From 7a32af65327df93a84d328b0a9b92695037c20e7 Mon Sep 17 00:00:00 2001
From: imohkay <karen.menezes@gmail.com>
Date: Tue, 26 Oct 2021 13:30:32 +0530
Subject: [PATCH] update about text

---
 app/templates/about.html | 8 ++++++--
 1 file changed, 6 insertions(+), 2 deletions(-)

diff --git a/app/templates/about.html b/app/templates/about.html
index f3d5aa2..f0b7f60 100755
--- a/app/templates/about.html
+++ b/app/templates/about.html
@@ -4,10 +4,11 @@
 {% block main %}
 <div class="about">
     <h1 class="font-bold">The video art programme of the Asia Art Biennial.</h1>
+    <h1 class="font-bold">亞洲藝術雙年展錄像計畫</h1>
     <div>Curated by Anushka Rajendran</div>
     <p>策展人    安努舒卡．拉堅德蘭</p>
     <div>Presented online by Pad.ma</div>
-    <p>藝術家    Pad.ma</p>
+    <p>網站製作團隊     Pad.ma</p>
   <div class="row">
     <div class="col col--about">
       <div class="about-phantasma-block">
@@ -21,6 +22,8 @@
         <p>Curated by Anushka Rajendran, “Phantasmapolis: Looking back to the future” considers alterities and futurisms whose traces endure in our present—often inherited from the past—that were denied existence, or threatened by various dominant apparatuses of power. A series of moving image works articulate their concerns in the grammatical premise determined by the future-past tense, excavating the cyclical nature of time and latencies residing in the interstices of time as experienced in the contemporary.</p>
 
         <p>The artworks present in this exhibition, even as they maintain scepticism towards techno-fetishistic, development-philic, heteronormative, non-inclusive paradigms for the future, propelled in the interest of capital and by the anaemic premise inscribed by the idea of progress, they do not deny the possibility of reorienting civilizational creativity and resilience towards reconsiderations.</p>
+
+        <p>The online platform that hosts this exhibition conceptualized and drawn from <a href="https://pad.ma" class="font-family-wrong">pad.ma</a> proposes alternative ways of deepening the connectivity and democratic possibilities that can exist vis-à-vis the internet towards ethical digital infrastructures to engage intimately with art.</p>
       </div>
     </div>
     <div class="col col--about">
@@ -36,6 +39,7 @@
 
         <p>雖然展覽中的作品對於科技迷戀、發展導向、異性戀觀點、對未來的排他敘事、受資本驅動、進步導向的貧乏敘事提出質疑，藝術家仍然願意透過文明創造力與韌性，重新探索不同未來可能。</p>
         <p>呈現此計畫的網路平台之發想與概念來自 pad.ma，該平台提倡以另類的方式，讓數位介面的藝術體驗更具有連結性也更民主。</p>
+        <p>呈現此計畫的網路平台之發想與概念來自 <a href="https://pad.ma" class="font-family-wrong">pad.ma</a>，該平台提倡以另類的方式，讓數位介面的藝術體驗更具有連結性也更民主。</p>
       </div>
     </div>
   </div>
@@ -154,7 +158,7 @@
   <br>
   <p>Project "<a href="/polis">Phantas.ma/polis</a>" is organized by National Taiwan Museum of Fine Arts, supervised by the Ministry of Culture, and is co-organized by the Cultural Taiwan Foundation and in partnership with SEA Plateau.</p>
 
-<p>本計畫由國立臺灣美術館策劃，文化部指導、財團法人文化臺灣基金會支持、SEA plateaus協力。</p>
+  <p>本計畫由國立臺灣美術館策劃，文化部指導、財團法人文化臺灣基金會支持、SEA plateaus協力。</p>
 
 </div>
 {% endblock %}