3132 lines
49 KiB
Text
3132 lines
49 KiB
Text
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1
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00:00:55,926 --> 00:00:59,129
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Money is a common good.
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- Like water.
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2
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00:01:04,234 --> 00:01:05,235
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Exactly.
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3
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00:01:15,379 --> 00:01:17,515
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Algiers the White
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4
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00:01:19,383 --> 00:01:21,553
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As Mireille Balin
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gives up Pépé le Moko
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5
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00:01:34,499 --> 00:01:40,940
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And as we have, once
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again, given up Africa
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6
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00:01:52,084 --> 00:01:55,321
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Constance, there is nothing
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else you could have done.
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7
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00:01:57,089 --> 00:01:58,258
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It's well known that
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when one goes south
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8
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00:01:58,692 --> 00:02:00,527
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the latitude becomes negative
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9
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00:02:01,962 --> 00:02:04,565
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and all that remains is the North,
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precious soul, precious friend.
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10
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00:02:07,601 --> 00:02:09,069
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You still have the watch.
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11
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00:02:14,809 --> 00:02:17,612
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Done with the crimes and
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the blood. Done with Kigali.
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12
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00:02:18,345 --> 00:02:19,347
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Long live the holidays.
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13
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00:02:46,776 --> 00:02:49,679
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Uncle Mathias, why did you
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say this watch is worth gold?
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14
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00:02:50,847 --> 00:02:51,915
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It doesn't even show the time.
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15
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00:02:55,184 --> 00:02:56,185
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THINGS
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16
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00:03:14,137 --> 00:03:16,874
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Henri Déricourt...
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wait a second, yes I know.
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17
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00:03:21,713 --> 00:03:25,182
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But Richard Christmann...
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I don't know.
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18
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00:03:25,984 --> 00:03:30,154
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I know, the fire... but doesn't
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matter... it's him, it's him.
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19
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00:03:31,255 --> 00:03:35,260
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Alright... war is war, but
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a crime remains a crime.
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20
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00:03:36,728 --> 00:03:43,101
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Please keep looking for Alice.
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Two "M", only one "N".
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21
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00:04:32,320 --> 00:04:33,922
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We're far from Byzance, you know.
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22
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00:04:36,124 --> 00:04:39,194
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What lies ahead is an
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impossible history.
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23
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00:04:40,161 --> 00:04:41,930
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We're facing a kind of zero.
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24
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00:04:44,433 --> 00:04:45,968
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I have once encountered
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nothingness
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25
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00:04:46,735 --> 00:04:48,737
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and it is much more immense
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than one tends to believe.
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26
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00:04:49,739 --> 00:04:51,841
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Jaffa, 1948
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27
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00:04:55,377 --> 00:04:59,849
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you know that we are living
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in a material world
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28
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00:05:00,917 --> 00:05:04,888
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LIKE THAT
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29
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00:05:25,576 --> 00:05:29,580
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You're completely right,
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I don't love any nation.
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30
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00:05:31,616 --> 00:05:35,420
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Not the French, not the North
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Americans, not the Germans.
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31
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00:05:38,055 --> 00:05:40,826
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Not the Jewish nation,
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not the Black nation.
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32
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00:05:41,927 --> 00:05:42,995
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With their slanted eyes
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33
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00:05:43,061 --> 00:05:44,195
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I only love my friends.
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34
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00:05:44,596 --> 00:05:45,597
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Dollars
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35
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00:05:46,264 --> 00:05:47,265
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Cinémascope
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36
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00:05:50,502 --> 00:05:51,503
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16:9
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37
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00:06:19,366 --> 00:06:20,467
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Where did you
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steal this watch?
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38
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00:06:20,567 --> 00:06:21,869
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It's not your business.
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39
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00:06:22,202 --> 00:06:23,637
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Give it to me,
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or I will denounce you.
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40
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00:06:23,938 --> 00:06:25,372
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No, it is mine.
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41
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00:06:25,673 --> 00:06:29,042
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Oh, you speak German?
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You will be useful, my boy.
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42
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00:06:29,343 --> 00:06:31,011
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Yes, but... how much?
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43
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00:06:31,479 --> 00:06:35,082
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And you have studied, too.
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What a great find, this Ludovic.
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44
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00:06:35,182 --> 00:06:36,284
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Who told you my first name?
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45
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00:06:37,786 --> 00:06:38,787
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I know everything.
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46
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00:06:52,067 --> 00:06:55,003
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Mr. Obersturmbannführer Goldberg
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47
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00:06:56,472 --> 00:06:59,709
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what did you do in
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Avenue Foch, 1943?
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48
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00:07:00,476 --> 00:07:01,911
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Leave me alone, horrible kid.
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49
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00:07:19,329 --> 00:07:27,271
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All movement on a plain surface that
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is not driven by physical necessity
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50
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00:07:28,572 --> 00:07:31,843
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is a spatial affirmation of oneself
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51
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00:07:32,643 --> 00:07:36,981
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be it building an
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Empire, or tourism.
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52
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00:07:42,086 --> 00:07:43,955
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Everyone can do something
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so that there is no God.
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53
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00:07:45,390 --> 00:07:49,895
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But what has changed today
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is that the assholes are sincere.
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54
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00:08:10,249 --> 00:08:14,019
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A-L-I-S-S-A
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55
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00:08:20,727 --> 00:08:21,829
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Stop being suspicious
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of everything.
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56
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00:08:25,666 --> 00:08:27,033
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I'm thinking about what
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Ludovic has told us.
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57
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00:08:28,001 --> 00:08:29,603
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Alright... what, for example?
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58
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00:08:30,504 --> 00:08:31,639
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The old man with the young girl.
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59
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00:08:32,473 --> 00:08:33,808
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I have seen them
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speak to the Captain.
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60
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00:08:34,876 --> 00:08:36,343
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Alright... and so?
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61
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00:08:36,644 --> 00:08:40,181
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So, the name of the largest
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shareholder of the company
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62
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00:08:41,449 --> 00:08:42,450
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Goldberg
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63
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00:08:44,419 --> 00:08:45,520
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Mountain of Gold
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64
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00:08:46,087 --> 00:08:48,590
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Yes... it's the name
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of the old man.
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65
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00:08:50,124 --> 00:08:51,125
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Alright...
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66
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00:09:02,605 --> 00:09:05,507
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Abandon ship, abandon
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ship, abandon ship!
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67
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00:09:56,027 --> 00:09:58,897
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Quiet, Alissa, quiet!
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68
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00:10:00,031 --> 00:10:03,435
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Meow is how the ancient
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Egyptians called their cats.
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69
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00:10:04,570 --> 00:10:08,674
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You trouble me with
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each of your words.
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70
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00:10:23,490 --> 00:10:24,758
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Be silent, Alissa.
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71
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00:10:43,978 --> 00:10:47,448
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Waves of Allied bombers destroy
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the Third Reich under their bombs
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72
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00:10:49,851 --> 00:10:52,286
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The Luftwaffe tries to
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regain their advantage
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73
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00:10:52,387 --> 00:10:54,288
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by means of a terrifying
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new strategy.
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74
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00:10:56,691 --> 00:11:00,328
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The German pilots will crash their
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own planes into the enemy bombers.
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75
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00:11:03,999 --> 00:11:07,636
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Ach, Germany.
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76
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00:11:13,676 --> 00:11:16,879
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Did you know that
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kamikaze, in Japanese
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77
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00:11:17,747 --> 00:11:20,483
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means divinity of the wind?
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- Of course.
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78
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00:11:46,210 --> 00:11:53,584
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Major Kamenskaia. I am a friend of
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your godmother, Alexandra Irinivna.
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79
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00:11:54,318 --> 00:11:59,457
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Yes, exactly, the old
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chief of the Moscow Police.
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80
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00:12:00,024 --> 00:12:02,794
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I have read a number of books...
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81
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00:12:06,064 --> 00:12:08,901
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I have read a number of books
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on what she has written.
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82
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00:12:09,601 --> 00:12:12,805
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So... I think that we should talk.
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83
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00:13:00,455 --> 00:13:02,290
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And you think you
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will stay in Haifa?
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84
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00:13:06,728 --> 00:13:07,863
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I will see.
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85
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00:13:10,398 --> 00:13:16,004
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They say there's a right to return.
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For me it would be... to get away.
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86
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00:13:18,073 --> 00:13:20,376
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In Stanford, what are
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you studying, exactly?
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87
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00:13:21,610 --> 00:13:26,382
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I'm directing a seminar. Monetary
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creation and literary creation.
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88
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00:13:35,291 --> 00:13:41,364
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You see, still today, they're
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asking themselves, in Moscow...
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89
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00:13:45,602 --> 00:13:46,603
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35
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90
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00:13:50,441 --> 00:13:51,442
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36
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91
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00:13:54,378 --> 00:13:55,947
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The Spanish Civil War
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92
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00:14:01,051 --> 00:14:03,054
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The Republicans
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tell the Comintern
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93
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00:14:03,922 --> 00:14:06,858
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to evacuate the gold
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of the Bank of Spain.
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94
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|
00:14:10,428 --> 00:14:14,266
|
||
|
|
The France-Navigation
|
||
|
|
company, exactly.
|
||
|
|
|
||
|
|
95
|
||
|
|
00:14:15,601 --> 00:14:20,105
|
||
|
|
When they reach Odessa, one third,
|
||
|
|
one fourth has disappeared.
|
||
|
|
|
||
|
|
96
|
||
|
|
00:14:20,506 --> 00:14:22,408
|
||
|
|
And another third in Moscow.
|
||
|
|
|
||
|
|
97
|
||
|
|
00:14:25,444 --> 00:14:27,313
|
||
|
|
Regarding the first third,
|
||
|
|
I have my idea.
|
||
|
|
|
||
|
|
98
|
||
|
|
00:14:30,483 --> 00:14:32,218
|
||
|
|
For the last third
|
||
|
|
|
||
|
|
99
|
||
|
|
00:14:32,318 --> 00:14:37,557
|
||
|
|
you would have to dig deep
|
||
|
|
into the communist archives.
|
||
|
|
|
||
|
|
100
|
||
|
|
00:15:34,818 --> 00:15:38,722
|
||
|
|
Art... and the knife.
|
||
|
|
War. So it's...
|
||
|
|
|
||
|
|
101
|
||
|
|
00:16:39,552 --> 00:16:40,754
|
||
|
|
You want to hear my opinion?
|
||
|
|
|
||
|
|
102
|
||
|
|
00:16:42,221 --> 00:16:44,591
|
||
|
|
AIDS is just an instrument
|
||
|
|
to kill the black continent.
|
||
|
|
|
||
|
|
103
|
||
|
|
00:16:54,401 --> 00:16:58,305
|
||
|
|
Why is there light?
|
||
|
|
Because there is darkness.
|
||
|
|
|
||
|
|
104
|
||
|
|
00:17:09,417 --> 00:17:11,920
|
||
|
|
LIKE THAT
|
||
|
|
|
||
|
|
105
|
||
|
|
00:17:15,156 --> 00:17:16,157
|
||
|
|
Money was invented
|
||
|
|
|
||
|
|
106
|
||
|
|
00:17:16,224 --> 00:17:17,893
|
||
|
|
so that the people wouldn't have
|
||
|
|
to look each other in the eye.
|
||
|
|
|
||
|
|
107
|
||
|
|
00:17:27,469 --> 00:17:29,805
|
||
|
|
So, we're back to zero, my friend.
|
||
|
|
|
||
|
|
108
|
||
|
|
00:17:30,973 --> 00:17:32,775
|
||
|
|
Fortunately, the Arabs
|
||
|
|
have invented it.
|
||
|
|
|
||
|
|
109
|
||
|
|
00:17:34,376 --> 00:17:36,579
|
||
|
|
We don't even pay them
|
||
|
|
for their copyright.
|
||
|
|
|
||
|
|
110
|
||
|
|
00:17:40,449 --> 00:17:42,652
|
||
|
|
Negative numbers were
|
||
|
|
invented in India.
|
||
|
|
|
||
|
|
111
|
||
|
|
00:17:44,955 --> 00:17:49,726
|
||
|
|
They made some in Arabia,
|
||
|
|
before setting out for Italy.
|
||
|
|
|
||
|
|
112
|
||
|
|
00:17:50,827 --> 00:17:53,630
|
||
|
|
Fibonacci has used them first.
|
||
|
|
|
||
|
|
113
|
||
|
|
00:17:57,267 --> 00:17:59,469
|
||
|
|
When the British left Israel
|
||
|
|
|
||
|
|
114
|
||
|
|
00:17:59,536 --> 00:18:02,606
|
||
|
|
what exactly did you do with the
|
||
|
|
gold of the Bank of Palestine?
|
||
|
|
|
||
|
|
115
|
||
|
|
00:19:17,385 --> 00:19:20,889
|
||
|
|
THINGS LIKE THAT
|
||
|
|
|
||
|
|
116
|
||
|
|
00:19:23,491 --> 00:19:28,229
|
||
|
|
One always says that one can only
|
||
|
|
compare what is comparable.
|
||
|
|
|
||
|
|
117
|
||
|
|
00:19:29,932 --> 00:19:36,338
|
||
|
|
In fact, one can only compare what
|
||
|
|
is incomparable to the incomparable.
|
||
|
|
|
||
|
|
118
|
||
|
|
00:19:41,109 --> 00:19:42,478
|
||
|
|
It's over, all that.
|
||
|
|
|
||
|
|
119
|
||
|
|
00:19:52,589 --> 00:19:53,590
|
||
|
|
Stalin
|
||
|
|
|
||
|
|
120
|
||
|
|
00:19:55,158 --> 00:19:56,159
|
||
|
|
Hitler
|
||
|
|
|
||
|
|
121
|
||
|
|
00:19:59,062 --> 00:20:00,063
|
||
|
|
No.
|
||
|
|
|
||
|
|
122
|
||
|
|
00:20:02,399 --> 00:20:06,336
|
||
|
|
Your comedy is pointless.
|
||
|
|
Enough, stop.
|
||
|
|
|
||
|
|
123
|
||
|
|
00:20:12,142 --> 00:20:18,148
|
||
|
|
Me too, I have learned to
|
||
|
|
collaborate with the French.
|
||
|
|
|
||
|
|
124
|
||
|
|
00:20:21,786 --> 00:20:27,292
|
||
|
|
See, I will teach you something.
|
||
|
|
It's Napoleon.
|
||
|
|
|
||
|
|
125
|
||
|
|
00:20:29,761 --> 00:20:32,364
|
||
|
|
During the Fire of Moscow,
|
||
|
|
he signed the decree
|
||
|
|
|
||
|
|
126
|
||
|
|
00:20:32,464 --> 00:20:35,133
|
||
|
|
for the creation of
|
||
|
|
the Comédie-Française.
|
||
|
|
|
||
|
|
127
|
||
|
|
00:20:35,834 --> 00:20:38,036
|
||
|
|
I do not understand.
|
||
|
|
|
||
|
|
128
|
||
|
|
00:20:40,906 --> 00:20:42,875
|
||
|
|
I do not understand.
|
||
|
|
|
||
|
|
129
|
||
|
|
00:20:43,709 --> 00:20:47,112
|
||
|
|
To understand, Mr. Goldberg,
|
||
|
|
that is difficult.
|
||
|
|
|
||
|
|
130
|
||
|
|
00:20:50,717 --> 00:20:53,686
|
||
|
|
I don't care about the Spanish gold
|
||
|
|
that you have made disappear.
|
||
|
|
|
||
|
|
131
|
||
|
|
00:20:55,054 --> 00:20:56,890
|
||
|
|
I only have to find the rest.
|
||
|
|
|
||
|
|
132
|
||
|
|
00:20:59,225 --> 00:21:01,027
|
||
|
|
There's no need to
|
||
|
|
fear Moscow anymore.
|
||
|
|
|
||
|
|
133
|
||
|
|
00:21:02,028 --> 00:21:04,297
|
||
|
|
My only true mission,
|
||
|
|
Mr. Krewitzky...
|
||
|
|
|
||
|
|
134
|
||
|
|
00:21:04,397 --> 00:21:05,899
|
||
|
|
Ah, what fortune.
|
||
|
|
|
||
|
|
135
|
||
|
|
00:21:09,102 --> 00:21:11,705
|
||
|
|
My grandmother would say that
|
||
|
|
as a Yes and as a No.
|
||
|
|
|
||
|
|
136
|
||
|
|
00:21:15,309 --> 00:21:18,880
|
||
|
|
I don't want to die
|
||
|
|
|
||
|
|
137
|
||
|
|
00:21:20,314 --> 00:21:22,316
|
||
|
|
before I have seen
|
||
|
|
Europe happy again
|
||
|
|
|
||
|
|
138
|
||
|
|
00:21:24,251 --> 00:21:29,157
|
||
|
|
before I have seen the word "Russia"
|
||
|
|
and the word "Happiness"
|
||
|
|
|
||
|
|
139
|
||
|
|
00:21:32,661 --> 00:21:36,598
|
||
|
|
cling to each other again,
|
||
|
|
like two plaques of a belt.
|
||
|
|
|
||
|
|
140
|
||
|
|
00:21:37,933 --> 00:21:38,934
|
||
|
|
God be with you.
|
||
|
|
|
||
|
|
141
|
||
|
|
00:21:41,971 --> 00:21:42,972
|
||
|
|
Heil Hitler!
|
||
|
|
|
||
|
|
142
|
||
|
|
00:22:25,550 --> 00:22:27,418
|
||
|
|
Naples, alright.
|
||
|
|
|
||
|
|
143
|
||
|
|
00:22:27,919 --> 00:22:32,891
|
||
|
|
But Alexandria, Haifa, Odessa...
|
||
|
|
to get from Algiers to Barcelona?
|
||
|
|
|
||
|
|
144
|
||
|
|
00:23:37,759 --> 00:23:42,096
|
||
|
|
One shall never...
|
||
|
|
- Silence is gold.
|
||
|
|
|
||
|
|
145
|
||
|
|
00:24:19,302 --> 00:24:22,740
|
||
|
|
Istanbul, that's the Orient
|
||
|
|
or the Occident?
|
||
|
|
|
||
|
|
146
|
||
|
|
00:24:24,575 --> 00:24:25,576
|
||
|
|
Lets go.
|
||
|
|
|
||
|
|
147
|
||
|
|
00:24:49,167 --> 00:24:51,537
|
||
|
|
EGYPT
|
||
|
|
|
||
|
|
148
|
||
|
|
00:25:14,160 --> 00:25:19,332
|
||
|
|
Once, in 1942, I have
|
||
|
|
encountered nothingness
|
||
|
|
|
||
|
|
149
|
||
|
|
00:25:20,367 --> 00:25:23,604
|
||
|
|
and it is much more immense
|
||
|
|
than one tends to believe.
|
||
|
|
|
||
|
|
150
|
||
|
|
00:25:55,237 --> 00:25:58,874
|
||
|
|
To be or not to be.
|
||
|
|
|
||
|
|
151
|
||
|
|
00:26:01,443 --> 00:26:02,444
|
||
|
|
A jew.
|
||
|
|
|
||
|
|
152
|
||
|
|
00:26:05,514 --> 00:26:10,186
|
||
|
|
Yes, I've been told...
|
||
|
|
my parents... but so what?
|
||
|
|
|
||
|
|
153
|
||
|
|
00:26:12,589 --> 00:26:13,890
|
||
|
|
To tell is never enough.
|
||
|
|
|
||
|
|
154
|
||
|
|
00:26:22,1000 --> 00:26:26,403
|
||
|
|
THINGS
|
||
|
|
|
||
|
|
155
|
||
|
|
00:26:26,737 --> 00:26:28,772
|
||
|
|
Geometry as origin
|
||
|
|
|
||
|
|
156
|
||
|
|
00:26:29,840 --> 00:26:32,443
|
||
|
|
The origin is always
|
||
|
|
what one returns to.
|
||
|
|
|
||
|
|
157
|
||
|
|
00:26:32,910 --> 00:26:38,148
|
||
|
|
There has been, for decades,
|
||
|
|
especially in Mathematics
|
||
|
|
|
||
|
|
158
|
||
|
|
00:26:38,282 --> 00:26:40,551
|
||
|
|
a return of Geometry.
|
||
|
|
|
||
|
|
159
|
||
|
|
00:26:41,319 --> 00:26:44,455
|
||
|
|
The idea is not that Geometry
|
||
|
|
would return to its origin
|
||
|
|
|
||
|
|
160
|
||
|
|
00:26:44,589 --> 00:26:48,794
|
||
|
|
but rather that we return
|
||
|
|
to Geometry, as origin
|
||
|
|
|
||
|
|
161
|
||
|
|
00:26:49,026 --> 00:26:53,598
|
||
|
|
and participate in the
|
||
|
|
return of Geometry.
|
||
|
|
|
||
|
|
162
|
||
|
|
00:27:00,405 --> 00:27:01,473
|
||
|
|
The poor things.
|
||
|
|
|
||
|
|
163
|
||
|
|
00:27:01,974 --> 00:27:03,943
|
||
|
|
They have for themselves only
|
||
|
|
the name that we impose on them.
|
||
|
|
|
||
|
|
164
|
||
|
|
00:27:05,344 --> 00:27:07,446
|
||
|
|
There's nothing more
|
||
|
|
convenient than a text.
|
||
|
|
|
||
|
|
165
|
||
|
|
00:27:08,881 --> 00:27:10,984
|
||
|
|
We have only books
|
||
|
|
to put into books.
|
||
|
|
|
||
|
|
166
|
||
|
|
00:27:12,618 --> 00:27:17,089
|
||
|
|
But what if we have to
|
||
|
|
put reality into a book?
|
||
|
|
|
||
|
|
167
|
||
|
|
00:27:19,091 --> 00:27:25,098
|
||
|
|
And what if we have to
|
||
|
|
put reality into reality?
|
||
|
|
|
||
|
|
168
|
||
|
|
00:27:30,738 --> 00:27:32,740
|
||
|
|
I TURNED AWAY SO AS NOT TO SEE
|
||
|
|
|
||
|
|
169
|
||
|
|
00:27:41,115 --> 00:27:47,321
|
||
|
|
Geometry that is still valid, and
|
||
|
|
at the same time still improves.
|
||
|
|
|
||
|
|
170
|
||
|
|
00:27:49,825 --> 00:27:56,130
|
||
|
|
Residing in all these
|
||
|
|
new forms... Geometry.
|
||
|
|
|
||
|
|
171
|
||
|
|
00:27:57,599 --> 00:28:00,469
|
||
|
|
Do-Re-Mi-Fa-So-La
|
||
|
|
|
||
|
|
172
|
||
|
|
00:28:01,203 --> 00:28:05,708
|
||
|
|
Husserl underlines the "la"
|
||
|
|
... la géométrie.
|
||
|
|
|
||
|
|
173
|
||
|
|
00:28:07,843 --> 00:28:14,650
|
||
|
|
In all new forms
|
||
|
|
... die Geometrie.
|
||
|
|
|
||
|
|
174
|
||
|
|
00:28:21,658 --> 00:28:24,861
|
||
|
|
This I cannot accept.
|
||
|
|
|
||
|
|
175
|
||
|
|
00:28:25,295 --> 00:28:27,965
|
||
|
|
I will address it tonight.
|
||
|
|
I have to work now.
|
||
|
|
|
||
|
|
176
|
||
|
|
00:28:31,735 --> 00:28:36,106
|
||
|
|
Miss Alissa... Miss Alissa!
|
||
|
|
|
||
|
|
177
|
||
|
|
00:28:50,822 --> 00:28:55,293
|
||
|
|
continued to speak, for
|
||
|
|
a while, with a low voice
|
||
|
|
|
||
|
|
178
|
||
|
|
00:28:55,894 --> 00:28:57,996
|
||
|
|
so that the young girl
|
||
|
|
wouldn't hear them.
|
||
|
|
|
||
|
|
179
|
||
|
|
00:28:59,297 --> 00:29:02,100
|
||
|
|
But this precaution
|
||
|
|
was unnecessary
|
||
|
|
|
||
|
|
180
|
||
|
|
00:29:03,034 --> 00:29:05,738
|
||
|
|
they spoke to each other
|
||
|
|
with their thoughts.
|
||
|
|
|
||
|
|
181
|
||
|
|
00:29:14,580 --> 00:29:18,284
|
||
|
|
insofar as all of these parts,
|
||
|
|
or a sum of these parts
|
||
|
|
|
||
|
|
182
|
||
|
|
00:29:18,351 --> 00:29:21,955
|
||
|
|
at a given moment denies, insofar
|
||
|
|
as each part contains the sum
|
||
|
|
|
||
|
|
183
|
||
|
|
00:29:22,822 --> 00:29:26,493
|
||
|
|
the part that we consider,
|
||
|
|
insofar as this part denies
|
||
|
|
|
||
|
|
184
|
||
|
|
00:29:27,360 --> 00:29:30,363
|
||
|
|
insofar as the sum of these parts,
|
||
|
|
re-becoming collectively
|
||
|
|
|
||
|
|
185
|
||
|
|
00:29:30,898 --> 00:29:32,432
|
||
|
|
becomes the collectivity of
|
||
|
|
these parts joined together
|
||
|
|
|
||
|
|
186
|
||
|
|
00:29:37,003 --> 00:29:41,609
|
||
|
|
dialectical thought is quite simply
|
||
|
|
a way of using analytical thought
|
||
|
|
|
||
|
|
187
|
||
|
|
00:29:42,777 --> 00:29:45,980
|
||
|
|
insofar as it is part of a whole,
|
||
|
|
insofar as it denies this whole
|
||
|
|
|
||
|
|
188
|
||
|
|
00:29:46,781 --> 00:29:49,784
|
||
|
|
insofar as the whole includes it,
|
||
|
|
conditions it and denies it
|
||
|
|
|
||
|
|
189
|
||
|
|
00:29:50,986 --> 00:29:54,188
|
||
|
|
insofar as, by consequence, it
|
||
|
|
is both positive and negative
|
||
|
|
|
||
|
|
190
|
||
|
|
00:29:54,288 --> 00:29:57,058
|
||
|
|
with regards to the whole,
|
||
|
|
insofar as its movement
|
||
|
|
|
||
|
|
191
|
||
|
|
00:29:57,458 --> 00:30:01,062
|
||
|
|
must be destructive and preserving
|
||
|
|
with regards to the whole
|
||
|
|
|
||
|
|
192
|
||
|
|
00:30:18,447 --> 00:30:22,986
|
||
|
|
Listen... after the reception
|
||
|
|
of Daguerre by Agaro
|
||
|
|
|
||
|
|
193
|
||
|
|
00:30:23,118 --> 00:30:27,724
|
||
|
|
at the Academy of the Sciences,
|
||
|
|
a mostly British armada
|
||
|
|
|
||
|
|
194
|
||
|
|
00:30:28,090 --> 00:30:31,261
|
||
|
|
even though long before the
|
||
|
|
Declaration of Lord Balfour
|
||
|
|
|
||
|
|
195
|
||
|
|
00:30:31,561 --> 00:30:33,363
|
||
|
|
rushed towards Palestine.
|
||
|
|
|
||
|
|
196
|
||
|
|
00:30:34,765 --> 00:30:38,101
|
||
|
|
This is one of the first
|
||
|
|
photographs of the Bay of Haifa.
|
||
|
|
|
||
|
|
197
|
||
|
|
00:34:10,358 --> 00:34:17,532
|
||
|
|
So... Otto Goldberg, Leopold
|
||
|
|
Krewitzky, and even Moishe Schmücke
|
||
|
|
|
||
|
|
198
|
||
|
|
00:34:17,666 --> 00:34:18,700
|
||
|
|
according to their passports.
|
||
|
|
|
||
|
|
199
|
||
|
|
00:34:19,768 --> 00:34:23,939
|
||
|
|
But one pronounces
|
||
|
|
Richard Christmann...
|
||
|
|
|
||
|
|
200
|
||
|
|
00:34:24,807 --> 00:34:27,075
|
||
|
|
The French knew him well
|
||
|
|
since he was working
|
||
|
|
|
||
|
|
201
|
||
|
|
00:34:27,175 --> 00:34:29,946
|
||
|
|
for the German counter-espionage,
|
||
|
|
and for their own.
|
||
|
|
|
||
|
|
202
|
||
|
|
00:34:31,313 --> 00:34:33,917
|
||
|
|
He begins in the
|
||
|
|
Foreign Legion in Spain
|
||
|
|
|
||
|
|
203
|
||
|
|
00:34:34,517 --> 00:34:37,587
|
||
|
|
then joins networks of the
|
||
|
|
Résistance in occupied Paris
|
||
|
|
|
||
|
|
204
|
||
|
|
00:34:38,053 --> 00:34:39,288
|
||
|
|
on behalf of the Abwehr.
|
||
|
|
|
||
|
|
205
|
||
|
|
00:34:41,090 --> 00:34:44,795
|
||
|
|
After the defeat of the Germans,
|
||
|
|
he still belongs to the rest
|
||
|
|
|
||
|
|
206
|
||
|
|
00:34:45,295 --> 00:34:50,801
|
||
|
|
of the Organisation Gehlen
|
||
|
|
... the Algerian FLN
|
||
|
|
|
||
|
|
207
|
||
|
|
00:34:51,568 --> 00:34:55,472
|
||
|
|
and finally Tunis, representative
|
||
|
|
of Bayer and Rhône-Poulenc.
|
||
|
|
|
||
|
|
208
|
||
|
|
00:34:57,341 --> 00:35:00,644
|
||
|
|
Multiple assassination attempts.
|
||
|
|
Acquitted twice.
|
||
|
|
|
||
|
|
209
|
||
|
|
00:35:02,480 --> 00:35:03,547
|
||
|
|
Like Henri Déricourt.
|
||
|
|
|
||
|
|
210
|
||
|
|
00:35:05,984 --> 00:35:07,051
|
||
|
|
Like Henri Déricourt.
|
||
|
|
|
||
|
|
211
|
||
|
|
00:35:08,586 --> 00:35:11,122
|
||
|
|
No, that's another story.
|
||
|
|
|
||
|
|
212
|
||
|
|
00:35:17,629 --> 00:35:20,198
|
||
|
|
War criminal, maybe not.
|
||
|
|
|
||
|
|
213
|
||
|
|
00:35:24,002 --> 00:35:29,374
|
||
|
|
But you know...
|
||
|
|
Alice Simone
|
||
|
|
|
||
|
|
214
|
||
|
|
00:35:34,313 --> 00:35:35,581
|
||
|
|
How do you know?
|
||
|
|
|
||
|
|
215
|
||
|
|
00:35:36,582 --> 00:35:38,150
|
||
|
|
The book by Roger Faligot
|
||
|
|
|
||
|
|
216
|
||
|
|
00:35:40,753 --> 00:35:42,087
|
||
|
|
The archives of the NKWD
|
||
|
|
|
||
|
|
217
|
||
|
|
00:35:49,329 --> 00:35:52,833
|
||
|
|
That would explain why only
|
||
|
|
two thirds of the Spanish gold
|
||
|
|
|
||
|
|
218
|
||
|
|
00:35:52,933 --> 00:35:54,200
|
||
|
|
made it to Odessa
|
||
|
|
|
||
|
|
219
|
||
|
|
00:35:54,735 --> 00:35:57,838
|
||
|
|
but not why also Moscow
|
||
|
|
would only receive one third.
|
||
|
|
|
||
|
|
220
|
||
|
|
00:36:03,544 --> 00:36:06,614
|
||
|
|
The Group du musée de l'Homme.
|
||
|
|
Germaine Tillon...
|
||
|
|
|
||
|
|
221
|
||
|
|
00:36:09,417 --> 00:36:11,586
|
||
|
|
Alice...
|
||
|
|
|
||
|
|
222
|
||
|
|
00:36:16,491 --> 00:36:20,027
|
||
|
|
Mind borrows from matter perceptions
|
||
|
|
from which it derives its nourishment
|
||
|
|
|
||
|
|
223
|
||
|
|
00:36:23,565 --> 00:36:27,135
|
||
|
|
Mind borrows from matter perceptions
|
||
|
|
from which it derives its nourishment
|
||
|
|
|
||
|
|
224
|
||
|
|
00:36:32,274 --> 00:36:35,477
|
||
|
|
Mind borrows from matter perceptions
|
||
|
|
from which it derives its nourishment
|
||
|
|
|
||
|
|
225
|
||
|
|
00:36:38,614 --> 00:36:42,017
|
||
|
|
Mind borrows from matter perceptions
|
||
|
|
from which it derives its nourishment
|
||
|
|
|
||
|
|
226
|
||
|
|
00:36:42,284 --> 00:36:43,786
|
||
|
|
and gives them back to it
|
||
|
|
in the form of movement
|
||
|
|
|
||
|
|
227
|
||
|
|
00:36:43,887 --> 00:36:46,055
|
||
|
|
on which it has
|
||
|
|
impressed its liberty.
|
||
|
|
|
||
|
|
228
|
||
|
|
00:39:03,533 --> 00:39:13,377
|
||
|
|
NAPLES
|
||
|
|
|
||
|
|
229
|
||
|
|
00:40:08,335 --> 00:40:11,171
|
||
|
|
Have you heard, they have
|
||
|
|
abolished the fiscal paradises.
|
||
|
|
|
||
|
|
230
|
||
|
|
00:40:12,673 --> 00:40:13,674
|
||
|
|
What are we going to do?
|
||
|
|
|
||
|
|
231
|
||
|
|
00:40:14,809 --> 00:40:17,177
|
||
|
|
Well... we will rest in hell.
|
||
|
|
|
||
|
|
232
|
||
|
|
00:40:25,152 --> 00:40:29,691
|
||
|
|
Italy has concerned us a bit too
|
||
|
|
much in the last two thousand years
|
||
|
|
|
||
|
|
233
|
||
|
|
00:40:30,057 --> 00:40:33,094
|
||
|
|
for the French, painting is Italy
|
||
|
|
|
||
|
|
234
|
||
|
|
00:40:33,161 --> 00:40:36,064
|
||
|
|
all our journeys take place in
|
||
|
|
Italy, it's Italian museums
|
||
|
|
|
||
|
|
235
|
||
|
|
00:40:36,631 --> 00:40:44,874
|
||
|
|
while German Renaissance painting
|
||
|
|
is for me extremely impressing
|
||
|
|
|
||
|
|
236
|
||
|
|
00:40:45,474 --> 00:40:47,175
|
||
|
|
Thank you for your advice.
|
||
|
|
|
||
|
|
237
|
||
|
|
00:41:13,804 --> 00:41:17,675
|
||
|
|
So... you're going to do something.
|
||
|
|
|
||
|
|
238
|
||
|
|
00:41:18,976 --> 00:41:20,845
|
||
|
|
You know, all these
|
||
|
|
failed resolutions...
|
||
|
|
|
||
|
|
239
|
||
|
|
00:41:21,679 --> 00:41:23,815
|
||
|
|
The United Nations are
|
||
|
|
rather disunited since 48.
|
||
|
|
|
||
|
|
240
|
||
|
|
00:41:24,682 --> 00:41:25,850
|
||
|
|
Never mind the crime...
|
||
|
|
|
||
|
|
241
|
||
|
|
00:41:51,176 --> 00:41:56,716
|
||
|
|
My friends, I have
|
||
|
|
found the black box.
|
||
|
|
|
||
|
|
242
|
||
|
|
00:41:58,451 --> 00:42:00,620
|
||
|
|
This is why Hollywood was
|
||
|
|
called the Mecca of cinema.
|
||
|
|
|
||
|
|
243
|
||
|
|
00:42:02,054 --> 00:42:03,189
|
||
|
|
The tomb of the prophet
|
||
|
|
|
||
|
|
244
|
||
|
|
00:42:04,758 --> 00:42:06,292
|
||
|
|
All eyes in the same direction
|
||
|
|
|
||
|
|
245
|
||
|
|
00:42:07,560 --> 00:42:08,561
|
||
|
|
The cinema hall
|
||
|
|
|
||
|
|
246
|
||
|
|
00:42:09,963 --> 00:42:16,770
|
||
|
|
Yes, but... a strange thing is that
|
||
|
|
Hollywood was invented by the Jews.
|
||
|
|
|
||
|
|
247
|
||
|
|
00:42:17,504 --> 00:42:22,342
|
||
|
|
Adolf Zucker, William Fox,
|
||
|
|
David Selznick
|
||
|
|
|
||
|
|
248
|
||
|
|
00:42:22,509 --> 00:42:29,116
|
||
|
|
Samuel Goldwyn, Marcus Loew,
|
||
|
|
Karl Laemmle, etcetera
|
||
|
|
|
||
|
|
249
|
||
|
|
00:43:21,104 --> 00:43:24,408
|
||
|
|
Life is beautiful, you will see
|
||
|
|
|
||
|
|
250
|
||
|
|
00:43:24,541 --> 00:43:27,945
|
||
|
|
how in spite of sorrow
|
||
|
|
|
||
|
|
251
|
||
|
|
00:43:28,111 --> 00:43:31,382
|
||
|
|
you will have friends,
|
||
|
|
you will have love
|
||
|
|
|
||
|
|
252
|
||
|
|
00:43:31,515 --> 00:43:34,752
|
||
|
|
you will have friends
|
||
|
|
|
||
|
|
253
|
||
|
|
00:44:14,694 --> 00:44:17,965
|
||
|
|
Is there a single act in the world
|
||
|
|
of which I could still claim today
|
||
|
|
|
||
|
|
254
|
||
|
|
00:44:18,331 --> 00:44:19,332
|
||
|
|
that I have done it?
|
||
|
|
|
||
|
|
255
|
||
|
|
00:44:20,500 --> 00:44:24,070
|
||
|
|
My business, the garage
|
||
|
|
Catherine wants to sell it.
|
||
|
|
|
||
|
|
256
|
||
|
|
00:44:24,137 --> 00:44:27,908
|
||
|
|
Her friend wants to buy it.
|
||
|
|
They know it. I don't.
|
||
|
|
|
||
|
|
257
|
||
|
|
00:44:29,176 --> 00:44:30,344
|
||
|
|
I know bookkeeping, yes.
|
||
|
|
|
||
|
|
258
|
||
|
|
00:44:37,284 --> 00:44:39,821
|
||
|
|
France is facing today the
|
||
|
|
largest risk in its history.
|
||
|
|
|
||
|
|
259
|
||
|
|
00:44:40,855 --> 00:44:43,257
|
||
|
|
One has to know how to say "We"
|
||
|
|
Before one can say "I"
|
||
|
|
|
||
|
|
260
|
||
|
|
00:44:44,492 --> 00:44:46,828
|
||
|
|
A drama that we debate, in
|
||
|
|
the hope that we can end it.
|
||
|
|
|
||
|
|
261
|
||
|
|
00:44:47,495 --> 00:44:51,165
|
||
|
|
A tragedy? Not at all.
|
||
|
|
Everything remains neat.
|
||
|
|
|
||
|
|
262
|
||
|
|
00:44:52,200 --> 00:44:55,637
|
||
|
|
Everything remains among us.
|
||
|
|
We ignore each other.
|
||
|
|
|
||
|
|
263
|
||
|
|
00:44:56,772 --> 00:44:58,407
|
||
|
|
Wars everywhere, for
|
||
|
|
the last fifty years.
|
||
|
|
|
||
|
|
264
|
||
|
|
00:44:59,608 --> 00:45:01,844
|
||
|
|
We see ourselves in war
|
||
|
|
like in a mirror.
|
||
|
|
|
||
|
|
265
|
||
|
|
00:45:04,480 --> 00:45:05,481
|
||
|
|
One can buy time.
|
||
|
|
|
||
|
|
266
|
||
|
|
00:45:07,450 --> 00:45:08,818
|
||
|
|
It needs courage
|
||
|
|
in order to think.
|
||
|
|
|
||
|
|
267
|
||
|
|
00:45:10,353 --> 00:45:12,021
|
||
|
|
Love your neighbor?
|
||
|
|
Ridiculous.
|
||
|
|
|
||
|
|
268
|
||
|
|
00:45:12,956 --> 00:45:14,156
|
||
|
|
You would have to
|
||
|
|
love yourself enough
|
||
|
|
|
||
|
|
269
|
||
|
|
00:45:14,223 --> 00:45:15,592
|
||
|
|
to not do bad
|
||
|
|
to your neighbor.
|
||
|
|
|
||
|
|
270
|
||
|
|
00:45:16,659 --> 00:45:18,127
|
||
|
|
Today that becomes impossible.
|
||
|
|
|
||
|
|
271
|
||
|
|
00:45:18,862 --> 00:45:21,565
|
||
|
|
If you follow the law
|
||
|
|
or if you break it...
|
||
|
|
|
||
|
|
272
|
||
|
|
00:45:23,066 --> 00:45:24,534
|
||
|
|
Don't say all this, dad.
|
||
|
|
|
||
|
|
273
|
||
|
|
00:45:25,803 --> 00:45:27,805
|
||
|
|
And I ask you:
|
||
|
|
Why don't you love us?
|
||
|
|
|
||
|
|
274
|
||
|
|
00:45:31,074 --> 00:45:35,680
|
||
|
|
Ideas separate us.
|
||
|
|
But dreams bring us closer...
|
||
|
|
|
||
|
|
275
|
||
|
|
00:45:36,280 --> 00:45:38,081
|
||
|
|
No, nightmares.
|
||
|
|
|
||
|
|
276
|
||
|
|
00:45:40,284 --> 00:45:42,854
|
||
|
|
Because there's love and pride
|
||
|
|
in the blood of the father...
|
||
|
|
|
||
|
|
277
|
||
|
|
00:45:43,020 --> 00:45:44,355
|
||
|
|
and thus hate.
|
||
|
|
|
||
|
|
278
|
||
|
|
00:45:46,056 --> 00:45:48,560
|
||
|
|
So what have you found today
|
||
|
|
to piss us off?
|
||
|
|
|
||
|
|
279
|
||
|
|
00:45:50,228 --> 00:45:54,132
|
||
|
|
I love my brother, first of all.
|
||
|
|
We've just debated brotherhood.
|
||
|
|
|
||
|
|
280
|
||
|
|
00:45:54,833 --> 00:45:57,335
|
||
|
|
And liberty.
|
||
|
|
- Liberty, before.
|
||
|
|
|
||
|
|
281
|
||
|
|
00:45:58,236 --> 00:46:01,774
|
||
|
|
And once the hour of equality comes
|
||
|
|
I will speak to you of shit.
|
||
|
|
|
||
|
|
282
|
||
|
|
00:46:02,574 --> 00:46:05,978
|
||
|
|
Okay, Flo.
|
||
|
|
But why don't you love us?
|
||
|
|
|
||
|
|
283
|
||
|
|
00:46:11,550 --> 00:46:15,321
|
||
|
|
Excuse me, Miss...
|
||
|
|
Excuse me? Miss, hello..
|
||
|
|
|
||
|
|
284
|
||
|
|
00:46:15,421 --> 00:46:17,791
|
||
|
|
We want to go to the Cote d'Azur.
|
||
|
|
Is this the right direction?
|
||
|
|
|
||
|
|
285
|
||
|
|
00:46:19,125 --> 00:46:21,494
|
||
|
|
Are we on the right way
|
||
|
|
to the Cote d'Azur?
|
||
|
|
|
||
|
|
286
|
||
|
|
00:46:21,561 --> 00:46:22,562
|
||
|
|
Straight? Left? Right?
|
||
|
|
|
||
|
|
287
|
||
|
|
00:46:25,498 --> 00:46:29,135
|
||
|
|
Unbelievable. Scheiss French!
|
||
|
|
- Scheiss France!
|
||
|
|
|
||
|
|
288
|
||
|
|
00:46:32,606 --> 00:46:34,608
|
||
|
|
Ach, Germany.
|
||
|
|
|
||
|
|
289
|
||
|
|
00:46:49,090 --> 00:46:51,158
|
||
|
|
Go, mother...
|
||
|
|
Go, mom...
|
||
|
|
|
||
|
|
290
|
||
|
|
00:46:53,261 --> 00:46:58,199
|
||
|
|
Yes. To keep space and
|
||
|
|
time intact, I have lied.
|
||
|
|
|
||
|
|
291
|
||
|
|
00:46:59,534 --> 00:47:03,305
|
||
|
|
I neglect to live them.
|
||
|
|
That's a bit unfair.
|
||
|
|
|
||
|
|
292
|
||
|
|
00:47:04,673 --> 00:47:05,708
|
||
|
|
That's a bit unfair.
|
||
|
|
|
||
|
|
293
|
||
|
|
00:47:06,642 --> 00:47:11,347
|
||
|
|
But for me, that seems
|
||
|
|
to be the way I do it.
|
||
|
|
|
||
|
|
294
|
||
|
|
00:47:12,782 --> 00:47:14,918
|
||
|
|
I always think that I'm elsewhere
|
||
|
|
- Forget it.
|
||
|
|
|
||
|
|
295
|
||
|
|
00:47:15,585 --> 00:47:17,420
|
||
|
|
I always think that I'm elsewhere
|
||
|
|
- Forget it.
|
||
|
|
|
||
|
|
296
|
||
|
|
00:47:17,887 --> 00:47:21,190
|
||
|
|
and that no particular moment has
|
||
|
|
any importance. - Forget it.
|
||
|
|
|
||
|
|
297
|
||
|
|
00:47:21,992 --> 00:47:22,993
|
||
|
|
Nothing else?
|
||
|
|
|
||
|
|
298
|
||
|
|
00:47:24,427 --> 00:47:27,063
|
||
|
|
There's a figure, the mother.
|
||
|
|
|
||
|
|
299
|
||
|
|
00:47:27,664 --> 00:47:31,702
|
||
|
|
For her, it doesn't matter
|
||
|
|
if she has a life at all.
|
||
|
|
|
||
|
|
300
|
||
|
|
00:47:32,402 --> 00:47:36,005
|
||
|
|
If one considers the fact to
|
||
|
|
have a life as a fact by itself.
|
||
|
|
|
||
|
|
301
|
||
|
|
00:47:37,875 --> 00:47:43,815
|
||
|
|
She will never ask herself,
|
||
|
|
not once, if she is still alive.
|
||
|
|
|
||
|
|
302
|
||
|
|
00:47:45,215 --> 00:47:47,451
|
||
|
|
She will never have the idea
|
||
|
|
to just ask herself
|
||
|
|
|
||
|
|
303
|
||
|
|
00:47:47,552 --> 00:47:49,787
|
||
|
|
why and how she exists.
|
||
|
|
|
||
|
|
304
|
||
|
|
00:47:51,422 --> 00:47:53,825
|
||
|
|
After all, she is not aware
|
||
|
|
that she is this figure
|
||
|
|
|
||
|
|
305
|
||
|
|
00:47:54,492 --> 00:47:57,028
|
||
|
|
because she is never,
|
||
|
|
not for a single moment
|
||
|
|
|
||
|
|
306
|
||
|
|
00:47:57,629 --> 00:48:01,266
|
||
|
|
separated from her role.
|
||
|
|
She doesn't know that she has one.
|
||
|
|
|
||
|
|
307
|
||
|
|
00:48:04,169 --> 00:48:07,506
|
||
|
|
The blood of the mother,
|
||
|
|
full of hate...
|
||
|
|
|
||
|
|
308
|
||
|
|
00:48:09,207 --> 00:48:10,943
|
||
|
|
loves and remains.
|
||
|
|
|
||
|
|
309
|
||
|
|
00:48:47,247 --> 00:48:48,516
|
||
|
|
Is this Garage Martin?
|
||
|
|
|
||
|
|
310
|
||
|
|
00:48:52,921 --> 00:48:54,054
|
||
|
|
Is this Garage Martin?
|
||
|
|
|
||
|
|
311
|
||
|
|
00:48:57,325 --> 00:48:58,493
|
||
|
|
Is this Garage Martin?
|
||
|
|
|
||
|
|
312
|
||
|
|
00:49:06,100 --> 00:49:07,502
|
||
|
|
Is this Garage Martin?
|
||
|
|
|
||
|
|
313
|
||
|
|
00:49:10,272 --> 00:49:12,107
|
||
|
|
Flo, what do we have to tell them?
|
||
|
|
|
||
|
|
314
|
||
|
|
00:49:12,374 --> 00:49:14,276
|
||
|
|
We don't speak to people
|
||
|
|
who use the verb "to be".
|
||
|
|
|
||
|
|
315
|
||
|
|
00:49:16,245 --> 00:49:19,682
|
||
|
|
Are you working here?
|
||
|
|
Yes, but I don't have a contract.
|
||
|
|
|
||
|
|
316
|
||
|
|
00:49:21,383 --> 00:49:22,585
|
||
|
|
Lets speak to your parents.
|
||
|
|
|
||
|
|
317
|
||
|
|
00:49:32,128 --> 00:49:34,130
|
||
|
|
BALZAC
|
||
|
|
LOST ILLUSIONS
|
||
|
|
|
||
|
|
318
|
||
|
|
00:49:49,947 --> 00:49:52,483
|
||
|
|
I'm leaving.
|
||
|
|
I'll return to the Midi.
|
||
|
|
|
||
|
|
319
|
||
|
|
00:49:54,285 --> 00:49:55,286
|
||
|
|
And our comrades?
|
||
|
|
|
||
|
|
320
|
||
|
|
00:50:02,627 --> 00:50:03,628
|
||
|
|
And our comrades?
|
||
|
|
|
||
|
|
321
|
||
|
|
00:50:08,700 --> 00:50:10,168
|
||
|
|
It will be them who decide.
|
||
|
|
|
||
|
|
322
|
||
|
|
00:50:23,182 --> 00:50:24,450
|
||
|
|
They will come.
|
||
|
|
|
||
|
|
323
|
||
|
|
00:51:00,889 --> 00:51:01,890
|
||
|
|
It's for the elections.
|
||
|
|
|
||
|
|
324
|
||
|
|
00:51:02,724 --> 00:51:06,427
|
||
|
|
I'm filming...
|
||
|
|
- Forget, my dear, forget.
|
||
|
|
|
||
|
|
325
|
||
|
|
00:51:07,462 --> 00:51:10,231
|
||
|
|
We have an appointment with them.
|
||
|
|
- Forget it, madam.
|
||
|
|
|
||
|
|
326
|
||
|
|
00:51:18,908 --> 00:51:22,344
|
||
|
|
Only two or three minutes
|
||
|
|
for a declaration.
|
||
|
|
|
||
|
|
327
|
||
|
|
00:51:23,445 --> 00:51:26,515
|
||
|
|
Who will present it?
|
||
|
|
- But forget it, forget it.
|
||
|
|
|
||
|
|
328
|
||
|
|
00:51:27,249 --> 00:51:29,351
|
||
|
|
But your parents have
|
||
|
|
made an appointment.
|
||
|
|
|
||
|
|
329
|
||
|
|
00:51:29,518 --> 00:51:30,519
|
||
|
|
What parents?
|
||
|
|
- We're not making this up.
|
||
|
|
|
||
|
|
330
|
||
|
|
00:51:31,420 --> 00:51:33,556
|
||
|
|
No, he wanted to say:
|
||
|
|
What kind of parents?
|
||
|
|
|
||
|
|
331
|
||
|
|
00:51:34,824 --> 00:51:37,727
|
||
|
|
Mr. and Mrs. Martin,
|
||
|
|
they are not your parents?
|
||
|
|
|
||
|
|
332
|
||
|
|
00:51:38,361 --> 00:51:41,030
|
||
|
|
Please don't use the verb "to be".
|
||
|
|
|
||
|
|
333
|
||
|
|
00:51:43,166 --> 00:51:44,801
|
||
|
|
I don't understand anything at all.
|
||
|
|
|
||
|
|
334
|
||
|
|
00:51:45,736 --> 00:51:48,204
|
||
|
|
So? - They're not picking up.
|
||
|
|
- Give it to me.
|
||
|
|
|
||
|
|
335
|
||
|
|
00:51:49,172 --> 00:51:51,408
|
||
|
|
It's not surprising that
|
||
|
|
they all have mobiles
|
||
|
|
|
||
|
|
336
|
||
|
|
00:51:51,575 --> 00:51:53,410
|
||
|
|
to say that they
|
||
|
|
are not there.
|
||
|
|
|
||
|
|
337
|
||
|
|
00:51:54,612 --> 00:51:57,247
|
||
|
|
Excuse me... to say
|
||
|
|
that they have no time.
|
||
|
|
|
||
|
|
338
|
||
|
|
00:52:00,985 --> 00:52:03,822
|
||
|
|
They really seem to
|
||
|
|
have a problem...
|
||
|
|
|
||
|
|
339
|
||
|
|
00:52:04,221 --> 00:52:06,624
|
||
|
|
Finally... use the verb "to have".
|
||
|
|
|
||
|
|
340
|
||
|
|
00:52:07,124 --> 00:52:08,292
|
||
|
|
Everything will be
|
||
|
|
better in France.
|
||
|
|
|
||
|
|
341
|
||
|
|
00:52:13,799 --> 00:52:15,333
|
||
|
|
Did you find that
|
||
|
|
in Balzac, Flo?
|
||
|
|
|
||
|
|
342
|
||
|
|
00:52:15,634 --> 00:52:18,938
|
||
|
|
Florine. If you make fun
|
||
|
|
of Balzac, I will kill you.
|
||
|
|
|
||
|
|
343
|
||
|
|
00:52:30,549 --> 00:52:34,620
|
||
|
|
Please, Mr... two or three
|
||
|
|
short questions. - No.
|
||
|
|
|
||
|
|
344
|
||
|
|
00:52:34,721 --> 00:52:35,922
|
||
|
|
Please, two questions. - No.
|
||
|
|
|
||
|
|
345
|
||
|
|
00:52:45,198 --> 00:52:46,332
|
||
|
|
One and a half hours late.
|
||
|
|
|
||
|
|
346
|
||
|
|
00:52:58,278 --> 00:53:00,681
|
||
|
|
Had this project been carried out
|
||
|
|
the way it was initially planned
|
||
|
|
|
||
|
|
347
|
||
|
|
00:53:00,781 --> 00:53:03,384
|
||
|
|
it would have, without a doubt,
|
||
|
|
given France a lasting advantage
|
||
|
|
|
||
|
|
348
|
||
|
|
00:53:03,451 --> 00:53:05,286
|
||
|
|
with regards to the
|
||
|
|
digitization of books.
|
||
|
|
|
||
|
|
349
|
||
|
|
00:53:05,720 --> 00:53:07,421
|
||
|
|
But it's failing dramatically.
|
||
|
|
|
||
|
|
350
|
||
|
|
00:53:09,624 --> 00:53:10,792
|
||
|
|
Mr... do you want
|
||
|
|
me to wait for you?
|
||
|
|
|
||
|
|
351
|
||
|
|
00:53:11,993 --> 00:53:13,728
|
||
|
|
No... you will pick up
|
||
|
|
the Prince at the airport
|
||
|
|
|
||
|
|
352
|
||
|
|
00:53:13,862 --> 00:53:15,062
|
||
|
|
and then return to the office.
|
||
|
|
|
||
|
|
353
|
||
|
|
00:53:16,765 --> 00:53:17,766
|
||
|
|
So?
|
||
|
|
|
||
|
|
354
|
||
|
|
00:53:18,800 --> 00:53:19,768
|
||
|
|
So?
|
||
|
|
|
||
|
|
355
|
||
|
|
00:53:19,868 --> 00:53:21,369
|
||
|
|
So... the presidency
|
||
|
|
|
||
|
|
356
|
||
|
|
00:53:21,470 --> 00:53:22,871
|
||
|
|
"la", not "le"
|
||
|
|
|
||
|
|
357
|
||
|
|
00:53:30,579 --> 00:53:33,148
|
||
|
|
We'll see.
|
||
|
|
- It's been seen.
|
||
|
|
|
||
|
|
358
|
||
|
|
00:53:34,817 --> 00:53:38,153
|
||
|
|
Nothing at all. And our convention?
|
||
|
|
It's the 4th of August today.
|
||
|
|
|
||
|
|
359
|
||
|
|
00:53:43,493 --> 00:53:45,962
|
||
|
|
Flo is right.
|
||
|
|
We'll have to wait a bit.
|
||
|
|
|
||
|
|
360
|
||
|
|
00:53:48,966 --> 00:53:51,601
|
||
|
|
The show is at 7 pm. We will
|
||
|
|
still have to do some editing.
|
||
|
|
|
||
|
|
361
|
||
|
|
00:54:00,043 --> 00:54:01,645
|
||
|
|
Ten minutes.
|
||
|
|
I will take care of it.
|
||
|
|
|
||
|
|
362
|
||
|
|
00:54:07,351 --> 00:54:08,519
|
||
|
|
Can I film
|
||
|
|
while we're waiting?
|
||
|
|
|
||
|
|
363
|
||
|
|
00:54:20,866 --> 00:54:21,867
|
||
|
|
Nothing at all.
|
||
|
|
|
||
|
|
364
|
||
|
|
00:54:24,102 --> 00:54:28,039
|
||
|
|
Why don't we present ourselves
|
||
|
|
at the elections? Florine and I.
|
||
|
|
|
||
|
|
365
|
||
|
|
00:54:28,206 --> 00:54:29,675
|
||
|
|
Not mama or papa.
|
||
|
|
|
||
|
|
366
|
||
|
|
00:54:36,048 --> 00:54:38,117
|
||
|
|
They're dreaming. Children
|
||
|
|
don't have the right
|
||
|
|
|
||
|
|
367
|
||
|
|
00:54:38,250 --> 00:54:40,185
|
||
|
|
to participate in elections,
|
||
|
|
not even on the regional level.
|
||
|
|
|
||
|
|
368
|
||
|
|
00:54:45,658 --> 00:54:49,095
|
||
|
|
Yes, yes, yes... but children
|
||
|
|
are part of the people.
|
||
|
|
|
||
|
|
369
|
||
|
|
00:54:49,763 --> 00:54:51,464
|
||
|
|
And it exists, the
|
||
|
|
will of the people.
|
||
|
|
|
||
|
|
370
|
||
|
|
00:54:53,700 --> 00:54:58,705
|
||
|
|
We have paid 30% of France's debt.
|
||
|
|
Because you've grown old.
|
||
|
|
|
||
|
|
371
|
||
|
|
00:55:02,710 --> 00:55:05,245
|
||
|
|
Exactly the sum of profit
|
||
|
|
that the insurance companies
|
||
|
|
|
||
|
|
372
|
||
|
|
00:55:05,345 --> 00:55:06,346
|
||
|
|
make of the debt.
|
||
|
|
|
||
|
|
373
|
||
|
|
00:55:09,049 --> 00:55:10,618
|
||
|
|
And the beautiful dress,
|
||
|
|
can I film it?
|
||
|
|
|
||
|
|
374
|
||
|
|
00:55:11,552 --> 00:55:12,787
|
||
|
|
Yes, why not.
|
||
|
|
|
||
|
|
375
|
||
|
|
00:55:35,444 --> 00:55:36,445
|
||
|
|
I'm listening.
|
||
|
|
|
||
|
|
376
|
||
|
|
00:55:45,889 --> 00:55:48,925
|
||
|
|
Today it's not so good.
|
||
|
|
I had forgotten that.
|
||
|
|
|
||
|
|
377
|
||
|
|
00:55:49,893 --> 00:55:51,194
|
||
|
|
They're both born
|
||
|
|
on the same day.
|
||
|
|
|
||
|
|
378
|
||
|
|
00:55:51,862 --> 00:55:54,765
|
||
|
|
On every birthday
|
||
|
|
Jean-Jacques and me
|
||
|
|
|
||
|
|
379
|
||
|
|
00:55:55,131 --> 00:55:58,669
|
||
|
|
we'll accept a debate with them,
|
||
|
|
based on democratic principles.
|
||
|
|
|
||
|
|
380
|
||
|
|
00:56:07,945 --> 00:56:09,246
|
||
|
|
And it's them who direct it?
|
||
|
|
|
||
|
|
381
|
||
|
|
00:56:12,917 --> 00:56:15,620
|
||
|
|
More of less. We have
|
||
|
|
signed a convention.
|
||
|
|
|
||
|
|
382
|
||
|
|
00:56:16,587 --> 00:56:19,323
|
||
|
|
But that's great.
|
||
|
|
We have to film that.
|
||
|
|
|
||
|
|
383
|
||
|
|
00:56:22,928 --> 00:56:27,165
|
||
|
|
We're working at night.
|
||
|
|
We're doing what we can.
|
||
|
|
|
||
|
|
384
|
||
|
|
00:56:33,872 --> 00:56:35,307
|
||
|
|
We're giving what we have.
|
||
|
|
|
||
|
|
385
|
||
|
|
00:56:37,209 --> 00:56:41,313
|
||
|
|
How long is this going to take?
|
||
|
|
- 24 hours. It's their right.
|
||
|
|
|
||
|
|
386
|
||
|
|
00:56:50,156 --> 00:56:52,358
|
||
|
|
So either you wait, or
|
||
|
|
you come back tomorrow.
|
||
|
|
|
||
|
|
387
|
||
|
|
00:57:01,535 --> 00:57:04,137
|
||
|
|
We're waiting.
|
||
|
|
We're waiting.
|
||
|
|
|
||
|
|
388
|
||
|
|
00:57:06,172 --> 00:57:08,141
|
||
|
|
I will borrow Catherine's car
|
||
|
|
and I will be back in a bit.
|
||
|
|
|
||
|
|
389
|
||
|
|
00:57:09,643 --> 00:57:11,579
|
||
|
|
We have to take care
|
||
|
|
of the Garage.
|
||
|
|
|
||
|
|
390
|
||
|
|
00:57:14,248 --> 00:57:15,382
|
||
|
|
Oh shit.
|
||
|
|
|
||
|
|
391
|
||
|
|
00:57:22,122 --> 00:57:23,491
|
||
|
|
Be careful, mom.
|
||
|
|
|
||
|
|
392
|
||
|
|
00:57:55,224 --> 00:57:59,128
|
||
|
|
Yes... all of you...
|
||
|
|
I'm able to mess you up.
|
||
|
|
|
||
|
|
393
|
||
|
|
00:58:48,180 --> 00:58:51,918
|
||
|
|
I will also attack the sun
|
||
|
|
if one day it attacks me.
|
||
|
|
|
||
|
|
394
|
||
|
|
00:59:13,774 --> 00:59:16,710
|
||
|
|
I do not have my
|
||
|
|
heart in my mouth.
|
||
|
|
|
||
|
|
395
|
||
|
|
00:59:17,311 --> 00:59:19,847
|
||
|
|
Ah? Are we moving
|
||
|
|
to America now?
|
||
|
|
|
||
|
|
396
|
||
|
|
00:59:20,247 --> 00:59:21,816
|
||
|
|
No, to England.
|
||
|
|
|
||
|
|
397
|
||
|
|
00:59:22,249 --> 00:59:26,186
|
||
|
|
Exactly 400 years ago.
|
||
|
|
Her heart is not in her mouth.
|
||
|
|
|
||
|
|
398
|
||
|
|
00:59:26,587 --> 00:59:29,524
|
||
|
|
Well, okay. But now,
|
||
|
|
do you love us or not?
|
||
|
|
|
||
|
|
399
|
||
|
|
00:59:31,259 --> 00:59:37,298
|
||
|
|
When I speak to myself
|
||
|
|
I speak the words of someone else
|
||
|
|
|
||
|
|
400
|
||
|
|
00:59:38,901 --> 00:59:40,936
|
||
|
|
that I speak to myself.
|
||
|
|
|
||
|
|
401
|
||
|
|
00:59:42,805 --> 00:59:45,240
|
||
|
|
When one hears one's own voice
|
||
|
|
... where's that from?
|
||
|
|
|
||
|
|
402
|
||
|
|
00:59:48,811 --> 00:59:52,381
|
||
|
|
No, dad... from here.
|
||
|
|
- Yes. So?
|
||
|
|
|
||
|
|
403
|
||
|
|
00:59:58,020 --> 01:00:03,025
|
||
|
|
I'll check the TV.
|
||
|
|
- No, mom... stay.
|
||
|
|
|
||
|
|
404
|
||
|
|
01:00:15,739 --> 01:00:19,176
|
||
|
|
The other is oneself.
|
||
|
|
Oneself is in the other.
|
||
|
|
|
||
|
|
405
|
||
|
|
01:00:20,711 --> 01:00:23,447
|
||
|
|
And these are the three figures.
|
||
|
|
- We are four.
|
||
|
|
|
||
|
|
406
|
||
|
|
01:00:31,222 --> 01:00:36,227
|
||
|
|
There's the law. But you have
|
||
|
|
rights. At least say it.
|
||
|
|
|
||
|
|
407
|
||
|
|
01:00:39,698 --> 01:00:42,500
|
||
|
|
We're entering an age
|
||
|
|
the digital age
|
||
|
|
|
||
|
|
408
|
||
|
|
01:00:44,336 --> 01:00:49,207
|
||
|
|
where for various reasons
|
||
|
|
mankind will face problems
|
||
|
|
|
||
|
|
409
|
||
|
|
01:00:50,108 --> 01:00:51,978
|
||
|
|
that won't offer the luxury
|
||
|
|
of expressing themselves.
|
||
|
|
|
||
|
|
410
|
||
|
|
01:00:54,146 --> 01:00:55,748
|
||
|
|
With regards to the
|
||
|
|
garage, for example
|
||
|
|
|
||
|
|
411
|
||
|
|
01:00:56,615 --> 01:00:58,885
|
||
|
|
there has to be a
|
||
|
|
redistribution of property.
|
||
|
|
|
||
|
|
412
|
||
|
|
01:01:02,822 --> 01:01:05,759
|
||
|
|
One has to say it.
|
||
|
|
The revolution...
|
||
|
|
|
||
|
|
413
|
||
|
|
01:01:09,863 --> 01:01:13,099
|
||
|
|
Brotherhood...
|
||
|
|
St. Augustin
|
||
|
|
|
||
|
|
414
|
||
|
|
01:01:20,073 --> 01:01:21,475
|
||
|
|
I count as my friends
|
||
|
|
|
||
|
|
415
|
||
|
|
01:01:21,909 --> 01:01:25,412
|
||
|
|
those who disapprove of my actions
|
||
|
|
but not of my existence.
|
||
|
|
|
||
|
|
416
|
||
|
|
01:01:32,119 --> 01:01:33,120
|
||
|
|
I'm still smiling
|
||
|
|
|
||
|
|
417
|
||
|
|
01:01:34,355 --> 01:01:35,590
|
||
|
|
but there hasn't been a
|
||
|
|
reason, for a long time.
|
||
|
|
|
||
|
|
418
|
||
|
|
01:01:38,994 --> 01:01:41,963
|
||
|
|
My words enter...
|
||
|
|
They make a mess.
|
||
|
|
|
||
|
|
419
|
||
|
|
01:01:43,832 --> 01:01:46,601
|
||
|
|
I stay like this.
|
||
|
|
I've had enough.
|
||
|
|
|
||
|
|
420
|
||
|
|
01:01:49,070 --> 01:01:50,606
|
||
|
|
Language enters...
|
||
|
|
|
||
|
|
421
|
||
|
|
01:01:52,975 --> 01:01:56,044
|
||
|
|
The mouth shuts up. It has to
|
||
|
|
form a straight line now.
|
||
|
|
|
||
|
|
422
|
||
|
|
01:01:58,080 --> 01:02:00,583
|
||
|
|
It's done.
|
||
|
|
I've made the image.
|
||
|
|
|
||
|
|
423
|
||
|
|
01:02:04,888 --> 01:02:08,124
|
||
|
|
Almost all, mathematics,
|
||
|
|
television...
|
||
|
|
|
||
|
|
424
|
||
|
|
01:02:08,758 --> 01:02:10,660
|
||
|
|
There are almost as many
|
||
|
|
as there are numbers.
|
||
|
|
|
||
|
|
425
|
||
|
|
01:02:13,029 --> 01:02:15,432
|
||
|
|
I don't understand...
|
||
|
|
why television?
|
||
|
|
|
||
|
|
426
|
||
|
|
01:02:16,967 --> 01:02:20,203
|
||
|
|
Today, the nervous system
|
||
|
|
becomes a natural resource.
|
||
|
|
|
||
|
|
427
|
||
|
|
01:02:20,971 --> 01:02:24,474
|
||
|
|
So in my humble opinion,
|
||
|
|
Africa is once more out of luck.
|
||
|
|
|
||
|
|
428
|
||
|
|
01:02:24,675 --> 01:02:27,077
|
||
|
|
But has not become history.
|
||
|
|
One used to think that.
|
||
|
|
|
||
|
|
429
|
||
|
|
01:02:28,011 --> 01:02:30,047
|
||
|
|
It doesn't change the fact that
|
||
|
|
there will always be assholes.
|
||
|
|
|
||
|
|
430
|
||
|
|
01:02:30,147 --> 01:02:33,283
|
||
|
|
But what is different today
|
||
|
|
is that the assholes are sincere.
|
||
|
|
|
||
|
|
431
|
||
|
|
01:02:34,051 --> 01:02:35,787
|
||
|
|
They believe sincerely
|
||
|
|
in Europe, exactly.
|
||
|
|
|
||
|
|
432
|
||
|
|
01:02:37,555 --> 01:02:40,057
|
||
|
|
Europe used to be
|
||
|
|
a German musician...
|
||
|
|
|
||
|
|
433
|
||
|
|
01:02:40,191 --> 01:02:43,060
|
||
|
|
a French writer...
|
||
|
|
the Italian singers...
|
||
|
|
|
||
|
|
434
|
||
|
|
01:02:43,361 --> 01:02:44,830
|
||
|
|
Ah yes...
|
||
|
|
The Marriage of Figaro
|
||
|
|
|
||
|
|
435
|
||
|
|
01:02:48,466 --> 01:02:49,467
|
||
|
|
Yes, Sir!
|
||
|
|
|
||
|
|
436
|
||
|
|
01:02:51,703 --> 01:02:53,739
|
||
|
|
What we're doing is pathetic.
|
||
|
|
|
||
|
|
437
|
||
|
|
01:02:53,839 --> 01:02:56,675
|
||
|
|
We're distributing,
|
||
|
|
but we should be producing.
|
||
|
|
|
||
|
|
438
|
||
|
|
01:02:57,309 --> 01:02:58,310
|
||
|
|
We'd know how do it.
|
||
|
|
|
||
|
|
439
|
||
|
|
01:03:02,147 --> 01:03:05,818
|
||
|
|
Now, with these people here,
|
||
|
|
I'll try to produce something.
|
||
|
|
|
||
|
|
440
|
||
|
|
01:03:06,285 --> 01:03:07,286
|
||
|
|
Don't you think so?
|
||
|
|
|
||
|
|
441
|
||
|
|
01:03:11,090 --> 01:03:14,193
|
||
|
|
She hasn't given you the
|
||
|
|
sandwich, Flo? Flo, Flo?
|
||
|
|
|
||
|
|
442
|
||
|
|
01:03:19,733 --> 01:03:24,638
|
||
|
|
Yes? Yes...
|
||
|
|
Yes, yes, 5 pm.
|
||
|
|
|
||
|
|
443
|
||
|
|
01:03:26,640 --> 01:03:28,308
|
||
|
|
Do you think this
|
||
|
|
will take long?
|
||
|
|
|
||
|
|
444
|
||
|
|
01:03:29,176 --> 01:03:30,377
|
||
|
|
It'll be soon.
|
||
|
|
|
||
|
|
445
|
||
|
|
01:03:31,044 --> 01:03:33,981
|
||
|
|
As I said, I don't
|
||
|
|
have any control.
|
||
|
|
|
||
|
|
446
|
||
|
|
01:03:34,415 --> 01:03:36,617
|
||
|
|
You've heard it. 5 pm.
|
||
|
|
|
||
|
|
447
|
||
|
|
01:03:37,318 --> 01:03:38,319
|
||
|
|
It'll work out.
|
||
|
|
|
||
|
|
448
|
||
|
|
01:03:43,224 --> 01:03:48,363
|
||
|
|
Jean-Jaques will leave you
|
||
|
|
some space? - I hope so.
|
||
|
|
|
||
|
|
449
|
||
|
|
01:03:49,397 --> 01:03:50,766
|
||
|
|
Ask him if he has a program.
|
||
|
|
|
||
|
|
450
|
||
|
|
01:03:53,936 --> 01:03:57,105
|
||
|
|
And the unions?
|
||
|
|
What are they saying?
|
||
|
|
|
||
|
|
451
|
||
|
|
01:03:58,407 --> 01:04:03,612
|
||
|
|
We'll see. They'll say he's right,
|
||
|
|
but then they won't do anything.
|
||
|
|
|
||
|
|
452
|
||
|
|
01:04:08,050 --> 01:04:09,652
|
||
|
|
Anyway, there's nothing to say.
|
||
|
|
|
||
|
|
453
|
||
|
|
01:04:10,185 --> 01:04:14,657
|
||
|
|
To show, above all. To show
|
||
|
|
the possible. That's all.
|
||
|
|
|
||
|
|
454
|
||
|
|
01:04:18,762 --> 01:04:19,796
|
||
|
|
What, for example?
|
||
|
|
|
||
|
|
455
|
||
|
|
01:04:29,506 --> 01:04:32,108
|
||
|
|
Not by making it readable.
|
||
|
|
By showing it.
|
||
|
|
|
||
|
|
456
|
||
|
|
01:04:43,755 --> 01:04:44,956
|
||
|
|
Do you want more power?
|
||
|
|
|
||
|
|
457
|
||
|
|
01:04:50,996 --> 01:04:54,733
|
||
|
|
No power at all.
|
||
|
|
A society, not a state.
|
||
|
|
|
||
|
|
458
|
||
|
|
01:04:56,434 --> 01:04:58,102
|
||
|
|
Excuse me, Florine,
|
||
|
|
I don't get it.
|
||
|
|
|
||
|
|
459
|
||
|
|
01:04:59,070 --> 01:05:01,306
|
||
|
|
The dream of the State
|
||
|
|
is to be one.
|
||
|
|
|
||
|
|
460
|
||
|
|
01:05:02,340 --> 01:05:04,543
|
||
|
|
The dream of the individual
|
||
|
|
is to be two.
|
||
|
|
|
||
|
|
461
|
||
|
|
01:05:05,711 --> 01:05:06,779
|
||
|
|
Lets go, hurry up!
|
||
|
|
|
||
|
|
462
|
||
|
|
01:05:19,893 --> 01:05:21,060
|
||
|
|
What is she talking?
|
||
|
|
|
||
|
|
463
|
||
|
|
01:05:27,534 --> 01:05:30,069
|
||
|
|
Make up your mind about what it
|
||
|
|
is that you're struggling for
|
||
|
|
|
||
|
|
464
|
||
|
|
01:05:30,737 --> 01:05:32,506
|
||
|
|
because you might well obtain it.
|
||
|
|
|
||
|
|
465
|
||
|
|
01:05:45,085 --> 01:05:46,086
|
||
|
|
What's this story?
|
||
|
|
|
||
|
|
466
|
||
|
|
01:05:52,226 --> 01:05:53,661
|
||
|
|
Be cautious, dad!
|
||
|
|
|
||
|
|
467
|
||
|
|
01:06:14,884 --> 01:06:16,986
|
||
|
|
You're also wearing
|
||
|
|
a string, like mom?
|
||
|
|
|
||
|
|
468
|
||
|
|
01:06:17,186 --> 01:06:20,155
|
||
|
|
Lucien! - But I'm curious.
|
||
|
|
|
||
|
|
469
|
||
|
|
01:07:50,751 --> 01:07:54,422
|
||
|
|
To live or to tell...
|
||
|
|
We don't have a choice.
|
||
|
|
|
||
|
|
470
|
||
|
|
01:07:54,822 --> 01:08:00,294
|
||
|
|
I'm going to tell...
|
||
|
|
1789, 8th of August
|
||
|
|
|
||
|
|
471
|
||
|
|
01:08:01,529 --> 01:08:04,733
|
||
|
|
Abolishment of all
|
||
|
|
individual privileges
|
||
|
|
|
||
|
|
472
|
||
|
|
01:08:07,168 --> 01:08:08,570
|
||
|
|
There will only be
|
||
|
|
one common law
|
||
|
|
|
||
|
|
473
|
||
|
|
01:08:09,270 --> 01:08:12,006
|
||
|
|
that applies universally
|
||
|
|
to everyone in France.
|
||
|
|
|
||
|
|
474
|
||
|
|
01:08:15,377 --> 01:08:18,347
|
||
|
|
Nothing to obscure the relation
|
||
|
|
between the individual and the law.
|
||
|
|
|
||
|
|
475
|
||
|
|
01:08:21,985 --> 01:08:25,254
|
||
|
|
I hate the dust that I am made of
|
||
|
|
and that speaks to you.
|
||
|
|
|
||
|
|
476
|
||
|
|
01:08:28,658 --> 01:08:32,562
|
||
|
|
Bravo... Saint Just... 89
|
||
|
|
|
||
|
|
477
|
||
|
|
01:08:35,398 --> 01:08:36,700
|
||
|
|
Les beaux corps de vingt ans
|
||
|
|
|
||
|
|
478
|
||
|
|
01:10:08,296 --> 01:10:13,000
|
||
|
|
Madame... what are these countless
|
||
|
|
eyes that are watching at night?
|
||
|
|
|
||
|
|
479
|
||
|
|
01:10:17,673 --> 01:10:22,177
|
||
|
|
Monsieur... all of a sudden,
|
||
|
|
all of sudden it takes me wonder.
|
||
|
|
|
||
|
|
480
|
||
|
|
01:10:23,011 --> 01:10:26,816
|
||
|
|
There is no-one
|
||
|
|
but still I speak to you.
|
||
|
|
|
||
|
|
481
|
||
|
|
01:10:27,750 --> 01:10:30,085
|
||
|
|
And you can hear me
|
||
|
|
since you are answering.
|
||
|
|
|
||
|
|
482
|
||
|
|
01:10:32,688 --> 01:10:40,630
|
||
|
|
Monsieur... what are these images?
|
||
|
|
So free and yet locked up.
|
||
|
|
|
||
|
|
483
|
||
|
|
01:10:42,966 --> 01:10:47,871
|
||
|
|
This enormous idea... where figures
|
||
|
|
pass, and where the colors shine...
|
||
|
|
|
||
|
|
484
|
||
|
|
01:10:52,075 --> 01:10:58,181
|
||
|
|
Madame... it was space.
|
||
|
|
And space is dying.
|
||
|
|
|
||
|
|
485
|
||
|
|
01:12:02,550 --> 01:12:07,054
|
||
|
|
One word, that's enough.
|
||
|
|
- I know...
|
||
|
|
|
||
|
|
486
|
||
|
|
01:12:07,855 --> 01:12:10,859
|
||
|
|
Yes... you're full
|
||
|
|
of beauty, of power.
|
||
|
|
|
||
|
|
487
|
||
|
|
01:12:11,459 --> 01:12:16,598
|
||
|
|
I can tell you too...
|
||
|
|
We don't love each other anymore.
|
||
|
|
|
||
|
|
488
|
||
|
|
01:13:47,761 --> 01:13:49,996
|
||
|
|
The General Councils...
|
||
|
|
it's not simple.
|
||
|
|
|
||
|
|
489
|
||
|
|
01:13:50,897 --> 01:13:52,198
|
||
|
|
There are no simple elections.
|
||
|
|
|
||
|
|
490
|
||
|
|
01:13:53,433 --> 01:13:54,601
|
||
|
|
We'd need to have a program.
|
||
|
|
|
||
|
|
491
|
||
|
|
01:14:59,736 --> 01:15:03,306
|
||
|
|
Yes, obviously... a program.
|
||
|
|
|
||
|
|
492
|
||
|
|
01:15:07,544 --> 01:15:08,545
|
||
|
|
And do you have one?
|
||
|
|
|
||
|
|
493
|
||
|
|
01:15:10,314 --> 01:15:14,184
|
||
|
|
To be twenty years old.
|
||
|
|
To be right.
|
||
|
|
|
||
|
|
494
|
||
|
|
01:15:14,485 --> 01:15:18,990
|
||
|
|
To keep up hope. To be right.
|
||
|
|
Since your government is wrong.
|
||
|
|
|
||
|
|
495
|
||
|
|
01:15:20,124 --> 01:15:22,594
|
||
|
|
To learn to see
|
||
|
|
before one learns to write.
|
||
|
|
|
||
|
|
496
|
||
|
|
01:15:26,297 --> 01:15:27,298
|
||
|
|
It's great, no?
|
||
|
|
|
||
|
|
497
|
||
|
|
01:15:28,834 --> 01:15:30,802
|
||
|
|
Oh dear... you never listen.
|
||
|
|
|
||
|
|
498
|
||
|
|
01:15:33,806 --> 01:15:36,174
|
||
|
|
But still,
|
||
|
|
without her knowing
|
||
|
|
|
||
|
|
499
|
||
|
|
01:15:37,877 --> 01:15:41,914
|
||
|
|
she had already taken
|
||
|
|
the decisive step
|
||
|
|
|
||
|
|
500
|
||
|
|
01:15:43,315 --> 01:15:48,187
|
||
|
|
and was advancing
|
||
|
|
through an unknown country
|
||
|
|
|
||
|
|
501
|
||
|
|
01:15:50,723 --> 01:15:53,225
|
||
|
|
outside the borders
|
||
|
|
of her ancient paradise.
|
||
|
|
|
||
|
|
502
|
||
|
|
01:15:54,293 --> 01:15:57,564
|
||
|
|
Alone, as someone else
|
||
|
|
than this little girl.
|
||
|
|
|
||
|
|
503
|
||
|
|
01:15:57,664 --> 01:15:59,198
|
||
|
|
The union of multiple voices...
|
||
|
|
|
||
|
|
504
|
||
|
|
01:15:59,299 --> 01:16:00,300
|
||
|
|
Without fear.
|
||
|
|
|
||
|
|
505
|
||
|
|
01:16:00,366 --> 01:16:05,171
|
||
|
|
prevents the progess
|
||
|
|
of one towards the other.
|
||
|
|
|
||
|
|
506
|
||
|
|
01:16:09,242 --> 01:16:13,614
|
||
|
|
Stop the thief!
|
||
|
|
Stop the thief!
|
||
|
|
|
||
|
|
507
|
||
|
|
01:16:18,218 --> 01:16:19,687
|
||
|
|
Has anyone seen my hat?
|
||
|
|
|
||
|
|
508
|
||
|
|
01:16:30,498 --> 01:16:32,667
|
||
|
|
Hey, little white one...
|
||
|
|
you haven't seen anything?
|
||
|
|
|
||
|
|
509
|
||
|
|
01:16:33,902 --> 01:16:36,505
|
||
|
|
Hey? - No, Miss.
|
||
|
|
|
||
|
|
510
|
||
|
|
01:16:40,141 --> 01:16:41,243
|
||
|
|
I've seen you,
|
||
|
|
bastard!
|
||
|
|
|
||
|
|
511
|
||
|
|
01:16:42,310 --> 01:16:43,813
|
||
|
|
Hey, attention!
|
||
|
|
|
||
|
|
512
|
||
|
|
01:16:52,154 --> 01:16:53,155
|
||
|
|
What are you doing?
|
||
|
|
|
||
|
|
513
|
||
|
|
01:16:53,389 --> 01:16:55,458
|
||
|
|
I'm welcoming
|
||
|
|
an ancient landscape.
|
||
|
|
|
||
|
|
514
|
||
|
|
01:17:08,739 --> 01:17:11,007
|
||
|
|
I'm welcoming
|
||
|
|
an ancient landscape.
|
||
|
|
|
||
|
|
515
|
||
|
|
01:17:16,881 --> 01:17:18,215
|
||
|
|
Shit... that's a Renoir!
|
||
|
|
|
||
|
|
516
|
||
|
|
01:17:18,849 --> 01:17:20,150
|
||
|
|
Yes, exactly.
|
||
|
|
|
||
|
|
517
|
||
|
|
01:17:20,384 --> 01:17:23,187
|
||
|
|
It has seen beautiful
|
||
|
|
things, this animal.
|
||
|
|
|
||
|
|
518
|
||
|
|
01:17:25,122 --> 01:17:29,026
|
||
|
|
And these two here,
|
||
|
|
that's you and your mother?
|
||
|
|
|
||
|
|
519
|
||
|
|
01:17:39,872 --> 01:17:42,908
|
||
|
|
If anyone asks you,
|
||
|
|
just say that you don't know.
|
||
|
|
|
||
|
|
520
|
||
|
|
01:17:51,918 --> 01:17:53,519
|
||
|
|
I can't make out the brand.
|
||
|
|
|
||
|
|
521
|
||
|
|
01:17:54,921 --> 01:17:58,224
|
||
|
|
"Night and Day"
|
||
|
|
Le jour et la nuit.
|
||
|
|
|
||
|
|
522
|
||
|
|
01:17:58,958 --> 01:18:00,526
|
||
|
|
It's fine,
|
||
|
|
I understand English.
|
||
|
|
|
||
|
|
523
|
||
|
|
01:18:02,829 --> 01:18:03,830
|
||
|
|
It's from Egypt.
|
||
|
|
|
||
|
|
524
|
||
|
|
01:18:04,430 --> 01:18:06,867
|
||
|
|
It was found in the tomb
|
||
|
|
of a pharaoh, at El Amarna.
|
||
|
|
|
||
|
|
525
|
||
|
|
01:18:08,234 --> 01:18:10,069
|
||
|
|
But there are no hours,
|
||
|
|
there's nothing.
|
||
|
|
|
||
|
|
526
|
||
|
|
01:18:10,837 --> 01:18:13,440
|
||
|
|
Yes, but there is time.
|
||
|
|
The night of time.
|
||
|
|
|
||
|
|
527
|
||
|
|
01:18:19,780 --> 01:18:24,017
|
||
|
|
And the day, who decides?
|
||
|
|
- The watch itself.
|
||
|
|
|
||
|
|
528
|
||
|
|
01:18:27,254 --> 01:18:28,389
|
||
|
|
Nothing moves.
|
||
|
|
|
||
|
|
529
|
||
|
|
01:18:29,357 --> 01:18:30,625
|
||
|
|
Yes, because it's thinking.
|
||
|
|
|
||
|
|
530
|
||
|
|
01:18:31,125 --> 01:18:34,262
|
||
|
|
If it takes too long
|
||
|
|
I shake off the dust.
|
||
|
|
|
||
|
|
531
|
||
|
|
01:18:37,632 --> 01:18:38,633
|
||
|
|
And so?
|
||
|
|
|
||
|
|
532
|
||
|
|
01:18:41,169 --> 01:18:42,170
|
||
|
|
Mystery.
|
||
|
|
|
||
|
|
533
|
||
|
|
01:18:48,644 --> 01:18:49,945
|
||
|
|
What are you thinking?
|
||
|
|
|
||
|
|
534
|
||
|
|
01:18:54,383 --> 01:18:55,384
|
||
|
|
And you?
|
||
|
|
|
||
|
|
535
|
||
|
|
01:18:59,355 --> 01:19:00,556
|
||
|
|
Of your back.
|
||
|
|
|
||
|
|
536
|
||
|
|
01:19:04,995 --> 01:19:06,229
|
||
|
|
That really interests you?
|
||
|
|
|
||
|
|
537
|
||
|
|
01:19:10,433 --> 01:19:11,701
|
||
|
|
No comment.
|
||
|
|
|
||
|
|
538
|
||
|
|
01:19:56,014 --> 01:19:57,282
|
||
|
|
That's enough!
|
||
|
|
|
||
|
|
539
|
||
|
|
01:20:15,034 --> 01:20:17,337
|
||
|
|
and you will
|
||
|
|
see them again
|
||
|
|
|
||
|
|
540
|
||
|
|
01:20:19,339 --> 01:20:21,575
|
||
|
|
yes, after the annulation
|
||
|
|
of the first elections
|
||
|
|
|
||
|
|
541
|
||
|
|
01:20:21,675 --> 01:20:23,911
|
||
|
|
now the children
|
||
|
|
are waiting for
|
||
|
|
|
||
|
|
542
|
||
|
|
01:20:27,013 --> 01:20:29,850
|
||
|
|
the decision of
|
||
|
|
the State Council
|
||
|
|
|
||
|
|
543
|
||
|
|
01:20:30,484 --> 01:20:35,656
|
||
|
|
their father has a small
|
||
|
|
estate in the Midi
|
||
|
|
|
||
|
|
544
|
||
|
|
01:20:36,891 --> 01:20:38,292
|
||
|
|
for the first elections
|
||
|
|
|
||
|
|
545
|
||
|
|
01:20:38,392 --> 01:20:39,794
|
||
|
|
the decision of the
|
||
|
|
State Council was correct
|
||
|
|
|
||
|
|
546
|
||
|
|
01:20:42,630 --> 01:20:47,869
|
||
|
|
Florine and Lucien
|
||
|
|
had kept their family name
|
||
|
|
|
||
|
|
547
|
||
|
|
01:20:49,538 --> 01:20:53,475
|
||
|
|
the sovereignty of the people had
|
||
|
|
spoken, but without a clear pattern
|
||
|
|
|
||
|
|
548
|
||
|
|
01:20:55,410 --> 01:20:59,882
|
||
|
|
this time, they got
|
||
|
|
93% of the votes
|
||
|
|
|
||
|
|
549
|
||
|
|
01:21:01,450 --> 01:21:04,687
|
||
|
|
with just their first names
|
||
|
|
|
||
|
|
550
|
||
|
|
01:21:05,955 --> 01:21:09,993
|
||
|
|
so they are going to win
|
||
|
|
|
||
|
|
551
|
||
|
|
01:21:11,360 --> 01:21:16,032
|
||
|
|
in the days of the Resistance,
|
||
|
|
not far from Toulouse
|
||
|
|
|
||
|
|
552
|
||
|
|
01:21:17,534 --> 01:21:21,571
|
||
|
|
there was a small group,
|
||
|
|
part of the "Combat" movement
|
||
|
|
|
||
|
|
553
|
||
|
|
01:21:23,373 --> 01:21:27,110
|
||
|
|
"the Martin family"
|
||
|
|
|
||
|
|
554
|
||
|
|
01:21:29,613 --> 01:21:31,415
|
||
|
|
who had as their motto
|
||
|
|
|
||
|
|
555
|
||
|
|
01:21:33,050 --> 01:21:37,221
|
||
|
|
liberate and federate
|
||
|
|
|
||
|
|
556
|
||
|
|
01:22:13,459 --> 01:22:17,163
|
||
|
|
We know that gold powder from Sudan
|
||
|
|
together with egyptian slaves
|
||
|
|
|
||
|
|
557
|
||
|
|
01:22:17,430 --> 01:22:19,532
|
||
|
|
constitutes the principal element
|
||
|
|
of trade in the Sahara.
|
||
|
|
|
||
|
|
558
|
||
|
|
01:22:20,901 --> 01:22:23,236
|
||
|
|
But one doesn't see that this gold
|
||
|
|
has been for centuries
|
||
|
|
|
||
|
|
559
|
||
|
|
01:22:23,369 --> 01:22:26,573
|
||
|
|
one of the decisive weapons
|
||
|
|
of western Islam.
|
||
|
|
|
||
|
|
560
|
||
|
|
01:22:35,783 --> 01:22:38,486
|
||
|
|
Sun and death
|
||
|
|
never look at each other directly.
|
||
|
|
|
||
|
|
561
|
||
|
|
01:23:03,712 --> 01:23:06,148
|
||
|
|
See... here...
|
||
|
|
|
||
|
|
562
|
||
|
|
01:23:06,949 --> 01:23:10,419
|
||
|
|
two female gold diggers, in a
|
||
|
|
gathering of the Golden League.
|
||
|
|
|
||
|
|
563
|
||
|
|
01:23:11,821 --> 01:23:16,325
|
||
|
|
So, the image... Historians
|
||
|
|
don't search, they find.
|
||
|
|
|
||
|
|
564
|
||
|
|
01:23:24,768 --> 01:23:26,803
|
||
|
|
To shield all these
|
||
|
|
images from language
|
||
|
|
|
||
|
|
565
|
||
|
|
01:23:27,604 --> 01:23:28,605
|
||
|
|
means to actually
|
||
|
|
make use of them
|
||
|
|
|
||
|
|
566
|
||
|
|
01:23:29,940 --> 01:23:31,207
|
||
|
|
because they are
|
||
|
|
in the desert
|
||
|
|
|
||
|
|
567
|
||
|
|
01:23:31,675 --> 01:23:32,843
|
||
|
|
and that's where one
|
||
|
|
has to look for them.
|
||
|
|
|
||
|
|
568
|
||
|
|
01:24:00,104 --> 01:24:03,609
|
||
|
|
In 1839, Palestine welcomes
|
||
|
|
its first photographer.
|
||
|
|
|
||
|
|
569
|
||
|
|
01:24:03,809 --> 01:24:05,544
|
||
|
|
The quadrature of the circle
|
||
|
|
had been accomplished
|
||
|
|
|
||
|
|
570
|
||
|
|
01:24:05,644 --> 01:24:09,114
|
||
|
|
with the famous metaphor
|
||
|
|
x + 3 = 1
|
||
|
|
|
||
|
|
571
|
||
|
|
01:24:09,281 --> 01:24:10,683
|
||
|
|
that Einstein had been
|
||
|
|
looking for all his life.
|
||
|
|
|
||
|
|
572
|
||
|
|
01:24:11,684 --> 01:24:13,686
|
||
|
|
Clarity through obscurity
|
||
|
|
|
||
|
|
573
|
||
|
|
01:24:21,861 --> 01:24:26,098
|
||
|
|
At the end of 1926
|
||
|
|
in Jerusalem
|
||
|
|
|
||
|
|
574
|
||
|
|
01:24:27,534 --> 01:24:32,038
|
||
|
|
Gershom Scholem writes to
|
||
|
|
Franz Rosenzweig in Berlin
|
||
|
|
|
||
|
|
575
|
||
|
|
01:24:36,343 --> 01:24:38,478
|
||
|
|
This country is a volcano.
|
||
|
|
|
||
|
|
576
|
||
|
|
01:24:39,313 --> 01:24:40,514
|
||
|
|
And the day will come
|
||
|
|
when language
|
||
|
|
|
||
|
|
577
|
||
|
|
01:24:40,614 --> 01:24:42,483
|
||
|
|
will turn itself against
|
||
|
|
those who speak it.
|
||
|
|
|
||
|
|
578
|
||
|
|
01:24:43,851 --> 01:24:46,253
|
||
|
|
And this is why the
|
||
|
|
young girls love you
|
||
|
|
|
||
|
|
579
|
||
|
|
01:24:48,656 --> 01:24:51,292
|
||
|
|
Take me for a walk,
|
||
|
|
make me run after you
|
||
|
|
|
||
|
|
580
|
||
|
|
01:24:53,427 --> 01:24:54,796
|
||
|
|
The king invites me
|
||
|
|
into his chamber
|
||
|
|
|
||
|
|
581
|
||
|
|
01:24:54,896 --> 01:24:56,097
|
||
|
|
A prisoner of love
|
||
|
|
|
||
|
|
582
|
||
|
|
01:24:57,766 --> 01:25:00,502
|
||
|
|
And the second angel
|
||
|
|
poured out his vial upon the sea
|
||
|
|
|
||
|
|
583
|
||
|
|
01:25:01,403 --> 01:25:03,238
|
||
|
|
and it became as the blood
|
||
|
|
of a dead man.
|
||
|
|
|
||
|
|
584
|
||
|
|
01:25:07,142 --> 01:25:10,178
|
||
|
|
In his second course at the École
|
||
|
|
libre des hautes études in New York
|
||
|
|
|
||
|
|
585
|
||
|
|
01:25:11,146 --> 01:25:15,451
|
||
|
|
Roman Jakobson shows
|
||
|
|
during the winter of 1942/43
|
||
|
|
|
||
|
|
586
|
||
|
|
01:25:16,552 --> 01:25:19,655
|
||
|
|
that is it impossible to separate
|
||
|
|
sound from meaning
|
||
|
|
|
||
|
|
587
|
||
|
|
01:25:20,623 --> 01:25:24,727
|
||
|
|
and that only the concept of the
|
||
|
|
phoneme can solve this mystery.
|
||
|
|
|
||
|
|
588
|
||
|
|
01:25:24,828 --> 01:25:27,597
|
||
|
|
To write for two voices
|
||
|
|
can only succeed
|
||
|
|
|
||
|
|
589
|
||
|
|
01:25:27,664 --> 01:25:31,401
|
||
|
|
if the dissonances are announced
|
||
|
|
by a common note.
|
||
|
|
|
||
|
|
590
|
||
|
|
01:25:52,991 --> 01:26:00,331
|
||
|
|
Tell me where the soldiers are
|
||
|
|
where have they lived on?
|
||
|
|
|
||
|
|
591
|
||
|
|
01:26:00,565 --> 01:26:06,137
|
||
|
|
Tell me where the soldiers are
|
||
|
|
what has been done?
|
||
|
|
|
||
|
|
592
|
||
|
|
01:26:06,237 --> 01:26:07,539
|
||
|
|
ISAAC SAID TO HIS FATHER
|
||
|
|
|
||
|
|
593
|
||
|
|
01:26:07,639 --> 01:26:11,042
|
||
|
|
Tell me where the soldiers are
|
||
|
|
I SEE THE FIRE
|
||
|
|
|
||
|
|
594
|
||
|
|
01:26:11,243 --> 01:26:14,647
|
||
|
|
I SEE THE KNIFE
|
||
|
|
over gravestones wafts the wind
|
||
|
|
|
||
|
|
595
|
||
|
|
01:26:14,880 --> 01:26:18,517
|
||
|
|
BUT WHERE IS THE LAMB?
|
||
|
|
When will they ever see
|
||
|
|
|
||
|
|
596
|
||
|
|
01:26:18,684 --> 01:26:21,253
|
||
|
|
AND ABRAHAM SAID
|
||
|
|
when will they ever see?
|
||
|
|
|
||
|
|
597
|
||
|
|
01:26:21,353 --> 01:26:24,022
|
||
|
|
GOD WILL PROVIDE IT
|
||
|
|
FOR A BURNT OFFERING
|
||
|
|
|
||
|
|
598
|
||
|
|
01:26:30,530 --> 01:26:35,067
|
||
|
|
The crusades, and the name
|
||
|
|
Jerusalem, explain many things.
|
||
|
|
|
||
|
|
599
|
||
|
|
01:26:36,336 --> 01:26:37,838
|
||
|
|
If there was desire
|
||
|
|
for vengeance
|
||
|
|
|
||
|
|
600
|
||
|
|
01:26:38,705 --> 01:26:40,741
|
||
|
|
the person to avenge
|
||
|
|
was Jesus Christ.
|
||
|
|
|
||
|
|
601
|
||
|
|
01:26:47,548 --> 01:26:48,549
|
||
|
|
PALESTINE
|
||
|
|
|
||
|
|
602
|
||
|
|
01:26:57,258 --> 01:27:02,196
|
||
|
|
ODESSA
|
||
|
|
|
||
|
|
603
|
||
|
|
01:28:53,280 --> 01:28:58,619
|
||
|
|
Odessa. The stairs, in
|
||
|
|
Russian, are feminine.
|
||
|
|
|
||
|
|
604
|
||
|
|
01:29:07,027 --> 01:29:08,696
|
||
|
|
In my opinion, she's
|
||
|
|
talking nonsense.
|
||
|
|
|
||
|
|
605
|
||
|
|
01:29:09,464 --> 01:29:11,065
|
||
|
|
But there was something else.
|
||
|
|
|
||
|
|
606
|
||
|
|
01:29:12,667 --> 01:29:13,869
|
||
|
|
Poor Vakulinchuk.
|
||
|
|
|
||
|
|
607
|
||
|
|
01:29:32,789 --> 01:29:35,524
|
||
|
|
The manifestation was full
|
||
|
|
of joy, of happiness.
|
||
|
|
|
||
|
|
608
|
||
|
|
01:29:37,660 --> 01:29:39,362
|
||
|
|
Here's the work... your turn.
|
||
|
|
|
||
|
|
609
|
||
|
|
01:29:40,563 --> 01:29:43,032
|
||
|
|
The soldiers began shooting
|
||
|
|
because... manifest...
|
||
|
|
|
||
|
|
610
|
||
|
|
01:29:43,667 --> 01:29:45,502
|
||
|
|
and in manifest there is
|
||
|
|
the word hand [main].
|
||
|
|
|
||
|
|
611
|
||
|
|
01:29:49,105 --> 01:29:52,509
|
||
|
|
An ideal, a smile that
|
||
|
|
conjures up the universe.
|
||
|
|
|
||
|
|
612
|
||
|
|
01:30:09,694 --> 01:30:17,001
|
||
|
|
HELLAS
|
||
|
|
|
||
|
|
613
|
||
|
|
01:30:31,116 --> 01:30:34,487
|
||
|
|
Democracy and tragedy
|
||
|
|
were married in Athens
|
||
|
|
|
||
|
|
614
|
||
|
|
01:30:34,854 --> 01:30:36,489
|
||
|
|
under Pericles and Sophocles.
|
||
|
|
|
||
|
|
615
|
||
|
|
01:30:37,556 --> 01:30:40,994
|
||
|
|
A single child: civil war
|
||
|
|
|
||
|
|
616
|
||
|
|
01:30:46,032 --> 01:30:47,968
|
||
|
|
The tragic hero of the Greek
|
||
|
|
|
||
|
|
617
|
||
|
|
01:30:49,870 --> 01:30:53,406
|
||
|
|
The deadly encounter
|
||
|
|
of a body without language
|
||
|
|
|
||
|
|
618
|
||
|
|
01:30:54,341 --> 01:30:58,545
|
||
|
|
with an impossible
|
||
|
|
declaration.
|
||
|
|
|
||
|
|
619
|
||
|
|
01:31:16,230 --> 01:31:22,838
|
||
|
|
Ismene, mine own dear sister,
|
||
|
|
knowest thou what ill there is?
|
||
|
|
|
||
|
|
620
|
||
|
|
01:31:26,107 --> 01:31:29,611
|
||
|
|
When Odysseus returns
|
||
|
|
from his odyssey
|
||
|
|
|
||
|
|
621
|
||
|
|
01:31:30,245 --> 01:31:33,215
|
||
|
|
the only one who recognizes him
|
||
|
|
through his disguise is a dog.
|
||
|
|
|
||
|
|
622
|
||
|
|
01:31:34,984 --> 01:31:39,822
|
||
|
|
But that morning, side
|
||
|
|
by side with Atalante
|
||
|
|
|
||
|
|
623
|
||
|
|
01:31:40,790 --> 01:31:43,058
|
||
|
|
he understood that the war
|
||
|
|
would be at the center of his life.
|
||
|
|
|
||
|
|
624
|
||
|
|
01:31:44,093 --> 01:31:48,064
|
||
|
|
French News presents today
|
||
|
|
the first report
|
||
|
|
|
||
|
|
625
|
||
|
|
01:31:48,264 --> 01:31:50,099
|
||
|
|
from a country that
|
||
|
|
is falling apart.
|
||
|
|
|
||
|
|
626
|
||
|
|
01:32:15,626 --> 01:32:17,695
|
||
|
|
Why would I have desired
|
||
|
|
the gift of prophecy?
|
||
|
|
|
||
|
|
627
|
||
|
|
01:32:18,930 --> 01:32:21,633
|
||
|
|
Cassandra, you will
|
||
|
|
be reasonable! - No.
|
||
|
|
|
||
|
|
628
|
||
|
|
01:32:23,067 --> 01:32:25,537
|
||
|
|
You don't approve
|
||
|
|
of Gods plan? - No.
|
||
|
|
|
||
|
|
629
|
||
|
|
01:32:26,705 --> 01:32:28,173
|
||
|
|
But you going
|
||
|
|
to behave! - No.
|
||
|
|
|
||
|
|
630
|
||
|
|
01:32:38,784 --> 01:32:39,785
|
||
|
|
Naples
|
||
|
|
|
||
|
|
631
|
||
|
|
01:32:42,120 --> 01:32:44,724
|
||
|
|
Reintroducing duration.
|
||
|
|
|
||
|
|
632
|
||
|
|
01:32:47,727 --> 01:32:51,230
|
||
|
|
Even more significant than the
|
||
|
|
profound structures of life
|
||
|
|
|
||
|
|
633
|
||
|
|
01:32:52,665 --> 01:33:00,540
|
||
|
|
are the points where they break,
|
||
|
|
their brusk or long deterioration.
|
||
|
|
|
||
|
|
634
|
||
|
|
01:33:11,385 --> 01:33:15,924
|
||
|
|
The tragedy is that one
|
||
|
|
copies the same model
|
||
|
|
|
||
|
|
635
|
||
|
|
01:33:16,090 --> 01:33:18,225
|
||
|
|
that dates back to the
|
||
|
|
Ancient Mediterranean.
|
||
|
|
|
||
|
|
636
|
||
|
|
01:33:19,126 --> 01:33:20,461
|
||
|
|
Affection is an ancient event.
|
||
|
|
|
||
|
|
637
|
||
|
|
01:33:20,561 --> 01:33:25,500
|
||
|
|
It has colored with its perfume,
|
||
|
|
its colors, and its affirmations
|
||
|
|
|
||
|
|
638
|
||
|
|
01:33:26,234 --> 01:33:28,035
|
||
|
|
the entire life in
|
||
|
|
the western world.
|
||
|
|
|
||
|
|
639
|
||
|
|
01:33:28,136 --> 01:33:29,938
|
||
|
|
Without affection, evolution
|
||
|
|
would not have been possible.
|
||
|
|
|
||
|
|
640
|
||
|
|
01:33:31,039 --> 01:33:34,576
|
||
|
|
The plague breaks out in Naples
|
||
|
|
on October 1st, 1943
|
||
|
|
|
||
|
|
641
|
||
|
|
01:33:35,778 --> 01:33:40,683
|
||
|
|
the same day when the Allies enter
|
||
|
|
and liberate this unfortunate city.
|
||
|
|
|
||
|
|
642
|
||
|
|
01:33:42,718 --> 01:33:43,886
|
||
|
|
Liberty is expensive.
|
||
|
|
|
||
|
|
643
|
||
|
|
01:33:46,990 --> 01:33:49,325
|
||
|
|
But one can't buy her with gold,
|
||
|
|
and not with blood
|
||
|
|
|
||
|
|
644
|
||
|
|
01:33:50,693 --> 01:33:55,298
|
||
|
|
but with cowardice,
|
||
|
|
prostitution and betrayal.
|
||
|
|
|
||
|
|
645
|
||
|
|
01:34:01,638 --> 01:34:03,907
|
||
|
|
The North Americans could
|
||
|
|
pretend to liberate the people
|
||
|
|
|
||
|
|
646
|
||
|
|
01:34:04,407 --> 01:34:06,710
|
||
|
|
and force them, at the same
|
||
|
|
time, to feel defeated.
|
||
|
|
|
||
|
|
647
|
||
|
|
01:34:14,852 --> 01:34:15,853
|
||
|
|
Barcelona
|
||
|
|
|
||
|
|
648
|
||
|
|
01:34:18,289 --> 01:34:22,092
|
||
|
|
Spain is a country where there
|
||
|
|
is no shortage, at the moment
|
||
|
|
|
||
|
|
649
|
||
|
|
01:34:22,994 --> 01:34:24,261
|
||
|
|
of chances to die.
|
||
|
|
|
||
|
|
650
|
||
|
|
01:34:26,965 --> 01:34:27,966
|
||
|
|
And even our hopes
|
||
|
|
|
||
|
|
651
|
||
|
|
01:34:29,400 --> 01:34:30,969
|
||
|
|
And yet, of course
|
||
|
|
|
||
|
|
652
|
||
|
|
01:34:31,269 --> 01:34:34,472
|
||
|
|
What matters is not
|
||
|
|
what a dictator thinks.
|
||
|
|
|
||
|
|
653
|
||
|
|
01:34:52,291 --> 01:34:56,629
|
||
|
|
We discover war only once.
|
||
|
|
But we discover life many times.
|
||
|
|
|
||
|
|
654
|
||
|
|
01:35:02,569 --> 01:35:08,441
|
||
|
|
A truth that's more loyal, and
|
||
|
|
one might add, delivered by hand.
|
||
|
|
|
||
|
|
655
|
||
|
|
01:35:17,818 --> 01:35:20,822
|
||
|
|
Bullfight on the Plaza de Toros.
|
||
|
|
Everyone was there.
|
||
|
|
|
||
|
|
656
|
||
|
|
01:35:21,088 --> 01:35:24,124
|
||
|
|
Hemingway, Dos Passos, Orwell.
|
||
|
|
|
||
|
|
657
|
||
|
|
01:35:26,694 --> 01:35:27,695
|
||
|
|
And then?
|
||
|
|
|
||
|
|
658
|
||
|
|
01:35:28,596 --> 01:35:32,968
|
||
|
|
After the execution, toreros and
|
||
|
|
spectators left for the front.
|
||
|
|
|
||
|
|
659
|
||
|
|
01:35:35,938 --> 01:35:38,239
|
||
|
|
Women. Like all the ones who were
|
||
|
|
|
||
|
|
660
|
||
|
|
01:35:38,373 --> 01:35:41,009
|
||
|
|
building barricades in
|
||
|
|
the suburbs of the city
|
||
|
|
|
||
|
|
661
|
||
|
|
01:35:41,610 --> 01:35:43,412
|
||
|
|
awaiting the offensive.
|
||
|
|
|
||
|
|
662
|
||
|
|
01:35:44,112 --> 01:35:48,183
|
||
|
|
Simon Weil would later,
|
||
|
|
after Franco's victory
|
||
|
|
|
||
|
|
663
|
||
|
|
01:35:49,284 --> 01:35:52,421
|
||
|
|
when she learned the Germans
|
||
|
|
had taken Paris, declare:
|
||
|
|
|
||
|
|
664
|
||
|
|
01:35:54,156 --> 01:35:56,125
|
||
|
|
A great day
|
||
|
|
for Indochina.
|
||
|
|
|
||
|
|
665
|
||
|
|
01:35:59,295 --> 01:36:05,635
|
||
|
|
You see, with the verb "to be", the
|
||
|
|
lack of reality becomes flagrant.
|
||
|
|
|
||
|
|
666
|
||
|
|
01:36:06,569 --> 01:36:09,873
|
||
|
|
For example:
|
||
|
|
Soon we will be in Barcelona.
|
||
|
|
|
||
|
|
667
|
||
|
|
01:36:13,577 --> 01:36:17,047
|
||
|
|
It would be better to say:
|
||
|
|
Barcelona will welcome us soon.
|
||
|
|
|
||
|
|
668
|
||
|
|
01:36:24,989 --> 01:36:27,157
|
||
|
|
What time is it?
|
||
|
|
|
||
|
|
669
|
||
|
|
01:36:32,597 --> 01:36:33,999
|
||
|
|
Always the right time.
|
||
|
|
|
||
|
|
670
|
||
|
|
01:36:43,976 --> 01:36:47,847
|
||
|
|
THINGS LIKE
|
||
|
|
|
||
|
|
671
|
||
|
|
01:36:54,119 --> 01:37:01,293
|
||
|
|
WHEN THE LAW IS WRONG
|
||
|
|
JUSTICE COMES BEFORE THE LAW
|
||
|
|
|
||
|
|
672
|
||
|
|
01:37:02,361 --> 01:37:06,900
|
||
|
|
SUBTITLES
|
||
|
|
PIRATE CINEMA BERLIN
|
||
|
|
|