From 2cd75dcc084938ca4188a7c2d7bd24932add26aa Mon Sep 17 00:00:00 2001 From: imohkay Date: Wed, 27 Oct 2021 07:59:25 +0530 Subject: [PATCH] update home page text, minor changes to about page and some padding updates --- app/static/css/partials/_ascroll.scss | 12 +++++------- app/templates/about.html | 12 ++++++------ app/templates/index.html | 8 ++++---- 3 files changed, 15 insertions(+), 17 deletions(-) diff --git a/app/static/css/partials/_ascroll.scss b/app/static/css/partials/_ascroll.scss index a972300..26f9df4 100755 --- a/app/static/css/partials/_ascroll.scss +++ b/app/static/css/partials/_ascroll.scss @@ -4,7 +4,8 @@ color: #222; h1 { - padding: 4px; + padding-left: var(--spacing-2); + padding-right: var(--spacing-2); padding-top: 32px; font-size: 20px; letter-spacing: 1px; @@ -13,13 +14,12 @@ margin: auto; } h2 { - padding: 4px; + padding: 4px var(--spacing-2); max-width: var(--container-width); margin: auto; } .intro { - padding: 4px; - padding-bottom: 64px; + padding: 4px var(--spacing-2) 64px; max-width: var(--container-width); margin: auto; } @@ -99,9 +99,7 @@ } .related-film { - padding: 4px; - padding-top: 32px; - padding-bottom: 32px; + padding: calc(var(--spacing) * 4) var(--spacing-2); max-width: var(--container-width); margin: auto; line-height: 1.4; diff --git a/app/templates/about.html b/app/templates/about.html index f4047c4..81ae273 100755 --- a/app/templates/about.html +++ b/app/templates/about.html @@ -16,14 +16,14 @@

The 8 edition of the Asian Art Biennial hosted by the National Taiwan Museum of Fine Arts (NTMoFA) invites Independent curator Nobuo Takamori (Taiwan) as the chief curator with a transnational curatorial team that also includes curators Tessa Maria Guazon (Philippines), Anushka Rajendran (India), Ho Yu-Kuan (Taiwan), and curator and art historian Thanavi Chotpradit (Thailand).

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Phantas.ma/polis, is the new location for the video art programme of the biennial, “Looking Back to the Future”. Using the time-based annotation, timeline views and edit features of Pad.ma, Phantas.ma/polis showcases the participating artists’ videos along with extended commentaries by the curator, artists and critics. Over the duration of the biennial, +

Phantas.ma/polis, is the new location for the video art programme of the biennial, “Looking Back to the Future”. Using the time-based annotation, timeline views and edit features of Pad.ma, Phantas.ma/polis showcases the participating artists’ videos along with extended commentaries by the curator, artists and critics. Over the duration of the biennial, Phantas.ma/polis will evolve to bring the artworks in conversation with each other through both formal and interpretative recombinations of the featured works.

Curated by Anushka Rajendran, “Phantasmapolis: Looking back to the future” considers alterities and futurisms whose traces endure in our present—often inherited from the past—that were denied existence, or threatened by various dominant apparatuses of power. A series of moving image works articulate their concerns in the grammatical premise determined by the future-past tense, excavating the cyclical nature of time and latencies residing in the interstices of time as experienced in the contemporary.

The artworks present in this exhibition, even as they maintain scepticism towards techno-fetishistic, development-philic, heteronormative, non-inclusive paradigms for the future, propelled in the interest of capital and by the anaemic premise inscribed by the idea of progress, they do not deny the possibility of reorienting civilizational creativity and resilience towards reconsiderations.

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The online platform that hosts this exhibition conceptualized and drawn from Pad.ma proposes alternative ways of deepening the connectivity and democratic possibilities that can exist vis-à-vis the internet towards ethical digital infrastructures to engage intimately with art.

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The online platform that hosts this exhibition conceptualized and drawn from Pad.ma proposes alternative ways of deepening the connectivity and democratic possibilities that can exist vis-à-vis the internet towards ethical digital infrastructures to engage intimately with art.

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雖然展覽中的作品對於科技迷戀、發展導向、異性戀觀點、對未來的排他敘事、受資本驅動、進步導向的貧乏敘事提出質疑，藝術家仍然願意透過文明創造力與韌性，重新探索不同未來可能。

呈現此計畫的網路平台之發想與概念來自 Pad.ma，該平台提倡以另類的方式，讓數位介面的藝術體驗更具有連結性也更民主。

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呈現此計畫的網路平台之發想與概念來自 Pad.ma，該平台提倡以另類的方式，讓數位介面的藝術體驗更具有連結性也更民主。

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呈現此計畫的網路平台之發想與概念來自 Pad.ma，該平台提倡以另類的方式，讓數位介面的藝術體驗更具有連結性也更民主。

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Pad.ma is an artist-run online archive of densely text-annotated video material, primarily footage and not finished films contributed by filmmakers, artists and cultural workers. It was set up in 2008 as a collaboration between CAMP, 0x2620, the Alternative Law Forum and Majlis. Pad.ma (and her allied projects) remain at the forefront of radical and future-oriented thinking and engagement with both material and theory of digital archives.

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Pad.ma is an artist-run online archive of densely text-annotated video material, primarily footage and not finished films contributed by filmmakers, artists and cultural workers. It was set up in 2008 as a collaboration between CAMP, 0x2620, the Alternative Law Forum and Majlis. Pad.ma (and her allied projects) remain at the forefront of radical and future-oriented thinking and engagement with both material and theory of digital archives.

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CAMP is a collaborative studio founded in Bombay in 2007. It has been producing fundamental new work in film and video, electronic media, and public art forms, in a practice characterised by a hand-dirtying, non-alienated relation to technology. From their home base in Mumbai, they co-host the online archives Pad.ma and indiancine.ma and run a rooftop cinema for the past 14 years.

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CAMP is a collaborative studio founded in Bombay in 2007. It has been producing fundamental new work in film and video, electronic media, and public art forms, in a practice characterised by a hand-dirtying, non-alienated relation to technology. From their home base in Mumbai, they co-host the online archives Pad.ma and indiancine.ma and run a rooftop cinema for the past 14 years.

Founded in 2010 in Berlin, 0x2620 is an artist-run agency for the advancement of the international exchange of information, and usually operates at the intersections of art, politics and technology. Its activities include extensive research on intellectual property and piracy, the development of open-source software tools and web applications, and the production of both technological and social infrastructure for the collaborative creation, maintenance and use of relatively large data sets.

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Pad.ma 公眾存取數位媒體檔案庫（Public Access Digital Media Archive ，簡稱Pad.ma）是一個為密集文字標注影片素材所設立的線上檔案庫。其營運團隊成員皆為藝術家，彙整內容主要為電影創作者、藝術家、文化工作者提供的影片資料帶和未完成的影片。2008年正式上線的Pad.ma為CAMP、0x2620、另類法律論壇、Majlis共同合作而成。Pad.ma（與其他相關計畫）激進、以未來為導向的思考模式多年來始終如一，並積極投入數位檔案的素材與理論的研究。 +

Pad.ma 公眾存取數位媒體檔案庫（Public Access Digital Media Archive ，簡稱Pad.ma）是一個為密集文字標注影片素材所設立的線上檔案庫。其營運團隊成員皆為藝術家，彙整內容主要為電影創作者、藝術家、文化工作者提供的影片資料帶和未完成的影片。2008年正式上線的Pad.ma為CAMP、0x2620、另類法律論壇、Majlis共同合作而成。Pad.ma（與其他相關計畫）激進、以未來為導向的思考模式多年來始終如一，並積極投入數位檔案的素材與理論的研究。

diff --git a/app/templates/index.html b/app/templates/index.html index 69dddf7..12432c1 100755 --- a/app/templates/index.html +++ b/app/templates/index.html @@ -8,7 +8,7 @@

未至之城

回望未來

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Video art program 錄像計畫
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Video art programme 錄像計畫

Asian Art Biennale 2021

2021亞洲藝術雙年展

2021.10.30 - 2022.3.6

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Films 影片

16 films on Asian futures, past and present

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回望未來

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16 部關於亞洲未來、過去與現在的影片

Assemblies 選集
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Essays and edits within or across films

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回望未來

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32 video essays within or across films

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32篇影像隨筆與解析

About 關於