of a nation,
of hope,
92
00:37:48,760 --> 00:37:50,352
of Rome, Open City.
93
00:37:50,560 --> 00:37:53,870
The cinématographe
never meant to create an event,
94
00:37:54,080 --> 00:37:55,274
but a vision.
95
00:38:10,680 --> 00:38:12,272
Because the screen
96
00:38:12,480 --> 00:38:13,959
is the same white canvas
97
00:38:14,160 --> 00:38:16,151
as the Samaritan's shirt.
98
00:38:24,440 --> 00:38:28,149
What Arnold and Richter's
cameras preserve,
99
00:38:28,840 --> 00:38:32,515
so as not to be outdone
by nightmares and dreams,
100
00:38:33,080 --> 00:38:37,392
will not be shown on a screen,
but on a shroud.
101
00:38:44,800 --> 00:38:47,109
If the deaths of Puig and the Négus,
102
00:38:47,320 --> 00:38:49,311
of Captain Boïeldieu,
103
00:38:49,760 --> 00:38:52,479
and of the little bunny
were inaudible,
104
00:38:53,280 --> 00:38:56,955
it is because life never rendered
what it stole from film.
105
00:38:58,360 --> 00:39:02,069
Forgetting extermination
is part of extermination.
106
00:39:35,400 --> 00:39:36,879
Histories of cinema,
107
00:39:37,680 --> 00:39:39,910
stories without speech,
108
00:39:40,560 --> 00:39:42,710
stories of the night.
109
00:40:12,040 --> 00:40:14,474
For nearly 50 years, in the dark,
110
00:40:14,680 --> 00:40:19,151
moviegoers burn imagination
to heat up reality.
111
00:40:19,760 --> 00:40:21,830
Now reality is seeking revenge.
112
00:40:22,040 --> 00:40:24,873
It wants real tears, real blood.
113
00:40:32,480 --> 00:40:33,674
From Vienna to Madrid,
114
00:40:33,880 --> 00:40:35,108
from Siodmak to Capra,
115
00:40:35,320 --> 00:40:37,675
from Paris
to Los Angeles and Moscow,
116
00:40:37,880 --> 00:40:40,189
from Renoir
to Malraux and Dovjenko -
117
00:40:40,400 --> 00:40:44,757
great fiction directors
couldn't control the vengeance
118
00:40:45,520 --> 00:40:48,159
which they had directed over and over.
119
00:42:05,120 --> 00:42:07,076
The poor cinema of news
120
00:42:07,280 --> 00:42:10,431
must clear the blood and tears
of all suspicion
121
00:42:10,640 --> 00:42:13,359
as streets are cleaned too late,
122
00:42:13,880 --> 00:42:16,519
after the army
has fired at the masses.
123
00:42:34,320 --> 00:42:35,673
What there is of cinema
124
00:42:35,880 --> 00:42:38,678
in wartime newsreels
says nothing.
125
00:42:38,880 --> 00:42:40,393
It does not judge.
126
00:42:53,520 --> 00:42:55,351
No close-ups.
127
00:42:55,560 --> 00:42:57,437
Suffering is not a star.
128
00:43:02,080 --> 00:43:06,392
Nor is the burned-down church
or the bombed-out countryside.
129
00:44:02,600 --> 00:44:06,388
The spirits of Flaherty and Epstein
took over.
130
00:44:06,600 --> 00:44:10,878
Daumier and Rembrandt,
with his terrifying black and white.
131
00:44:52,600 --> 00:44:54,033
A few pans,
132
00:44:54,240 --> 00:44:59,075
an occasional high angle, for a mother
mourning her murdered child.
133
00:45:45,400 --> 00:45:48,153
It is because this time alone
134
00:45:48,840 --> 00:45:53,197
the only veritable popular art form
rejoins painting,
135
00:45:53,400 --> 00:45:55,118
that is: Art.
136
00:45:55,320 --> 00:45:58,392
That is: What is reborn
from what was burned.
137
00:46:26,640 --> 00:46:30,474
We've forgotten that village,
its white walls and olive trees,
138
00:46:30,680 --> 00:46:32,432
but we remember Picasso,
139
00:46:32,920 --> 00:46:34,558
that is: Guernica.
140
00:46:44,120 --> 00:46:48,511
We've forgotten Valentin Feldman,
killed in '43,
141
00:46:49,320 --> 00:46:52,437
but we remember
at least one other prisoner,
142
00:46:52,640 --> 00:46:54,119
that is: Goya.
143
00:46:55,160 --> 00:46:59,915
And if George Stevens hadn't used
the first 16-mm color film
144
00:47:00,280 --> 00:47:02,396
in Auschwitz and Ravensbruck,
145
00:47:04,040 --> 00:47:08,192
Elizabeth Taylor would never
have found a place in the sun.
146
00:47:18,920 --> 00:47:20,638
1939, 1944.
147
00:47:21,760 --> 00:47:24,832
Martyrdom and resurrection
of the documentary.
148
00:47:28,600 --> 00:47:32,673
How marvelous to be able to look at
what we cannot see.
149
00:47:33,040 --> 00:47:35,918
What a miracle for our blind eyes.
150
00:47:41,600 --> 00:47:42,749
Besides that,
151
00:47:42,960 --> 00:47:44,552
cinema is an industry.
152
00:47:45,000 --> 00:47:47,560
And if World War I allowed
153
00:47:47,760 --> 00:47:50,228
American cinema
to ruin French cinema,
154
00:47:50,680 --> 00:47:52,352
with the advent of television,
155
00:47:52,560 --> 00:47:54,437
World War II allowed it to finance,
156
00:47:55,120 --> 00:47:57,395
that is, to ruin, European cinema.
157
00:48:15,200 --> 00:48:17,634
"Do you have two hands?"
Asks the blind man.
158
00:48:28,320 --> 00:48:31,232
But looking won't reassure me.
159
00:48:31,960 --> 00:48:35,430
Why trust my eyes, if I have doubts?
160
00:48:36,120 --> 00:48:38,793
Why check my eyes
161
00:48:39,000 --> 00:48:41,355
to see whether I see my hands?
162
00:49:56,880 --> 00:49:58,518
Help!

View file

@ -40,10 +40,11 @@ Ox.BlockVideoTimeline = function(options, self) {
self.$interfaces = [];
self.$lines = [];
self.$tooltip = Ox.Tooltip({
animate: false
}).css({
textAlign: 'center'
});
animate: false
})
.css({
textAlign: 'center'
});
self.height = 16;
self.lines = getLines();
self.margin = 8;
@ -93,7 +94,7 @@ Ox.BlockVideoTimeline = function(options, self) {
self.$lines[i] = $('<div>')
.css({
position: 'absolute',
left: (self.margin / 2) + 'px',
left: self.margin / 2 + 'px',
top: i * (self.height + self.margin) + 'px',
width: self.options.width + 'px',
height: '24px',
@ -103,7 +104,7 @@ Ox.BlockVideoTimeline = function(options, self) {
self.$images[i] = self.$image.clone()
.css({
position: 'absolute',
marginLeft: (-i * self.options.width) + 'px'
marginLeft: -i * self.options.width + 'px'
})
.appendTo(self.$lines[i]);
self.$interfaces[i] = $('<div>')
@ -113,7 +114,7 @@ Ox.BlockVideoTimeline = function(options, self) {
top: '2px',
width: Math.round(self.options.duration) + 'px',
height: '20px',
marginLeft: (-i * self.options.width) + 'px',
marginLeft: -i * self.options.width + 'px',
//background: 'rgba(255, 0, 0, 0.1)',
})
.appendTo(self.$lines[i]);
@ -141,7 +142,8 @@ Ox.BlockVideoTimeline = function(options, self) {
function getPosition(e) {
//FIXME: this might still be broken in opera according to http://acko.net/blog/mouse-handling-and-absolute-positions-in-javascript
return (e.offsetX ? e.offsetX : e.clientX - $(e.target).offset().left);
return e.offsetX ? e.offsetX
: e.clientX - $(e.target).offset().left;
}
function getSubtitle(position) {
@ -188,12 +190,13 @@ Ox.BlockVideoTimeline = function(options, self) {
position = getPosition(e);
subtitle = getSubtitle(position);
self.$tooltip.options({
title: subtitle ?
'<span class=\'OxBright\'>' +
Ox.highlight(subtitle.text, self.options.find, 'OxHighlight').replace(/\n/g, '<br/>') +
'</span><br/>' +
Ox.formatDuration(subtitle['in'], 3) + ' - ' + Ox.formatDuration(subtitle['out'], 3) :
Ox.formatDuration(position)
title: subtitle
? '<span class=\'OxBright\'>' +
Ox.highlight(subtitle.text, self.options.find, 'OxHighlight').replace(/\n/g, '<br/>') +
'</span><br/>' +
Ox.formatDuration(subtitle['in'], 3) + ' - '
+ Ox.formatDuration(subtitle['out'], 3)
: Ox.formatDuration(position)
})
.show(e.clientX, e.clientY);
} else {

View file

@ -0,0 +1,532 @@
// vim: et:ts=4:sw=4:sts=4:ft=javascript
'use strict';
Ox.VideoTimelinePlayer = function(options, self) {
self = self || {};
var that = Ox.Element({}, self)
.defaults({
cuts: [],
duration: 0,
find: '',
getFrameURL: null,
getImageURL: null,
height: 0,
'in': 0,
matches: [],
out: 0,
paused: false,
position: 0,
subtitles: [],
timelineURL: '',
videoRatio: 1,
width: 0
})
.options(options || {})
.addClass('OxVideoTimelinePlayer');
self.fps = 25;
self.frame = self.options.position * self.fps;
self.frames = self.options.duration * self.fps;
self.tileWidth = 1500;
self.tileHeight = 64;
self.margin = 8;
self.contentWidth = self.options.width - 2 * self.margin - Ox.UI.SCROLLBAR_SIZE;
self.contentHeight = self.options.height - 32;
self.tiles = Math.ceil(self.frames / self.tileWidth);
self.videoWidth = Math.round(self.tileHeight * self.options.videoRatio);
self.videoLines = getVideoLines();
self.lines = getLines();
self.$topBar = Ox.Bar({size: 16});
self.$content = Ox.Element()
.addClass('OxVideoTimelinePlayer')
.css({
overflow: 'hidden',
overflowY: 'scroll'
})
.bind({
mousedown: mousedown,
mouseleave: mouseleave,
mousemove: mousemove
})
.bindEvent({
mousedown: function() {
this.gainFocus();
},
key_down: function() {
self.options.position += self.contentWidth / self.fps;
setPosition();
},
key_enter: function() {
scrollToPosition();
},
key_left: function() {
self.options.position -= self.videoWidth / self.fps;
setPosition();
},
key_right: function() {
self.options.position += self.videoWidth / self.fps;
setPosition();
},
key_shift_left: function() {
self.options.position -= 1 / self.fps;
setPosition();
},
key_shift_right: function() {
self.options.position += 1 / self.fps;
setPosition();
},
key_space: togglePaused,
key_up: function() {
self.options.position -= self.contentWidth / self.fps;
setPosition();
}
});
self.$bottomBar = Ox.Bar({size: 16});
self.$playButton = Ox.Button({
style: 'symbol',
title: 'play',
type: 'image'
})
.css({
float: 'left'
})
.bindEvent({
click: togglePaused
})
.appendTo(self.$bottomBar);
self.$muteButton = Ox.Button({
style: 'symbol',
title: 'mute',
type: 'image'
})
.css({
float: 'left'
})
.bindEvent({
})
.appendTo(self.$bottomBar);
self.$smallTimeline = $('<div>')
.css({
float: 'left',
width: self.options.width - 80 + 'px',
height: '16px',
borderRadius: '8px',
background: 'rgb(0, 0, 0)'
})
.appendTo(self.$bottomBar);
self.$smallTimelineImage = $('<img>')
.attr({
src: self.options.timelineURL
})
.css({
width: self.options.width - 96 + 'px',
height: '16px',
margin: '0 8px 0 8px'
})
.appendTo(self.$smallTimeline);
self.$position = $('<div>')
.css({
float: 'left',
width: '40px',
height: '12px',
padding: '2px 4px 2px 4px',
fontSize: '9px'
})
.html(Ox.formatDuration(self.options.position))
.appendTo(self.$bottomBar);
self.$panel = Ox.SplitPanel({
elements: [
{
element: self.$topBar,
size: 16
},
{
element: self.$content
},
{
element: self.$bottomBar,
size: 16
}
],
orientation: 'vertical'
});
that.setElement(self.$panel);
self.$lines = [];
self.$timelines = [];
self.$interfaces = [];
self.$timeline = renderTimeline();
//setSubtitles();
Ox.loop(self.lines, function(i) {
addLine(i);
});
self.$frameBox = $('<div>')
.css({
position: 'absolute',
right: 0,
top: self.margin / 2 - 1 + 'px',
width: self.videoWidth + 'px',
height: self.tileHeight + 'px',
borderTop: '1px solid rgba(255, 255, 255, 0.5)',
borderBottom: '1px solid rgba(255, 255, 255, 0.5)',
background: 'rgb(0, 0, 0)'
})
.appendTo(self.$timelines[self.videoLines[1]][0]);
self.$frame = $('<img>')
.attr({
src: self.options.getFrameURL(self.options.position)
})
.css({
width: self.videoWidth + 'px',
height: self.tileHeight + 'px',
})
.appendTo(self.$frameBox)
$('<div>')
.addClass('OxFrameInterface')
.css({
position: 'absolute',
left: 0,
top: 0,
width: self.videoWidth + 'px',
height: self.tileHeight + 'px',
})
.appendTo(self.$frameBox);
self.$videoBox = $('<div>')
.css({
position: 'absolute',
right: 0,
top: self.margin / 2 - 1 + 'px',
width: self.videoWidth + 'px',
height: self.tileHeight + 'px',
borderTop: '1px solid rgba(255, 255, 255, 0.5)',
borderBottom: '1px solid rgba(255, 255, 255, 0.5)',
background: 'rgb(0, 0, 0)',
zIndex: 5
})
.appendTo(self.$timelines[self.videoLines[0]][0]);
self.$video = Ox.VideoPlayer({
duration: self.options.duration,
height: self.tileHeight,
paused: self.options.paused,
position: self.options.position,
scaleToFill: true,
video: self.options.videoURL,
width: self.videoWidth
})
.bindEvent({
ended: function() {
togglePaused(true);
},
playing: function(data) {
self.options.position = data.position;
setPosition(true);
}
})
.appendTo(self.$videoBox);
$('<div>')
.addClass('OxFrameInterface OxVideoInterface')
.css({
position: 'absolute',
left: 0,
top: 0,
width: self.videoWidth + 'px',
height: self.tileHeight + 'px',
})
.appendTo(self.$videoBox);
self.$tooltip = Ox.Tooltip({
animate: false
})
.css({
textAlign: 'center'
});
setTimeout(function() {
scrollToPosition();
});
function addLine(i) {
self.$lines[i] = $('<div>')
.css({
position: 'absolute',
left: self.margin + 'px',
top: self.margin / 2 + i * (self.tileHeight + self.margin) + 'px',
width: self.contentWidth + 'px',
height: self.tileHeight + self.margin + 'px',
overflowX: 'hidden'
})
.appendTo(self.$content);
self.$timelines[i] = [
self.$timeline.clone()
.css({
width: self.frame + self.videoWidth + 'px',
marginLeft: -i * self.contentWidth + 'px',
}),
self.$timeline.clone()
.css({
marginLeft: -i * self.contentWidth + self.videoWidth - 1 + 'px',
})
];
self.$lines[i]
.append(self.$timelines[i][1])
.append(self.$timelines[i][0]);
}
function getLines() {
return Math.ceil((self.frames - 1 + self.videoWidth) / self.contentWidth)
}
function getPosition(e) {
return (
e.offsetX ? e.offsetX
: e.clientX - $(e.target).offset().left
) / self.fps;
}
function getSubtitle(position) {
var subtitle = '';
Ox.forEach(self.options.subtitles, function(v) {
if (v['in'] <= position && v.out > position) {
subtitle = v;
return false;
}
});
return subtitle;
}
function getVideoLine() {
self.videoLine = Math.floor(getVideoFrame() / self.contentWidth);
}
function getVideoLines() {
var videoFrame = getVideoFrame(),
videoLeft = videoFrame % self.contentWidth,
lines = [];
lines[0] = Math.floor(videoFrame / self.contentWidth);
lines[1] = lines[0] + (
videoLeft + self.videoWidth > self.contentWidth ? 1 : 0
)
if (videoLeft + Math.floor(self.videoWidth / 2) > self.contentWidth) {
lines.reverse();
}
return lines;
}
function getVideoFrame() {
return Math.floor(self.options.position * self.fps);
}
function mousedown(e) {
var $target = $(e.target),
isTimeline = $target.is('.OxTimelineInterface'),
isVideo = $target.is('.OxFrameInterface');
if (isTimeline) {
self.options.position = getPosition(e);
setPosition();
if (!self.triggered) {
that.triggerEvent('position', {
position: self.options.position
});
self.triggered = true;
setTimeout(function() {
self.triggered = false;
}, 250);
}
} else if (isVideo) {
togglePaused();
}
}
function mouseleave() {
self.$tooltip.hide();
}
function mousemove(e) {
var $target = $(e.target),
isTimeline = $target.is('.OxTimelineInterface'),
isVideo = $target.is('.OxFrameInterface'),
position, subtitle;
if (isTimeline || isVideo) {
position = isTimeline ? getPosition(e) : self.options.position;
subtitle = getSubtitle(position);
self.$tooltip.options({
title: (
subtitle
? '<span class=\'OxBright\'>' +
Ox.highlight(subtitle.text, self.options.find, 'OxHighlight').replace(/\n/g, '<br/>') +
'</span><br/>'
: ''
) + Ox.formatDuration(position, 3)
})
.show(e.clientX, e.clientY);
} else {
self.$tooltip.hide();
}
}
function renderTimeline() {
var $timeline = $('<div>')
.css({
position: 'absolute',
width: self.frames + 'px',
height: self.tileHeight + self.margin + 'px',
overflow: 'hidden'
});
Ox.loop(self.tiles, function(i) {
$('<img>')
.attr({
src: self.options.getImageURL(i)
})
.css({
position: 'absolute',
left: i * self.tileWidth + 'px',
top: self.margin / 2 + 'px'
})
.appendTo($timeline);
});
$('<div>')
.addClass('OxTimelineInterface')
.css({
position: 'absolute',
left: 0,
top: self.margin / 2 + 'px',
width: self.frames + 'px',
height: self.tileHeight + 'px',
//background: 'rgba(255, 0, 0, 0.5)'
})
.appendTo($timeline);
return $timeline;
}
function scrollToPosition() {
var scrollTop = self.$content.scrollTop(),
videoTop = [
self.margin + Ox.min(self.videoLines) * (self.tileHeight + self.margin),
self.margin + Ox.max(self.videoLines) * (self.tileHeight + self.margin)
],
offset = self.contentHeight - self.tileHeight - self.margin;
if (videoTop[0] < scrollTop + self.margin) {
self.$content.scrollTop(videoTop[0] - self.margin);
} else if (videoTop[1] > scrollTop + offset) {
self.$content.scrollTop(videoTop[1] - offset);
}
}
function setPosition(fromVideo) {
var max, min, videoLines, isPlaying = !self.options.paused;
self.options.position = Ox.limit(self.options.position, 0, self.options.duration);
self.frame = Math.floor(self.options.position * self.fps);
videoLines = getVideoLines();
min = Ox.min(Ox.flatten([self.videoLines, videoLines]));
max = Ox.max(Ox.flatten([self.videoLines, videoLines]));
Ox.loop(min, max + 1, function(i) {
self.$timelines[i][0].css({
width: self.frame + self.videoWidth + 'px'
});
});
if (videoLines[1] != self.videoLines[1]) {
self.videoLines[1] = videoLines[1];
self.$frameBox.detach().appendTo(self.$timelines[videoLines[1]][0]);
}
if (videoLines[0] != self.videoLines[0]) {
self.videoLines[0] = videoLines[0];
isPlaying && self.$video.togglePaused();
self.$videoBox.detach().appendTo(self.$timelines[videoLines[0]][0]);
isPlaying && self.$video.togglePaused();
}
if (videoLines[0] != videoLines[1]) {
self.$frame.attr({
src: self.options.getFrameURL(
self.paused
? self.options.position
: Math.floor(self.options.position)
)
});
}
self.videoLines = videoLines;
if (!fromVideo) {
self.$video.options({position: self.options.position});
self.$frame.attr({
src: self.options.getFrameURL(self.options.position)
});
scrollToPosition();
}
self.$position.html(Ox.formatDuration(self.options.position))
}
function setSubtitles() {
self.$timeline.find('.OxSubtitle').remove();
self.$subtitles = [];
self.options.subtitles.forEach(function(subtitle, i) {
var found = self.options.find
&& subtitle.text.toLowerCase().indexOf(self.options.find.toLowerCase()) > -1;
self.$subtitles[i] = $('<div>')
.addClass('OxSubtitle' + (found ? ' OxHighlight' : ''))
.css({
position: 'absolute',
left: (subtitle['in'] * self.fps) + 'px',
width: (((subtitle.out - subtitle['in']) * self.fps) - 2) + 'px'
})
.html(Ox.highlight(subtitle.text, self.options.find, 'OxHighlight'))
.appendTo(self.$timeline);
});
}
function setWidth() {
self.contentWidth = self.options.width - 2 * self.margin - Ox.UI.SCROLLBAR_SIZE;
self.lines = getLines();
Ox.loop(self.lines, function(i) {
if (self.$lines[i]) {
self.$lines[i].css({
width: self.contentWidth + 'px'
});
self.$timelines[i][0].css({
marginLeft: -i * self.contentWidth + 'px'
});
self.$timelines[i][1].css({
marginLeft: -i * self.contentWidth + self.videoWidth + 'px'
});
} else {
addLine(i);
}
});
while (self.$lines.length > self.lines) {
self.$lines[self.$lines.length - 1].remove();
self.$lines.pop();
self.$timelines.pop();
}
}
function togglePaused(fromVideo) {
self.options.paused = !self.options.paused;
!fromVideo && self.$video.options({
paused: self.options.paused
});
self.$playButton.options({
title: !self.options.paused ? 'pause' : 'play'
});
}
self.setOption = function(key, value) {
if (key == 'width') {
setWidth();
}
};
return that;
};